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Andrew Hill|But Not Farewell

But Not Farewell

Andrew Hill

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This is a recommended set of stimulating post-bop jazz. Andrew Hill's highly distinctive piano playing and unusual compositions hint at the past while following their own rules. The feeling of polyrhythms is present in several of Hill's seven compositions on this CD. The tightness of the bass-drum team (Lonnie Plaxico and Cecil Brooks) is quite impressive, as is the blend of Robin Eubanks' warm trombone and Greg Osby's alto. Osby's angular improvisations, which seem out of place in standard bebop, sound perfectly at home in Andrew Hill's music. "Friends" features the altoist's lyricism in a duet with the pianist. Although the final two numbers (including the 13-and-a-half-minute freely improvised "Gone") are solo piano performances, it is the quintet tracks with Osby and Eubanks that are the main reason to acquire this disc.

© Scott Yanow /TiVo

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But Not Farewell

Andrew Hill

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1
Westbury
00:07:20

Michael Cuscuna, Producer - Andrew Hill, Composer, MainArtist

℗ 1991 Capitol Records, LLC

2
But Not Farewell
00:07:11

Michael Cuscuna, Producer - Andrew Hill, Composer, MainArtist

℗ 1991 Capitol Records, LLC

3
Nicodemus
00:08:26

Michael Cuscuna, Producer - Andrew Hill, Composer, MainArtist

℗ 1991 Capitol Records, LLC

4
Georgia Ham
00:17:18

Michael Cuscuna, Producer - Andrew Hill, Composer, MainArtist

℗ 1991 Capitol Records, LLC

5
Friends
00:05:44

Michael Cuscuna, Producer - Andrew Hill, Composer, MainArtist

℗ 1991 Capitol Records, LLC

6
Sunnyside
00:03:44

Michael Cuscuna, Producer - Andrew Hill, Composer, MainArtist

℗ 1991 Capitol Records, LLC

7
Gone
00:13:32

Michael Cuscuna, Producer - Andrew Hill, Composer, MainArtist

℗ 1991 Capitol Records, LLC

Album review

This is a recommended set of stimulating post-bop jazz. Andrew Hill's highly distinctive piano playing and unusual compositions hint at the past while following their own rules. The feeling of polyrhythms is present in several of Hill's seven compositions on this CD. The tightness of the bass-drum team (Lonnie Plaxico and Cecil Brooks) is quite impressive, as is the blend of Robin Eubanks' warm trombone and Greg Osby's alto. Osby's angular improvisations, which seem out of place in standard bebop, sound perfectly at home in Andrew Hill's music. "Friends" features the altoist's lyricism in a duet with the pianist. Although the final two numbers (including the 13-and-a-half-minute freely improvised "Gone") are solo piano performances, it is the quintet tracks with Osby and Eubanks that are the main reason to acquire this disc.

© Scott Yanow /TiVo

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