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Klassiek - Verschenen op 25 maart 2016 | Accent

Onderscheidingen Diapason d'or de l'année - Diapason d'or - 4F de Télérama - Gramophone Editor's Choice
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Klassiek - Verschenen op 19 november 2013 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
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Opera - Verschenen op 26 oktober 2018 | SDG

Hi-Res Booklet Onderscheidingen Gramophone Record of the Month
Il ritorno d’Ulisse in patria by Monteverdi poses a lot of problems for modern performers. There exists no definitive manuscript – although one may doubt how much people bothered back then with "definitive" versions of works which were re-written from one performance to the other, depending on the singers and instrumentalists that were on hand, the tastes of this or that star, the diktat of the Church – and the only copy dating from the composer's time, discovered in Vienna in 1881, is incomplete. When we try and compare this manuscript with different copies of the libretto which are still around today, the difficulties only increase. For this recording by Sir John Eliot Gardiner and the English Baroque Soloists, recorded live at concerts in September 2017, the decision was taken to fill in everything that could be filled in with a few passages borrowed from earlier works by Monteverdi. The Return of Ulysses dates from 1640, when Monteverdi was 74 years old, so there was a lot to choose from for these fillers. This version is almost certainly the closest approximation we have to the original yet, the singers have worked hard to give the most accurate reproduction possible of the vocal inflections demanded by the various formats employed by Monteverdi. These inflections are often very declamatory and sometimes sung to the fullest. The recitations and the melodies, the ensembles and the choirs: everything is treated with the utmost care and the effort put into contrast and clarity only enhances the quality of this recording. A magnificent rendition. © SM/Qobuz
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Klassiek - Verschenen op 5 februari 2016 | BIS

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 8 september 2015 | Phi

Hi-Res Booklet
The Cantigas de Santa Maria come from the imposing collection of the court of Alfonso X el Sabio, which offers us one of the most precious sources of mediaeval Spanish music. The Cantigas take us to the end of the Reconquista of the Iberian peninsula and to the very heart of the culture where Christian, Muslim and Jewish traditions mingle. These songs are interesting not only for their absolutely unique musical language but also for their Portuguese and Galician texts in which are combined poetry, popular stories and hymns, most of them praising miracles of the Virgin Mary. Starting from illuminated manuscripts that give us an idea of the instruments used at the king’s court, Hana Blažikova and her partners perform these works like a dialogue between two women’s voices, enriching it with two harps, a dulce melos and percussion. Whether using the whole consort or putting the instruments aside, this subtle interpretation has its source in plainchant and the music of the troubadours, with a touch of Arabizing ornaments and improvisation. © Qobuz
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Klassiek - Verschenen op 20 januari 2017 | CPO

Booklet
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Vocale muziek (wereldlijk en religieus) - Verschenen op 1 oktober 2013 | Pan Classics

Booklet
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Klassiek - Verschenen op 26 februari 2016 | Accent

Booklet
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Klassiek - Verschenen op 7 oktober 2014 | Accent

Booklet
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Klassiek - Verschenen op 8 september 2015 | Phi

Hi-Res Booklet
The Cantigas de Santa Maria come from the imposing collection of the court of Alfonso X el Sabio, which offers us one of the most precious sources of mediaeval Spanish music. The Cantigas take us to the end of the Reconquista of the Iberian peninsula and to the very heart of the culture where Christian, Muslim and Jewish traditions mingle. These songs are interesting not only for their absolutely unique musical language but also for their Portuguese and Galician texts in which are combined poetry, popular stories and hymns, most of them praising miracles of the Virgin Mary. Starting from illuminated manuscripts that give us an idea of the instruments used at the king’s court, Hana Blažikova and her partners perform these works like a dialogue between two women’s voices, enriching it with two harps, a dulce melos and percussion. Whether using the whole consort or putting the instruments aside, this subtle interpretation has its source in plainchant and the music of the troubadours, with a touch of Arabizing ornaments and improvisation. © Qobuz
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Klassiek - Verschenen op 1 februari 2010 | Ramée

Booklet