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Klassiek - Verschijnt op 22 april 2022 | PentaTone

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Klassiek - Verschijnt op 19 november 2021 | PentaTone

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Klassiek - Verschijnt op 5 november 2021 | PentaTone

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Klassiek - Verschijnt op 22 oktober 2021 | PentaTone

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Expansive symphonies played with energy and urgency : the NDR Philharmonie and Andrew Manze continue their exploration of Mozart’s late orchestral works with a recording of the composer's Symphony No. 38 and Symphony No. 39. Nicknamed after Prague, where it was first performed in 1787, the No. 38 shares with its successor a solemn, “Romantic” slow introduction to the first movement, followed by lighter music that shares a kinship with the playful arias and ensembles of Le nozze di Figaro and Don Giovanni, composed in the same period. With all repeats, Manze underlines the ambitious, expansive character of these works, but the NDR Radiophilharmonie never drags, offering the same energy and sense of urgency as in their interpretation of Mozart’s No. 40 and Symphony No. 41 (2019). © Pentatone
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Klassiek - Verschijnt op 22 oktober 2021 | PentaTone

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Klassiek - Verschenen op 15 oktober 2021 | PentaTone

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Instrumentalists put centre stage : after their acclaimed recording of Gluck’s Orfeo ed Euridice, La Nuova Musica and David Bates propose this project, "Handel’s Unsung Heroes", in which the instrumentalists of Handel’s operas are put centre stage. Traditionally restricted to an “invisible” existence in the orchestra pit, La Nuova Musica’s obbligato instrumentalists – violinist Thomas Gould, oboist Leo Duarte and bassoonist Joe Qiu – are now in the limelight. They will stand as equal partners alongside a world-class line up of soloists – soprano Lucy Crowe, mezzo-soprano Christine Rice and countertenor Iestyn Davies – showing how Handel wrote music as virtuosic and lyrical for his unsung heroes as for their singing counterparts. The album includes arias from Handel's masterpieces such as Rinaldo, Giulio Cesare, Agrippina and Ariodante. © Pentatone
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Kamermuziek - Verschenen op 8 oktober 2021 | PentaTone

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Viola songs on love in the face of death and uncertainty. Violist Jesus Rodolfo makes his PENTATONE debut, accompanied by pianist Min Young Kang, with an album showcasing three iconic 20th-century Russian composers who all left their homeland: Prokofiev, Rachmaninov and Stravinsky. Rodolfo presents selections of Prokofiev’s Romeo and Juliet and Rachmaninov’s Cello Sonata in G Minor in arrangements by Vadim Borisovsky, while Stravinsky’s Suite Italienne can be heard in his own transcription for viola and piano. The pieces performed revolve around love, decency, hope and optimism prevailing against mortality, mistrust, injustice and uncertainty. Within the context of a world slowly respiring from a severe pandemic, this has become a recording about the importance of the perseverance of hope, determination and love in the face of death and uncertainty. © Pentatone
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Klassiek - Verschenen op 1 oktober 2021 | PentaTone

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Arabella Steinbacher completes her Mozart cycle. After having recorded Mozart’s last three violin concertos in 2014, Arabella Steinbacher, the Festival Strings Lucerne and its leader Daniel Dodds now complete the cycle by presenting Mozart’s less well-known, but equally enchanting Violin Concertos No. 1 & No. 2, together with his Adagio in E Major and Rondos in C Major and in B-flat Major. Steinbacher plays the cadenzas by Wolfgang Schneiderhan, who co-founded the Festival Strings Lucerne in 1956. Another exciting aspect of this album is that she plays for the first time on the „Ex Benno Walter“ Strad from 1718. © Pentatone
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Kamermuziek - Verschenen op 17 september 2021 | PentaTone

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Klassiek - Verschenen op 17 september 2021 | PentaTone

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Opera - Verschenen op 17 september 2021 | PentaTone

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Klassiek - Verschenen op 17 september 2021 | PentaTone

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Klassiek - Verschenen op 15 september 2021 | PentaTone

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Melancholic solace for troubled times. Música Temprana, one of today’s most exciting Hispanic early music ensembles, presents its first Pentatone album "Melancolía", on which they present Spanish courtly songs on mourning and unrequited love around 1500 together with the apocalyptic liturgical tradition of El Canto de la Sibila. Many of the villancicos, canciones, romances and estrambotes performed here have been documented in songbooks such as the famous Cancionero Musical de Palacio. They show the transition from troubadour lyricism to the flourishing "Siglo de Oro" (Golden Age), and the shift from a medieval to a Renaissance aesthetic in Spanish music. "El Canto de la Sibila" is a religious tradition that can be traced back as far as St Augustine, who put his contemplation on the end of times into the mouth of a pagan prophetess from Graeco-Roman mythology. Música Temprana’s interpretation revives religious practices in 15th-century Cuenca. Altogether, the works performed on this album underline the strong melancholic connections between worldly and religious Spanish musical traditions around 1500, a period full of change and conflict, during which Christian Europe feared the hypothetical end of the world. The extraordinary beauty of these austere works offers solace for our troubled times as well. © Pentatone
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Klassiek - Verschenen op 10 september 2021 | PentaTone

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Songs of love, longing and innocence. On this third Pentatone album "Nostalgia", Magdalena Kožená presents Bartók’s Village Scenes, Mussorgsky’s The Nursery and a selection of Brahms songs, together with acclaimed pianist Yefim Bronfman. Sung in Slovak, Russian and German, these songs on love, longing and innocence show three master composers transforming folk traditions into their unique musical styles. Kožená demonstrates her vocal mastery once more, and this recording with Bronfman is the result of a two-decades-spanning congenial artistic partnership. © Pentatone
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Klassiek - Verschenen op 27 augustus 2021 | PentaTone

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Flord impressionism and folk songs. After their acclaimed recording of Schubert’s Die schöne Müllerin, Ian Bostridge and Saskia Giorgini present a programme of rarely-recorded songs by Ottorino Respighi. This selection of songs demonstrates Respighi’s stylistic versatility and broad literary inspiration, from settings of Ada Negri’s compact verses to florid, Symbolist d’Annunzio poems as well as folk melodies, including Scottish songs. Respighi’s Liriche unveil a fascinating, little-known Italian branch of musical Impressionism. What binds them together is a longing for a past still so close, but at the same time inevitably gone. © Pentatone
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Klassiek - Verschenen op 27 augustus 2021 | PentaTone

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Tragic and light symphonies from a heavy soul. Conductor René Jacobs and the B’Rock Orchestra present the third instalment of their Schubert cycle with a recording of the composer’s Fourth and Fifth Symphony. Just as with the Second and Third, Jacobs approaches these works as a symphonic pair, revealing contrasting aspects of Schubert’s personality and compositional approach. The Fourth is Schubert’s first symphony in a minor key, and adumbrates a totally new harmonic worldview that Dvořák associated with Wagner’s Tristan und Isolde. On the contrary, the Fifth sounds Mozartian and cheerful, although that light-heartedness is only an appearance, as is so often the case in Schubert’s music. In the composer’s words, “too light a mind usually harbours a heart that is too heavy!” Looking closer beneath the surface, the cross-relations between the “Tragic” Fourth and “lighter” Fifth become all the more evident. The players of the B’Rock Orchestra present these works on period instruments; transparent, but full of fire. © Pentatone
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Klassiek - Verschenen op 20 augustus 2021 | PentaTone

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Introspective exploration of French-Spanish musical borders. Camino is guitarist Sean Shibe’s first Pentatone album, an introspective programme exploring French-Spanish musical borders, a pilgrimage leading from Ravel’s Pavane pour une Infante défunte, Satie’s Gymnopédie No. 1 and Gnossiennes No. 1 and No. 3, Poulenc’s Sarabande, De Falla’s Miller’s Dance and Homaje pour le Tombeau de Debussy and José’s Pavana triste all the way to Mompou’s Cançons i dansas No. 6 and No. 10, as well as his Suite compostelana. Shibe has deliberately granted Mompou a central role on this album, as his music demonstrates that melancholy, aimlessness and a whole host of other feelings are not things to be avoided or fixed or solved, but experiences to be felt deeply: not with sad nostalgia, but with genuine wonder and excitement at what this means for the future. © Pentatone
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Klassiek - Verschenen op 13 augustus 2021 | PentaTone

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Musical ode to sublime nature. Vladimir Jurowski and the Rundfunk-Sinfonieorchester continue their journey through the heights of German late-Romantic repertoire with a recording of Richard Strauss’s Eine Alpensinfonie. The Alpine Symphony was inspired by the composer’s experiences during a mountain trail, and is an audience favourite thanks to its picturesque, idyllic charm and powerfully evocative score. To Jurowski, the attraction of this piece lies not so much in the picturesque, but rather in Strauss’s Nietzschean embrace of living in the now and the transformative power of being in complete harmony with sublime nature. In that respect, this album shares a kinship not only with Jurowski’s previous recording of Strauss’s Also Sprach Zarathustra (2017), but equally with his recording of Mahler’s Das Lied von der Erde (2020), in which he also recognizes a composer coming to terms with the mortality of man while celebrating the immortal nature of Life. Seen in this light, Strauss’s Alpine Symphony becomes much more than just an exquisitely scored postcard. © Pentatone
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Klassiek - Verschenen op 13 augustus 2021 | PentaTone

Klassiek - Verschenen op 6 augustus 2021 | PentaTone

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