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Sheena Easton|You Could Have Been With Me (Bonus Tracks Version)

You Could Have Been With Me (Bonus Tracks Version)

Sheena Easton
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Easton and producer Christopher Neil added a bit of an R&B flavor to this generally agreeable sophomore set. The production is at times repetitive, and Neil's backing vocals occasionally border on intrusive. At the core, however, most of the material is easily consumed. It's with ballads (of which there are a good number here) that Easton displays the most range and potential. The uptempo cuts are catchy, but are overproduced and fall victim to lyrical and arrangement clichés.

© Justin M. Kantor /TiVo

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You Could Have Been With Me (Bonus Tracks Version)

Sheena Easton

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1
A Little Tenderness
00:03:50

P. Vale, Composer - Michael Leeson, Composer - Christopher Neil, Producer - Sheena Easton, Performance, MainArtist

© 1981 RT Industries ℗ 1981 Razor & Tie Industries LLC. Distributed by Concord Music Group, Inc.

2
Savoir Faire
00:03:09

Peter Vale, Composer - Palmer, Composer - Sheena Easton, MainArtist

© 1981 RT Industries ℗ 1981 Razor & Tie Industries LLC. Distributed by Concord Music Group, Inc.

3
Just Another Broken Heart
00:03:25

Mick Leeson, Composer - Peter Vale, Composer - Sheena Easton, MainArtist

© 1981 RT Industries ℗ 1981 Razor & Tie Industries LLC. Distributed by Concord Music Group, Inc.

4
I'm Not Worth the Hurt
00:03:05

D. ALLEN, Composer - R. Van Hoy, Composer - Sheena Easton, Performance, MainArtist - E. Struzick, Composer

© 1981 RT Industries ℗ 1981 A Hits Music

5
You Could Have Been With Me
00:03:37

Sheena Easton, MainArtist - Lea Maalfrid, Composer - L. Maalfrid, Composer

© 1981 RT Industries ℗ 1981 Razor & Tie Industries LLC. Distributed by Concord Music Group, Inc.

6
A Letter from Joey
00:03:45

F. Musker, Composer - D. Bugatti, Composer - Sheena Easton, Performance, MainArtist

© 1981 RT Industries ℗ 1981 Razor & Tie Industries LLC. Distributed by Concord Music Group, Inc.

7
Telephone Lines
00:03:23

Steve Kipner, Composer - Charlie Christian, Composer - Sheena Easton, Performance, MainArtist

© 1981 RT Industries ℗ 1981 Razor & Tie Industries LLC. Distributed by Concord Music Group, Inc.

8
Johnny
00:03:34

Sheena Easton, Performance, MainArtist - Donovan McKitty, Composer

© 1981 RT Industries ℗ 1981 Razor & Tie Industries LLC. Distributed by Concord Music Group, Inc.

9
Trouble in the Shadows
00:03:15

Mano, Composer - Sheena Easton, Performance, MainArtist

© 1981 RT Industries ℗ 1981 Razor & Tie Industries LLC. Distributed by Concord Music Group, Inc.

10
Isn't It So
00:02:51

Sheena Easton, Performance, MainArtist - Kathleen Floyd, Composer

© 1981 RT Industries ℗ 1981 Razor & Tie Industries LLC. Distributed by Concord Music Group, Inc.

11
When He Shines
00:03:56

D. Bugatti, Composer - Sheena Easton, MainArtist - Florrie Palmer, Composer - F. Palmer, Composer

© 1981 RT Industries ℗ 1981 Razor & Tie Industries LLC. Distributed by Concord Music Group, Inc.

12
For Your Eyes Only
00:03:04

Michael Leeson, Composer - Christopher Neil, Producer - Sheena Easton, Vocals, MainArtist - Bill Conti, Composer, Conductor

© 1981 RT Industries ℗ 1981 Danjaq, LLC and United Artists Corporation. All rights reserved.

13
No One Ever Knows
00:03:47

Mick Leeson, Composer - Peter Vale, Composer - Sheena Easton, MainArtist

© 1981 RT Industries ℗ 1981 Razor & Tie Industries LLC. Distributed by Concord Music Group, Inc.

14
Family of One
00:04:16

Sheena Easton, MainArtist

© 1981 RT Industries ℗ 1981 A Hits Music

15
Right Or Wrong
00:03:17

Christopher Neil, Producer - Palmer, Composer - Sheena Easton, MainArtist

© 1981 RT Industries ℗ 1981 Razor & Tie Industries LLC. Distributed by Concord Music Group, Inc.

Album review

Easton and producer Christopher Neil added a bit of an R&B flavor to this generally agreeable sophomore set. The production is at times repetitive, and Neil's backing vocals occasionally border on intrusive. At the core, however, most of the material is easily consumed. It's with ballads (of which there are a good number here) that Easton displays the most range and potential. The uptempo cuts are catchy, but are overproduced and fall victim to lyrical and arrangement clichés.

© Justin M. Kantor /TiVo

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