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Christian Senn|Bach: The Solo Cantatas for Bass

Bach: The Solo Cantatas for Bass

Ruben Jais, laBarocca, Christian Senn

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Idioma disponível: inglês

Of Bach's two known religious cantatas and 15 known profane cantatas, only two make use of bass in the vocal section: the famous 1727 BWV 82 Ich habe genug, which has been recycled for various different vocal soloists over the years, and Ich will den Kreuzstab gerne tragen BWV 56 from 1726. In order to avoid putting out just another recording of these cantatas with the same programme as the dozens which have been recorded over nearly sixty years (by such artists as Hans Hotter, Dietrich Fischer-Dieskau, Gérard Souzay, Gerhard Hüsch, Hermann Prey, John Shirley-Quirk, Bernard Kruysen, Philippe Huttenlocher, Max von Egmond, Siegfried Lorenz, Siegmund Nimsgern, Matthias Goerne, Thomas Quasthoff…), even though this new version is sung by Christian Senn, a little originality is needed. And that's what we have here. In addition to the two hits mentioned above, we have the rare cantata BWV 158 Der Friede sei mit dir – we don't know the exact date it was written, possibly Weimar around 1715, or perhaps only around 1730 in Leipzig. This piece is surely a re-working of an older, lost cantata. Some sources give it as the "cantata for bass and soprano" but in reality this is a serious error of observation: for sure, the aria which makes up the second movement is clearly marked Aria & Chorale, the chorale being restricted to the soprano register, but in reality it was to be sung by "one or several sopranos in the choir", and certainly not for a solo voice. So it's a cantata (unfinished or incomplete) for solo bass, and so this record is a kind of complete collection of Bach's three cantatas for this vocal line-up. © SM/Qobuz

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Bach: The Solo Cantatas for Bass

Christian Senn

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Ich will den Kreuzstab gerne tragen, BWV 56 (Johann Sebastian Bach)

1
Aria: Ich will den Kreuzstab gerne tragen (Bass)
Christian Senn
00:07:37

Johann Sebastian Bach, Composer - Ruben Jais, Conductor - Christian Senn, Artist, MainArtist - laBarocca, Orchestra

(C) 2018 Glossa (P) 2018 Glossa

2
Recitative: Mein Wandel auf der Welt (Bass)
Christian Senn
00:01:53

Johann Sebastian Bach, Composer - Ruben Jais, Conductor - Christian Senn, Artist, MainArtist - laBarocca, Orchestra

(C) 2018 Glossa (P) 2018 Glossa

3
Aria: Endlich, endlich wird mein Joch (Bass)
Christian Senn
00:06:32

Johann Sebastian Bach, Composer - Ruben Jais, Conductor - Christian Senn, Artist, MainArtist - laBarocca, Orchestra

(C) 2018 Glossa (P) 2018 Glossa

4
Recitative and Aria: Ich stehe fertig und bereit (Bass)
Christian Senn
00:01:36

Johann Sebastian Bach, Composer - Ruben Jais, Conductor - Christian Senn, Artist, MainArtist - laBarocca, Orchestra

(C) 2018 Glossa (P) 2018 Glossa

5
Chorale: Komm, o Tod, du Schlafes Bruder (Chorus)
laBarocca
00:01:33

Johann Sebastian Bach, Composer - Ruben Jais, Conductor - laBarocca, Choir, MainArtist

(C) 2018 Glossa (P) 2018 Glossa

Der Friede sei mit dir, BWV 158 (Johann Sebastian Bach)

6
Recitative: Der Friede sei mit dir (Bass)
Christian Senn
00:01:55

Johann Sebastian Bach, Composer - Ruben Jais, Conductor - Christian Senn, Artist, MainArtist - laBarocca, Orchestra

(C) 2018 Glossa (P) 2018 Glossa

7
Aria with Chorale: Welt, ade, ich bin dein mude (Bass, Soprano, Chorus)
Christian Senn
00:07:14

Johann Sebastian Bach, Composer - Ruben Jais, Conductor - Christian Senn, Artist, MainArtist - laBarocca, Orchestra

(C) 2018 Glossa (P) 2018 Glossa

8
Recitative and Arioso: Nun Herr, regiere meinen Sinn (Bass)
Christian Senn
00:01:37

Johann Sebastian Bach, Composer - Ruben Jais, Conductor - Christian Senn, Artist, MainArtist - laBarocca, Orchestra

(C) 2018 Glossa (P) 2018 Glossa

9
Chorale: Hier ist das rechte Osterlamm (Chorus)
laBarocca
00:01:12

Johann Sebastian Bach, Composer - Ruben Jais, Conductor - laBarocca, Orchestra, MainArtist

(C) 2018 Glossa (P) 2018 Glossa

Ich habe genug, BWV 82 (Johann Sebastian Bach)

10
Aria: Ich habe genug
Christian Senn
00:07:30

Johann Sebastian Bach, Composer - Ruben Jais, Conductor - Christian Senn, Artist, MainArtist - laBarocca, Orchestra

(C) 2018 Glossa (P) 2018 Glossa

11
Recitative: Ich habe genug! Mein Trost ist nur allein
Christian Senn
00:01:20

Johann Sebastian Bach, Composer - Ruben Jais, Conductor - Christian Senn, Artist, MainArtist - laBarocca, Orchestra

(C) 2018 Glossa (P) 2018 Glossa

12
Aria: Schlummert ein, ihr matten Augen
Christian Senn
00:10:01

Johann Sebastian Bach, Composer - Ruben Jais, Conductor - Christian Senn, Artist, MainArtist - laBarocca, Orchestra

(C) 2018 Glossa (P) 2018 Glossa

13
Recitative: Mein Gott! Wann kömmt das schöne
Christian Senn
00:00:54

Johann Sebastian Bach, Composer - Ruben Jais, Conductor - Christian Senn, Artist, MainArtist - laBarocca, Orchestra

(C) 2018 Glossa (P) 2018 Glossa

14
Aria: Ich freue mich auf meinen Tod
Christian Senn
00:03:25

Johann Sebastian Bach, Composer - Ruben Jais, Conductor - Christian Senn, Artist, MainArtist - laBarocca, Orchestra

(C) 2018 Glossa (P) 2018 Glossa

Resenha do Álbum

Of Bach's two known religious cantatas and 15 known profane cantatas, only two make use of bass in the vocal section: the famous 1727 BWV 82 Ich habe genug, which has been recycled for various different vocal soloists over the years, and Ich will den Kreuzstab gerne tragen BWV 56 from 1726. In order to avoid putting out just another recording of these cantatas with the same programme as the dozens which have been recorded over nearly sixty years (by such artists as Hans Hotter, Dietrich Fischer-Dieskau, Gérard Souzay, Gerhard Hüsch, Hermann Prey, John Shirley-Quirk, Bernard Kruysen, Philippe Huttenlocher, Max von Egmond, Siegfried Lorenz, Siegmund Nimsgern, Matthias Goerne, Thomas Quasthoff…), even though this new version is sung by Christian Senn, a little originality is needed. And that's what we have here. In addition to the two hits mentioned above, we have the rare cantata BWV 158 Der Friede sei mit dir – we don't know the exact date it was written, possibly Weimar around 1715, or perhaps only around 1730 in Leipzig. This piece is surely a re-working of an older, lost cantata. Some sources give it as the "cantata for bass and soprano" but in reality this is a serious error of observation: for sure, the aria which makes up the second movement is clearly marked Aria & Chorale, the chorale being restricted to the soprano register, but in reality it was to be sung by "one or several sopranos in the choir", and certainly not for a solo voice. So it's a cantata (unfinished or incomplete) for solo bass, and so this record is a kind of complete collection of Bach's three cantatas for this vocal line-up. © SM/Qobuz

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