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Steve Winwood|Back In The High Life

Back In The High Life

Steve Winwood

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More meticulously crafted than its predecessor Arc of a Diver and more musically adventurous than its follow-up, Roll with It, Back in the High Life represents the pinnacle of Steve Winwood's '80s pop output. High production values, interlocking percussion lines, R&B backing vocals, horns, synthesizers, and ideas borrowed from various world musics enhance and update Winwood's proclivity for blues, R&B, and rock. His distinctive blue-eyed soul vocals are, naturally, at the front of the mix as well.
The runaway number one single, "Higher Love," with its syncopated groove, pan-African percussion, and slick Top 40 production, kicks off this accessible set. Elsewhere, the dance-gospel of "Wake Me Up on Judgment Day," the semi-acoustic title track, and the funk-touched "Split Decision" (which proves Winwood's R&B roots were still strong) keep the stylistic wheel turning. The record's success, sonically and commercially, should come as no surprise. Since his days in Traffic, Winwood has been a masterful stylistic synthesist, melding a range of aesthetics in ways that invariably connect with listeners. Back in the High Life is further proof of his remarkable abilities.

© Rovi Staff /TiVo

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Back In The High Life

Steve Winwood

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1
Higher Love
00:05:51

David Frank, AssociatedPerformer, Synth Pads - Robbie Kilgore, Synthesizer, AssociatedPerformer - Russ Titelman, Producer - Eddie Martinez, Guitar, AssociatedPerformer - John Robinson, Drums, AssociatedPerformer - NILE RODGERS, Guitar, AssociatedPerformer - Steve Winwood, Producer, Vocals, Synthesizer, Drum Programming, Sequencer, MainArtist, AssociatedPerformer, ComposerLyricist - TOM LORD-ALGE, Mixer, Engineer, StudioPersonnel - Will Jennings, ComposerLyricist - CHAKA KHAN, Background Vocalist, AssociatedPerformer - Jason Corsaro, Engineer, StudioPersonnel - PHILIPPE SAISSE, Synth Bass, AssociatedPerformer - Jimmy Bralower, Drum Programming, AssociatedPerformer - Andrew Thomas, Synthesizer, AssociatedPerformer - Carol Steele, Percussion, AssociatedPerformer

℗ 1986 Island Records Ltd.

2
Take It As It Comes
00:05:23

Russ Titelman, Producer - Steve Winwood, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - TOM LORD-ALGE, Mixer, Engineer, StudioPersonnel - Will Jennings, ComposerLyricist - Jason Corsaro, Engineer, StudioPersonnel

℗ 1986 Universal Music Operations Limited

3
Freedom Overspill
00:05:36

David Frank, Horn Arranger, AssociatedPerformer - Russ Titelman, Producer - Eddie Martinez, Guitar, AssociatedPerformer - Tom Malone, Trombone, AssociatedPerformer - Steve Winwood, Producer, Hammond Organ, Vocals, Synth Bass, Drum Programming, Programming, MainArtist, AssociatedPerformer, ComposerLyricist - Randy Brecker, Trumpet, AssociatedPerformer - TOM LORD-ALGE, Mixer, Engineer, StudioPersonnel - Jason Corsaro, Engineer, StudioPersonnel - George Young, Alto Saxophone, AssociatedPerformer - Jimmy Bralower, Drum Programming, AssociatedPerformer - Steve Ferrone, Drums, AssociatedPerformer - BOB MINTZER, Tenor Saxophone, AssociatedPerformer - Joe Walsh, Guitar, AssociatedPerformer - Carol Steele, Percussion, AssociatedPerformer - George Fleming, ComposerLyricist - James Hooker Brown, ComposerLyricist - Lewis Del Gatto, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer

℗ 1986 Universal Music Operations Limited

4
Back In The High Life Again
00:05:35

Russ Titelman, Producer - Steve Winwood, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - TOM LORD-ALGE, Mixer, Engineer, StudioPersonnel - Will Jennings, ComposerLyricist - Jason Corsaro, Engineer, StudioPersonnel

℗ 1986 Universal Music Operations Limited

5
The Finer Things
00:05:48

Russ Titelman, Producer - Steve Winwood, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - TOM LORD-ALGE, Mixer, Engineer, StudioPersonnel - Will Jennings, ComposerLyricist - Jason Corsaro, Engineer, StudioPersonnel

℗ 1986 Universal Music Operations Limited

6
Wake Me Up On Judgment Day
00:05:51

David Frank, AssociatedPerformer, Synth Pads - Robbie Kilgore, Synthesizer, AssociatedPerformer - Russ Titelman, Producer - Ira Siegel, Guitar, AssociatedPerformer - John Robinson, Drums, AssociatedPerformer - NILE RODGERS, Guitar, AssociatedPerformer - Steve Winwood, Producer, Vocals, Synthesizer, Drum Programming, Sequencer, MainArtist, AssociatedPerformer, ComposerLyricist - Jocelyn Brown, Background Vocalist, AssociatedPerformer - TOM LORD-ALGE, Mixer, Engineer, StudioPersonnel - Mark Stephens, Background Vocalist, AssociatedPerformer - Will Jennings, ComposerLyricist - Jason Corsaro, Engineer, StudioPersonnel - Jimmy Bralower, Drum Programming, AssociatedPerformer - Andrew Thomas, Synthesizer, AssociatedPerformer - Carol Steele, Percussion, AssociatedPerformer - Connie Harvey, Background Vocalist, AssociatedPerformer

℗ 1986 Island Records Ltd.

7
Split Decision
00:05:59

Russ Titelman, Producer - Steve Winwood, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - TOM LORD-ALGE, Mixer, Engineer, StudioPersonnel - Jason Corsaro, Engineer, StudioPersonnel - Joseph Fidler Walsh, ComposerLyricist

℗ 1986 Universal Music Operations Limited

8
My Love's Leavin'
00:05:20

Russ Titelman, Producer - Steve Winwood, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - TOM LORD-ALGE, Mixer, Engineer, StudioPersonnel - Jason Corsaro, Engineer, StudioPersonnel - Viv Stanshall, ComposerLyricist

℗ 1986 Island Records Ltd.

Resenha do Álbum

More meticulously crafted than its predecessor Arc of a Diver and more musically adventurous than its follow-up, Roll with It, Back in the High Life represents the pinnacle of Steve Winwood's '80s pop output. High production values, interlocking percussion lines, R&B backing vocals, horns, synthesizers, and ideas borrowed from various world musics enhance and update Winwood's proclivity for blues, R&B, and rock. His distinctive blue-eyed soul vocals are, naturally, at the front of the mix as well.
The runaway number one single, "Higher Love," with its syncopated groove, pan-African percussion, and slick Top 40 production, kicks off this accessible set. Elsewhere, the dance-gospel of "Wake Me Up on Judgment Day," the semi-acoustic title track, and the funk-touched "Split Decision" (which proves Winwood's R&B roots were still strong) keep the stylistic wheel turning. The record's success, sonically and commercially, should come as no surprise. Since his days in Traffic, Winwood has been a masterful stylistic synthesist, melding a range of aesthetics in ways that invariably connect with listeners. Back in the High Life is further proof of his remarkable abilities.

© Rovi Staff /TiVo

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