Albums

€ 21,49
€ 14,99

Vocale jazz - Verschijnt op 9 november 2018 | Decca (UMO)

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€ 8,99

Vocale jazz - Verschenen op 12 oktober 2018 | Youkali Music

€ 4,04

Vocale jazz - Verschenen op 8 oktober 2018 | Blue Moon Recordings

€ 8,99

Vocale jazz - Verschenen op 5 oktober 2018 | 33x digital

€ 8,99

Vocale jazz - Verschenen op 4 oktober 2018 | 33x digital

€ 5,49

Vocale jazz - Verschenen op 1 oktober 2018 | Reborn recordings

€ 8,99

Vocale jazz - Verschenen op 28 september 2018 | Youkali Music

€ 4,99

Vocale jazz - Verschenen op 28 september 2018 | Music City Entertainment

€ 4,99

Vocale jazz - Verschenen op 28 september 2018 | Record Classics

€ 14,99
€ 9,99

Vocale jazz - Verschenen op 28 september 2018 | Mack Avenue Records

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After bursting onto the scene in 2013 with the brilliant WomanChild, Cécile McLorin Salvant raised the bar two years later with For One To Love, an even more impressive and complete album on which her voice worked wonders, and the more traditional Dreams & Daggers, recorded live at the Village Vanguard and the DiMenna Center with her faithful trio, the Quatuor Catalyst and the pianist Sullivan Fortner. She chose only to work with the latter of the two for her 2018 vintage album titled The Window.  Born on August 28th, 1989 in Miami, Florida, she studied French law, baroque and vocal jazz in Aix-en-Provence in France before winning the Thelonious Monk International Jazz Competition in 2010 (at only 20 years old, in front of a panel of judges made up of Al Jarreau, Dee Dee Bridgewater, Patti Austin, Dianne Reeves and Kurt Elling!). For this album she decided on a vocal-piano duet. A baptism of fire which further demonstrates her astounding vocal ability. It is an album that also focuses on the complex nature of love through covers of songs by Richard Rodgers, Cole Porter, Leonard Bernstein and even Stevie Wonder. This is further proof that Cécile McLorin Salvant is anything but the cliché of a jazz singer, as trumpeter Wynton Marsalis puts it: “ You get a singer like this once in a generation or two…” © Marc Zisman/Qobuz
€ 16,99
€ 14,49

Vocale jazz - Verschenen op 28 september 2018 | Okeh

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€ 4,99

Vocale jazz - Verschenen op 24 september 2018 | Record Classics

€ 4,99

Vocale jazz - Verschenen op 18 september 2018 | Record Classics

€ 7,99

Vocale jazz - Verschenen op 17 september 2018 | Session Work Records

€ 13,49
€ 8,99

Vocale jazz - Verschenen op 14 september 2018 | Bonsaï Music

Hi-Res Booklet
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Vocale jazz - Verschenen op 14 september 2018 | JazzWerkstatt Records

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€ 14,99

Vocale jazz - Verschenen op 14 september 2018 | Verve

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Two generations. Two styles. Two voices. And an album in common… For about twenty years, crooner Tony Bennett and singer and pianist Diana Krall had produced a few duos here and there, but never an entire album. With this Love Is Here To Stay, they jumped right in and involved another five-star tandem in their enchanted parenthesis of refined vocal jazz: George and Ira Gershwin. They went digging through the vast repertoire of the most famous brothers of 20th American popular music to create this album that seems from another time, produced with the trio of impeccable pianist Bill Charlap, Peter Washington on the double bass and Kenny Washington on drums… Tackling the Great American Songbook is always a redeeming and almost necessary baptism of fire for any worthy jazz singer. And these two didn’t wait for 2018 to do it. Here, each one excels in what they do best, even if, at 92 years of age, Tony Bennett obviously doesn’t have the same organ as he did when he sung I Left My Heart In San Francisco, which made him popular in 1962. Sinatra’s favourite singer knows it, and manages to find a range in line with his condition. The result is particularly touching. A great professional, Diana Krall adapted her singing to the New Yorker, turning their exchanges into endearing, slightly retro flirting. The 38 years between them become the main asset of an old-fashioned yet delightful album. © Clotilde Maréchal/Qobuz
€ 9,99

Vocale jazz - Verschenen op 14 september 2018 | JazzWerkstatt Records

€ 1,99

Vocale jazz - Verschenen op 7 september 2018 | Verve

Two generations. Two styles. Two voices. And an album in common… For about twenty years, crooner Tony Bennett and singer and pianist Diana Krall had produced a few duos here and there, but never an entire album. With this Love Is Here To Stay, they jumped right in and involved another five-star tandem in their enchanted parenthesis of refined vocal jazz: George and Ira Gershwin. They went digging through the vast repertoire of the most famous brothers of 20th American popular music to create this album that seems from another time, produced with the trio of impeccable pianist Bill Charlap, Peter Washington on the double bass and Kenny Washington on drums… Tackling the Great American Songbook is always a redeeming and almost necessary baptism of fire for any worthy jazz singer. And these two didn’t wait for 2018 to do it. Here, each one excels in what they do best, even if, at 92 years of age, Tony Bennett obviously doesn’t have the same organ as he did when he sung I Left My Heart In San Francisco, which made him popular in 1962. Sinatra’s favourite singer knows it, and manages to find a range in line with his condition. The result is particularly touching. A great professional, Diana Krall adapted her singing to the New Yorker, turning their exchanges into endearing, slightly retro flirting. The 38 years between them become the main asset of an old-fashioned yet delightful album. © Clotilde Maréchal/Qobuz
€ 21,49
€ 14,99

Vocale jazz - Verschenen op 7 september 2018 | Blue Note (BLU)

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Kandace Springs is a reincarnation of the great soul divas. Divine beauty, a charming name, since she released her first album, all eyes have been on this young woman. Soul Eyes, released on Blue Note in 2014, saw her float away into a sublime cloud of soul-jazz with pop highlights. Four years later, she is attracting attention with a full different creation, named Indigo. Roberta Flack, Luther Vandross, Billie Holiday and Nina Simone are just a few names of her childhood influences, names that are still casting their spell over her performances. A warm timbre, a supple and delicate diction that goes hand in hand with her mastery of the piano, Indigo is a stunning mix of covers and original pieces written by Evan Rogers and Carl Sturken. The album opens on the pop-romantic overture Don't Need The Real Thing; funk airs follow on People Make The World Go 'Round and a jazzy instrumental on Unsophisticated: Springs seems unsure about where to really let her voice take off, but it works! She is testing out her capacities and limits in some contradictory registers. Fix Me even ventures into classical, with a mix of Prélude opus 28 n°4 by Chopin, imitation Gainsbourg and a more soulful Jane B sound. It's an unexpected mix but it is all brought together marvellously by the smoke timbre of this winning singer. © Anna Coluthe/Qobuz

Genre

Vocale jazz in het magazine