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Klassiek - Verschijnt op 25 juni 2021 | Avie Records

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Klassiek - Verschijnt op 18 juni 2021 | Avie Records

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Vocale muziek (wereldlijk en religieus) - Verschijnt op 18 juni 2021 | Avie Records

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Klassiek - Verschenen op 4 juni 2021 | Avie Records

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Lithuanian, London-based pianist Indrė Petrauskaitė makes her AVIE label debut with a selection of Mozart’s piano works with a twist: she uniquely brings together the composer’s solo keyboard works written in minor keys. The nine works offered here represent a fraction of the composer’s overall oeuvre, yet they span a gamut of genres – including improvisatory and emotional fantasies, enigmatic miniatures and complex sonatas. Indrė Petrauskaitė showcases these pieces – much loved staples of stage and studio alike – in a novel and quite exciting album. “Strong and well-played performances” (MusicWeb International). © AVIE Records
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Vocale muziek (wereldlijk en religieus) - Verschenen op 4 juni 2021 | Avie Records

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Klassiek - Verschenen op 4 juni 2021 | Avie Records

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Klassiek - Verschenen op 28 mei 2021 | Avie Records

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Recorded live at the Kennedy Center’s Terrace Theater on November 12, 2018, one day after the centennial of the signing of the Armistice that ended World War I, "The Journey Home" captures John Brancy’s radiant baritone and Peter Dugan’s dazzling pianism in a program that pays homage to composers and poets who fought in the war and traces a narrative arc of contemplation and peace. From the jollity of Gustav Holst’s Jupiter and Oley Speaks’ When the Boys Come Home to Ralph Vaughan Williams’ affectionate cycle Songs of Travel, from some of the finest lieder penned by Schubert and Rachmaninoff to war-time songs by Irving Berlin and Ivor Novello and Pete Seeger’s iconic Where Have All the Flowers Gone, the music on "The Journey Home" spans many styles and generations but is united by a shared story about the search for meaning and belonging in the wake of catastrophe. John Brancy's and Peter Dugan’s Kennedy Center performance was the culmination of a tour that brought their message to thousands of audience members throughout the United States. © AVIE Records
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Klassiek - Verschenen op 28 mei 2021 | Avie Records

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Klassiek - Verschenen op 21 mei 2021 | Avie Records

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Klassiek - Verschenen op 21 mei 2021 | Avie Records

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Vocale muziek (wereldlijk en religieus) - Verschenen op 21 mei 2021 | Avie Records

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Klassiek - Verschenen op 21 mei 2021 | Avie Records

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Klassiek - Verschenen op 7 mei 2021 | Avie Records

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Vocale muziek (wereldlijk en religieus) - Verschenen op 7 mei 2021 | Avie Records

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Klassiek - Verschenen op 16 april 2021 | Avie Records

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Vast, deep and emotional are apt descriptions of the single-movement, 53-minute-long Symphony No. 2 by Christopher Tyler Nickel. The Canadian composer elaborates, “one can think of this music as consisting of mirrors between ideas that equally disturb yet entice. Each side of the reflection is in itself conceivably valid, but when facing each other friction and dissonance are created. The exquisitely alluring and the grotesque exist simultaneously. Perhaps another way to understand the symphony is as a meditation on the state of cognitive dissonance”. The entrepreneurial Clyde Mitchell conducts the Seattle-based Northwest Sinfonia on this world-premiere recording. © AVIE Records
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Kamermuziek - Verschenen op 19 maart 2021 | Avie Records

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The provocative and beguiling Left Coast Chamber Ensemble (LCCE) comprises the "crème de la crème" of the San Francisco Bay Area’s musicians. Their motto: nothing is out of bounds, and anything is possible. Presenters of all types of music including small ensemble, vocal, orchestral, multi-media and operatic, a select group comes together for this recording of Olivier Messiaen’s seminal chamber work, Quartet for the End of Time. Written during the composer’s confinement in World War II, he maintained hope, expressing, “The abyss is Time with its sadness, its weariness. The birds are the opposite … our desire for light, for stars, for rainbows, and for jubilant songs”. LCCE co-founder and prize-winning composer Kurt Rohde echoes this sentiment in his Messiaen-inspired one wing for violin and piano, heard here in its world-premiere recording. © AVIE Records
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Kamermuziek - Verschenen op 19 februari 2021 | Avie Records

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Piano solo - Verschenen op 20 november 2020 | Avie Records

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Both on the concert platform and in the recording studio, pianist Daniel-Ben Pienaar is a completist. Following complete cycles of piano sonatas by Beethoven and Mozart, he presents here 12 great piano sonatas by Franz Schubert – the composer’s 11 finished sonatas and the seminal fragment D. 840. Pienaar relishes in these revelatory works, their extraordinarily detailed possibilities of characterisation, their call for immense energy and abandon, and navigating the vast dreamscapes that unfold in the course of this six-hour musical journey. © AVIE Records
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Kamermuziek - Verschenen op 20 november 2020 | Avie Records

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Perhaps this reunion is rather heterogenous, but it’s becoming a trend in thematic albums like this. The common theme here is a love of Italy expressed through numerous foreign musicians who came to visit the country and establish themselves there. Presented like a nostalgic postcard from the 1960s, the new album from the Quartetto di Cremona dives in with Hugo Wolf’s luminous Italian Serenade and Mozart’s first Quartet in G major, K. 80 which he composed at the age of fourteen and is Italian only for the location in which it was composed, a hotel in Lodi, Lombardy. Starting curiously with a dreamy adagio (whose principal melodic motif would be repeated by Mozart in his Concerto for flute and harp), he continues with a strikingly assured and asserted writing style. The fourth movement, a French-style rondeau was added several years later upon his return to Salzbourg.Commissioned expressly for the Quartetto di Cremona for this project, the short piece Cieli d’Italia (2019) by Nimrod Borenstein is superimposed between these diverse styles creating a sort of sonic mini encyclopaedia that details his take on the history of music in seven minutes. It’s a very extensive composition featuring waltzes and tango in a form of hyper expression reminiscent of a beautiful Italian sky.“It’s horrible when I am happy with myself” wrote Tchaïkovski to his brother Modeste regarding his sextet “Memories of Florence”, one of the rare works that this tortured composer was entirely pleased with. A great surge of pleasure comes out of this splendid work culminating with a sublime and romantic duo, the Adagio cantabile. In order to realise this passionate interpretation, the Italian quartet have called upon Ori Kam, the violist for the Jerusalem Quartet, and Eckart Runge, the founder of the Artemis Quartet. © François Hudry/Qobuz
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Klassiek - Verschenen op 13 november 2020 | Avie Records