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Denise Wernly|Getty: The Canterville Ghost

Getty: The Canterville Ghost

Jean Broekhuizen, Matthias Foremny, Denise Wernly, Gewandhausorchester Leipzig

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One should really close the eyes upon the fact that composer Gordon Getty is one of the heirs to the billions and the power of the Getty empire, and concentrate on the excellent musician Gordon Getty. Born 1933, his repertoire boasts four major stage works, a large number of choral pieces, piano music and four major symphonic works. Getty has always steered clear from the avant-garde of the 70s – mostly confined to Europe, as a matter of fact –, to remain true to a tonal musical language that does not deny the influences of Shostakovich, Hindemith and more particularly Britten. Here is the world premiere recording of his latest opera, The Ghost of Canterville with a libretto directly inspired by Oscar Wilde’s eponymous novel, premiered 2015 at the Leipzig Opera. It is a one-acter, which in Leipzig was presented together with Leoncavallo’s I Pagliacci. Britten seems to be the nearest influence, even though Menotti’s pen may be imagined through some harmonic and dramatic twists an turns. The work has been scheduled by San Francisco and Los Angeles operas, and more performances world-wide are to be expected. Humour and fantasy blend in the score and libretto: the subject deals with an American family that has recently moved to an ancient English castle haunted by a long-dead lord who has murdered his wife. Unlike former tenants, the Americans seem to have little fear of the ghost, and eventually the young daughter manages to kindly coax the ghost into retiring into blissful rest after so many centuries of meandering. Absolutely delicious! © SM/Qobuz

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Getty: The Canterville Ghost

Denise Wernly

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The Canterville Ghost (Gordon Getty)

1
Great Grandpapa, Is There Really a Ghost Here?
Denise Wernly
00:05:30

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Matthias Foremny, Conductor - Alexandra Hutton, Artist - Timothy Oliver, Artist - Denise Wernly, Artist, MainArtist - Rachel Marie Hauge, Artist

(C) 2017 PENTATONE (P) 2017 PENTATONE

2
My Dear Otises
Anooshah Golesorkhi
00:05:11

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Jean Broekhuizen, Artist - Matthias Foremny, Conductor - Alexandra Hutton, Artist - Jonathan Michie, Artist - Denise Wernly, Artist - Rachel Marie Hauge, Artist - Anooshah Golesorkhi, Artist, MainArtist

(C) 2017 PENTATONE (P) 2017 PENTATONE

3
Daddy, Hurry! Bring the Key!
Denise Wernly
00:02:18

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Jean Broekhuizen, Artist - Matthias Foremny, Conductor - Alexandra Hutton, Artist - Jonathan Michie, Artist - Denise Wernly, Artist, MainArtist - Rachel Marie Hauge, Artist

(C) 2017 PENTATONE (P) 2017 PENTATONE

4
My Dear Sir, I Really Must Insist on Your Oiling Those Chains
Jonathan Michie
00:01:16

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Matthias Foremny, Conductor - Matthew Treviño, Artist - Jonathan Michie, Artist, MainArtist - Denise Wernly, Artist - Rachel Marie Hauge, Artist

(C) 2017 PENTATONE (P) 2017 PENTATONE

5
Rising Sun Lubricator!
Matthew Treviño
00:03:01

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Matthias Foremny, Conductor - Matthew Treviño, Artist, MainArtist

(C) 2017 PENTATONE (P) 2017 PENTATONE

6
I Confess Disappointment
Jonathan Michie
00:02:55

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Jean Broekhuizen, Artist - Matthias Foremny, Conductor - Alexandra Hutton, Artist - Jonathan Michie, Artist, MainArtist - Denise Wernly, Artist - Rachel Marie Hauge, Artist

(C) 2017 PENTATONE (P) 2017 PENTATONE

7
I Fear You Are Far from Well
Jean Broekhuizen
00:01:37

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Jean Broekhuizen, Artist, MainArtist - Matthias Foremny, Conductor - Matthew Treviño, Artist - Denise Wernly, Artist - Rachel Marie Hauge, Artist

(C) 2017 PENTATONE (P) 2017 PENTATONE

8
Insupportable! To Be Lectured on Professionalism!
Matthew Treviño
00:03:50

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Matthias Foremny, Conductor - Matthew Treviño, Artist, MainArtist

(C) 2017 PENTATONE (P) 2017 PENTATONE

9
Boo!
Matthew Treviño
00:00:34

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Matthias Foremny, Conductor - Matthew Treviño, Artist, MainArtist - Denise Wernly, Artist - Rachel Marie Hauge, Artist

(C) 2017 PENTATONE (P) 2017 PENTATONE

10
Unclean!
Matthew Treviño
00:00:31

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Matthias Foremny, Conductor - Matthew Treviño, Artist, MainArtist - Denise Wernly, Artist - Rachel Marie Hauge, Artist

(C) 2017 PENTATONE (P) 2017 PENTATONE

11
Scene 11
Matthew Treviño
00:00:35

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Matthias Foremny, Conductor - Matthew Treviño, Artist, MainArtist - Denise Wernly, Artist - Rachel Marie Hauge, Artist

(C) 2017 PENTATONE (P) 2017 PENTATONE

12
Fiasco! Disgrace!
Matthew Treviño
00:01:18

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Matthias Foremny, Conductor - Matthew Treviño, Artist, MainArtist

(C) 2017 PENTATONE (P) 2017 PENTATONE

13
Again No Bloodstain on the Armor
Jonathan Michie
00:01:49

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Jean Broekhuizen, Artist - Matthias Foremny, Conductor - Alexandra Hutton, Artist - Jonathan Michie, Artist, MainArtist - Denise Wernly, Artist - Rachel Marie Hauge, Artist

(C) 2017 PENTATONE (P) 2017 PENTATONE

14
I Hear the Ghost Has Packed His Bags
Anooshah Golesorkhi
00:02:38

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Jean Broekhuizen, Artist - Matthias Foremny, Conductor - Jonathan Michie, Artist - Anooshah Golesorkhi, Artist, MainArtist

(C) 2017 PENTATONE (P) 2017 PENTATONE

15
Barbara! Barbara! Does Anyone Hear Me?
Alexandra Hutton
00:13:27

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Matthias Foremny, Conductor - Alexandra Hutton, Artist, MainArtist - Matthew Treviño, Artist - Denise Wernly, Artist - Rachel Marie Hauge, Artist

(C) 2017 PENTATONE (P) 2017 PENTATONE

16
Hiram, She Is Nowhere in the House
Jean Broekhuizen
00:00:54

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Jean Broekhuizen, Artist, MainArtist - Matthias Foremny, Conductor - Timothy Oliver, Artist - Jonathan Michie, Artist - Denise Wernly, Artist - Rachel Marie Hauge, Artist - Anooshah Golesorkhi, Artist

(C) 2017 PENTATONE (P) 2017 PENTATONE

17
She Isn't Here
Anooshah Golesorkhi
00:00:44

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Matthias Foremny, Conductor - Timothy Oliver, Artist - Jonathan Michie, Artist - Anooshah Golesorkhi, Artist, MainArtist

(C) 2017 PENTATONE (P) 2017 PENTATONE

18
Thank You, Mrs. Umney. You May All Go to Bed Now
Jonathan Michie
00:02:45

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Jean Broekhuizen, Artist - Matthias Foremny, Conductor - Alexandra Hutton, Artist - Jonathan Michie, Artist, MainArtist - Denise Wernly, Artist - Rachel Marie Hauge, Artist

(C) 2017 PENTATONE (P) 2017 PENTATONE

19
My Good Otis, Thank You for Putting Me up Again
Anooshah Golesorkhi
00:02:28

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Matthias Foremny, Conductor - Jonathan Michie, Artist - Anooshah Golesorkhi, Artist, MainArtist

(C) 2017 PENTATONE (P) 2017 PENTATONE

20
Then Shall All the House Be Still
Alexandra Hutton
00:08:44

Gewandhausorchester Leipzig, Orchestra - Gordon Getty, Composer - Jean Broekhuizen, Artist - Matthias Foremny, Conductor - Alexandra Hutton, Artist, MainArtist - Timothy Oliver, Artist - Jonathan Michie, Artist - Anooshah Golesorkhi, Artist

(C) 2017 PENTATONE (P) 2017 PENTATONE

Albumbeschreibung

One should really close the eyes upon the fact that composer Gordon Getty is one of the heirs to the billions and the power of the Getty empire, and concentrate on the excellent musician Gordon Getty. Born 1933, his repertoire boasts four major stage works, a large number of choral pieces, piano music and four major symphonic works. Getty has always steered clear from the avant-garde of the 70s – mostly confined to Europe, as a matter of fact –, to remain true to a tonal musical language that does not deny the influences of Shostakovich, Hindemith and more particularly Britten. Here is the world premiere recording of his latest opera, The Ghost of Canterville with a libretto directly inspired by Oscar Wilde’s eponymous novel, premiered 2015 at the Leipzig Opera. It is a one-acter, which in Leipzig was presented together with Leoncavallo’s I Pagliacci. Britten seems to be the nearest influence, even though Menotti’s pen may be imagined through some harmonic and dramatic twists an turns. The work has been scheduled by San Francisco and Los Angeles operas, and more performances world-wide are to be expected. Humour and fantasy blend in the score and libretto: the subject deals with an American family that has recently moved to an ancient English castle haunted by a long-dead lord who has murdered his wife. Unlike former tenants, the Americans seem to have little fear of the ghost, and eventually the young daughter manages to kindly coax the ghost into retiring into blissful rest after so many centuries of meandering. Absolutely delicious! © SM/Qobuz

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