Johann Sebastian Bach
Idioma disponível: inglêsIn his day, Johann Sebastian Bach was better known as a virtuoso organist than as a composer. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style -- which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes -- still amaze musicians today. Many consider him the greatest composer of all time. Bach was born in Eisenach in 1685. He was taught to play the violin and harpsichord by his father, Johann Ambrosius, a court trumpeter in the service of the Duke of Eisenach. Young Johann was not yet ten when his father died, leaving him orphaned. He was taken in by his recently married oldest brother, Johann Christoph, who lived in Ohrdruf. Because of his excellent singing voice, Bach attained a position at the Michaelis monastery at Lüneberg in 1700. His voice changed a short while later, but he stayed on as an instrumentalist. After taking a short-lived post in Weimar in 1703 as a violinist, Bach became organist at the Neue Kirche in Arnstadt (1703-1707). His relationship with the church council was tenuous as the young musician often shirked his responsibilities, preferring to practice the organ. One account describes a four-month leave granted Bach to travel to Lubeck, where he would familiarize himself with the music of Dietrich Buxtehude. He returned to Arnstadt long after he was expected and much to the dismay of the council. He then briefly served at St. Blasius in Mühlhausen as organist, beginning in June 1707, and married his cousin, Maria Barbara Bach, that fall. Bach composed his famous Toccata and Fugue in D minor (BWV 565) and his first cantatas while in Mühlhausen, but quickly outgrew the musical resources of the town. He next took a post for the Duke of Sachsen-Weimar in 1708, serving as court organist and playing in the orchestra, eventually becoming its leader in 1714. He wrote many organ compositions during this period, including his Orgel-Büchlein, and also began writing the preludes and fugues that would become Das wohltemperierte Klavier (The Well-Tempered Klavier). Owing to politics between the Duke and his officials, Bach left Weimar and secured a post in December 1717 as Kapellmeister at Köthen. In 1720, Bach's wife suddenly died, leaving him with four children (three others had died in infancy). A short while later, he met his second wife, soprano Anna Magdalena Wilcke, whom he married in December 1721. She would bear 13 children, though only five would survive childhood. The six Brandenburg Concertos (BWV 1046-51), among many other secular works, date from his Köthen years. Bach became Kantor of the Thomas School in Leipzig in May 1723 (after the post was turned down by Georg Philipp Telemann) and held the position until his death. It was in Leipzig that he composed the bulk of his religious and secular cantatas. Bach eventually became dissatisfied with this post, not only because of its meager financial rewards, but also because of onerous duties and inadequate facilities. Thus he took on other projects, chief among which was the directorship of the city's Collegium Musicum, an ensemble of professional and amateur musicians who gave weekly concerts, in 1729. He also became music director at the Dresden Court in 1736, in the service of Frederick Augustus II; though his duties were vague and apparently few, they allowed him the freedom to compose what he wanted. Bach began making trips to Berlin in the 1740s, not least because his son Carl Philipp Emanuel served as a court musician there. The Goldberg Variations, one of the few pieces by Bach to be published in his lifetime, appeared in 1741. In May 1747, the composer was warmly received by King Frederick II of Prussia, for whom he wrote the gloriously abstruse Musical Offering (BWV 1079). Among Bach's last works was his 1749 Mass in B minor. Besieged by diabetes, he died on July 28, 1750.
© Robert Cummings /TiVo Ler mais
In his day, Johann Sebastian Bach was better known as a virtuoso organist than as a composer. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style -- which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes -- still amaze musicians today. Many consider him the greatest composer of all time.
Bach was born in Eisenach in 1685. He was taught to play the violin and harpsichord by his father, Johann Ambrosius, a court trumpeter in the service of the Duke of Eisenach. Young Johann was not yet ten when his father died, leaving him orphaned. He was taken in by his recently married oldest brother, Johann Christoph, who lived in Ohrdruf. Because of his excellent singing voice, Bach attained a position at the Michaelis monastery at Lüneberg in 1700. His voice changed a short while later, but he stayed on as an instrumentalist. After taking a short-lived post in Weimar in 1703 as a violinist, Bach became organist at the Neue Kirche in Arnstadt (1703-1707). His relationship with the church council was tenuous as the young musician often shirked his responsibilities, preferring to practice the organ. One account describes a four-month leave granted Bach to travel to Lubeck, where he would familiarize himself with the music of Dietrich Buxtehude. He returned to Arnstadt long after he was expected and much to the dismay of the council. He then briefly served at St. Blasius in Mühlhausen as organist, beginning in June 1707, and married his cousin, Maria Barbara Bach, that fall. Bach composed his famous Toccata and Fugue in D minor (BWV 565) and his first cantatas while in Mühlhausen, but quickly outgrew the musical resources of the town. He next took a post for the Duke of Sachsen-Weimar in 1708, serving as court organist and playing in the orchestra, eventually becoming its leader in 1714. He wrote many organ compositions during this period, including his Orgel-Büchlein, and also began writing the preludes and fugues that would become Das wohltemperierte Klavier (The Well-Tempered Klavier). Owing to politics between the Duke and his officials, Bach left Weimar and secured a post in December 1717 as Kapellmeister at Köthen. In 1720, Bach's wife suddenly died, leaving him with four children (three others had died in infancy). A short while later, he met his second wife, soprano Anna Magdalena Wilcke, whom he married in December 1721. She would bear 13 children, though only five would survive childhood. The six Brandenburg Concertos (BWV 1046-51), among many other secular works, date from his Köthen years. Bach became Kantor of the Thomas School in Leipzig in May 1723 (after the post was turned down by Georg Philipp Telemann) and held the position until his death. It was in Leipzig that he composed the bulk of his religious and secular cantatas. Bach eventually became dissatisfied with this post, not only because of its meager financial rewards, but also because of onerous duties and inadequate facilities. Thus he took on other projects, chief among which was the directorship of the city's Collegium Musicum, an ensemble of professional and amateur musicians who gave weekly concerts, in 1729. He also became music director at the Dresden Court in 1736, in the service of Frederick Augustus II; though his duties were vague and apparently few, they allowed him the freedom to compose what he wanted. Bach began making trips to Berlin in the 1740s, not least because his son Carl Philipp Emanuel served as a court musician there. The Goldberg Variations, one of the few pieces by Bach to be published in his lifetime, appeared in 1741. In May 1747, the composer was warmly received by King Frederick II of Prussia, for whom he wrote the gloriously abstruse Musical Offering (BWV 1079). Among Bach's last works was his 1749 Mass in B minor. Besieged by diabetes, he died on July 28, 1750.
© Robert Cummings /TiVo
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Bach: Six Concertos for the Margrave of Brandenburg
Classical - Lançado por Avie Records em 18/12/2007
5 de DiapasonQualidade de CD de 16 bits 44.1 kHz - Stereo -
Bach: Brandenburg Concertos - Shostakovich: Preludes Op. 87
Classical - Lançado por Analekta em 11/09/2012
24-Bit 88.2 kHz - Stereo -
Bach Partitas & Sonatas for Solo Violin
Classical - Lançado por Onyx Classics em 29/10/2015
24-Bit 48.0 kHz - Stereo -
Bach: Matthäus-Passion, BWV 244 (St. Matthew Passion) [La Passion selon Saint Matthieu]
Classical - Lançado por Putlabel em 08/03/2013
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
The Croatian Prodigy
Classical - Lançado por BGS Records em 01/06/2013
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Les 50 Trésors de Bach - Les Trésors de la Musique Classique
Classical - Lançado por Sony Classical - Sony Music em 09/05/2014
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Bach: The Orchestral Suites
Symphonies - Lançado por Berlin Classics em 29/10/2010
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
J.S. Bach: Sonatas for Violin and Harpsichord
Classical - Lançado por Onyx Classics em 29/05/2007
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Bach: Partitas BWV 825-830 - Goldberg Variations
Classical - Lançado por Musical Heritage Society em 16/04/2021
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House Of Mirrors (Arr. By Johann Sebastian Jazz)
Johann Sebastian Jazz, Alexis Delgado Búrdalo, Iñaki Salvador
Classical - Lançado por Johann Sebastian Jazz em 06/03/2020
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Bach: Matthäus-Passion, BWV 244 (St. Matthew Passion) [La Passion selon Saint Matthieu]
Dietrich Fischer-Dieskau, Ernst Haefliger, Kieth Engen
Classical - Lançado por Putlabel em 08/03/2013
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Bach : Well-Tempered Clavier, Book 1
Classical - Lançado por Signum Records em 07/01/2008
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Johann Sebastian Bach: Partita For Solo Violin No. 1 In B Minor, BWV 1002, Partita For Solo Violin No. 2 In D Minor, BWV 1004, Partita For Solo Violin No. 3 In E Major, BWV 1006
Chamber Music - Lançado por RHI em 01/03/2016
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Bach: Italian Concerto, Chromatic Fantasy and Fugue and Works from Anna Magdalena Songbook
Classical - Lançado por Musical Heritage Society em 06/08/2021
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Bach: Mass In B Minor
The Sixteen, Harry Christophers
Classical - Lançado por Coro em 01/10/1994
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Johann Sebastian Bach : Organ Masterworks, Vol. III
Classical - Lançado por Claves Records em 15/07/2012
5 de DiapasonQualidade de CD de 16 bits 44.1 kHz - Stereo -
Bach Cello Suites - Wigmore Hall Live
Chamber Music - Lançado por Wigmore Hall Live em 18/06/2013
Gramophone Editor's ChoiceQualidade de CD de 16 bits 44.1 kHz - Stereo -
Bach: St. Matthew's Passion, BWV 244
Classical - Lançado por Audiofonic Records em 15/11/2019
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Bach: Fugue In C Of Dog
Classical - Lançado por Challenge Classics em 01/01/2005
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J. S. Bach: Six Sonatas for Violin and Harpsichord, BWV 1014-1019
Classical - Lançado por Musica Omnia em 15/07/2001
Qualidade de CD de 16 bits 44.1 kHz - Stereo