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Bad Meets Evil|Hell: The Sequel (Deluxe)

Hell: The Sequel (Deluxe)

Bad Meets Evil
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Since the hip-hop community caught wind of them around 1999, Bad Meets Evil spent a decade in the more-a-legend-than-a-band category. Members Eminem and Royce da 5'9" spent those years not speaking thanks to beefs and feuds, but then the 2006 murder of their mutual friend, D12 member Proof, brought them back together. Fast-forward to 2011 and this EP re-launches the project, although fans have already been notified that Hell: The Sequel is “a collection of tracks” so excuse the mess. It’s not much of a mess, really, as the glossy “Lighters” feels more like a Bruno Mars track than Detroit diesel, while “stop stealing my music” tracks like “Take from Me” rarely become fan favorites. Everything else works just fine, with Royce displaying growth and superior skills that casual fans have slept on, while Em puts one foot in the past where gross humor (“Tell Lady Gaga she can quit her job at the post office/She’s still a male lady”) and scrappy rhymes reigned supreme. His other foot is in the Relapse/Recovery-era present with all the soul searching you’d expect, but as interesting as this career-spanning blend is, it is even more interesting when contrasted with Royce’s more traditional brand of thugging. Throughout his career, Mr. Mathers has given props to his Detroit hip-hop clan and spoken of his interactions, but his discography has been somewhat light on examples. Past the Mars cut, Hell: The Sequel helps right that wrong, providing the welcome sound of Shady meets the streets.

© David Jeffries /TiVo

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Hell: The Sequel (Deluxe)

Bad Meets Evil

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1
Welcome 2 Hell (Album Version (Explicit)) Explicit
00:02:57

K. Muchita, ComposerLyricist - Marshall Mathers, ComposerLyricist - R. Montgomery, ComposerLyricist - Havoc, Producer - Bad Meets Evil, MainArtist - M. crawford, ComposerLyricist - Magnedo7, Producer, Co-Producer

℗ 2011 Shady Records/Interscope Records

2
Fast Lane (Album Version) Explicit
00:04:09

Marshall Mathers, ComposerLyricist - Luis Resto, ComposerLyricist - Sylvester Jordan, Jr., ComposerLyricist - Ryan Montgomery, ComposerLyricist - Dwayne Chin-Quee, ComposerLyricist - Eminem, Producer, Co-Producer - J. Gilbert, ComposerLyricist - Bad Meets Evil, MainArtist - Dwayne Richard Chin-Quee, Producer - Jason “JG” Gilbert, Producer, Co-Producer

℗ 2011 Shady Records/Interscope Records

3
The Reunion (Album Version (Explicit)) Explicit
00:04:50

Marshall Mathers, ComposerLyricist - D. Parker, ComposerLyricist - Luis Resto, ComposerLyricist - Mike Elizondo, ComposerLyricist - R. Montgomery, ComposerLyricist - M. Batson, ComposerLyricist - Andre Romell Young, ComposerLyricist - Mike Strange, Recording Engineer, StudioPersonnel - Eminem, Producer, Co-Producer - T. Lawrence, ComposerLyricist - Joey Chavez, Recording Engineer, StudioPersonnel - Bad Meets Evil, MainArtist - Sean Cruse, ComposerLyricist - T. Graham, ComposerLyricist - Sid Roams, Producer - Edwigis J Chavez, ComposerLyricist

℗ 2011 Shady Records/Interscope Records

4
Above The Law (Album Version (Explicit)) Explicit
00:03:29

D. PORTER, ComposerLyricist - J. Williams, ComposerLyricist - Marshall Mathers, ComposerLyricist - H. Jackson, ComposerLyricist - R. Montgomery, ComposerLyricist - Mike Strange, Recording Engineer, StudioPersonnel - Alex Merzin, Recording Engineer, StudioPersonnel - Mr. Porter, Producer - Bad Meets Evil, MainArtist - C. Haddon-Jackson, ComposerLyricist - P. Zora, ComposerLyricist - Asfar, Recording Engineer, StudioPersonnel

℗ 2011 Shady Records/Interscope Records

5
I’m On Everything (Album Version (Explicit)) Explicit
00:04:31

D. PORTER, ComposerLyricist - Marshall Mathers, ComposerLyricist - H. Jackson, ComposerLyricist - R. Montgomery, ComposerLyricist - Mike Strange, Recording Engineer, StudioPersonnel - Alex Merzin, Recording Engineer, StudioPersonnel - Mr. Porter, Producer - Bad Meets Evil, MainArtist - Mike Epps, FeaturedArtist - Asfar, Recording Engineer, StudioPersonnel

℗ 2011 Shady Records/Interscope Records

6
A Kiss (Album Version (Explicit)) Explicit
00:04:34

Marshall Mathers, ComposerLyricist - Shondrae Crawford, Producer, ComposerLyricist - R. Montgomery, ComposerLyricist - D Brown, ComposerLyricist - Bad Meets Evil, MainArtist

℗ 2011 Shady Records/Interscope Records

7
Lighters (Album Version (Explicit)) Explicit
00:05:03

Marshall Mathers, ComposerLyricist - R. Montgomery, ComposerLyricist - Ari Levine, Recording Engineer, StudioPersonnel - Bruno Mars, FeaturedArtist - Mike Strange, Recording Engineer, StudioPersonnel - A. Levine, ComposerLyricist - The Smeezingtons, Producer - Eminem, Producer - Battle Roy, Producer - R. Battle, ComposerLyricist - Bad Meets Evil, MainArtist - P Lawrence, ComposerLyricist - Peter Gene Hernandez, ComposerLyricist - Asfar, Recording Engineer, StudioPersonnel

℗ 2011 Shady Records/Interscope Records

8
Take From Me (Album Version (Explicit)) Explicit
00:03:25

D. PORTER, ComposerLyricist - Marshall Mathers, ComposerLyricist - H. Jackson, ComposerLyricist - R. Montgomery, ComposerLyricist - Mike Strange, Recording Engineer, StudioPersonnel - Alex Merzin, Recording Engineer, StudioPersonnel - Mr. Porter, Producer - Bad Meets Evil, MainArtist - Claret Jai, Additional Vocals, AssociatedPerformer - C. Haddon-Jackson, ComposerLyricist - Asfar, Recording Engineer, StudioPersonnel - 56, Producer, Co-Producer

℗ 2011 Shady Records/Interscope Records

9
Loud Noises (Album Version (Explicit)) Explicit
00:04:20

D. PORTER, ComposerLyricist - Marshall Mathers, ComposerLyricist - H. Jackson, ComposerLyricist - Luis Resto, ComposerLyricist - R. Montgomery, ComposerLyricist - Mike Strange, Recording Engineer, StudioPersonnel - Eminem, Producer, Additional Producer - J. ORTIZ, ComposerLyricist - Parks, Recording Engineer, StudioPersonnel - Alex Merzin, Recording Engineer, StudioPersonnel - Mr. Porter, Producer - J. Budden, ComposerLyricist - Bad Meets Evil, MainArtist - Slaughterhouse, FeaturedArtist - D. Wickliffe, ComposerLyricist - Asfar, Recording Engineer, StudioPersonnel

℗ 2011 Shady Records/Interscope Records

10
Living Proof (Album Version (Explicit)) Explicit
00:03:55

D. PORTER, ComposerLyricist - Marshall Mathers, ComposerLyricist - H. Jackson, ComposerLyricist - R. Montgomery, ComposerLyricist - Mike Strange, Recording Engineer, StudioPersonnel - Alex Merzin, Recording Engineer, StudioPersonnel - Mr. Porter, Producer - J. Brown, ComposerLyricist - Bad Meets Evil, MainArtist - Asfar, Recording Engineer, StudioPersonnel

℗ 2011 Shady Records/Interscope Records

11
Echo (Album Version (Explicit)) Explicit
00:04:53

Marshall Mathers, ComposerLyricist - R. Montgomery, ComposerLyricist - DJ Khalil, Producer - Mike Strange, Recording Engineer, StudioPersonnel - C Smith, ComposerLyricist - D. Tannenbaum, ComposerLyricist - Bad Meets Evil, MainArtist - E. Alcock, ComposerLyricist - L. Rodrigues, ComposerLyricist - K Abdul-Rahman, ComposerLyricist - Asfar, Recording Engineer, StudioPersonnel

℗ 2011 Shady Records/Interscope Records

Album review

Since the hip-hop community caught wind of them around 1999, Bad Meets Evil spent a decade in the more-a-legend-than-a-band category. Members Eminem and Royce da 5'9" spent those years not speaking thanks to beefs and feuds, but then the 2006 murder of their mutual friend, D12 member Proof, brought them back together. Fast-forward to 2011 and this EP re-launches the project, although fans have already been notified that Hell: The Sequel is “a collection of tracks” so excuse the mess. It’s not much of a mess, really, as the glossy “Lighters” feels more like a Bruno Mars track than Detroit diesel, while “stop stealing my music” tracks like “Take from Me” rarely become fan favorites. Everything else works just fine, with Royce displaying growth and superior skills that casual fans have slept on, while Em puts one foot in the past where gross humor (“Tell Lady Gaga she can quit her job at the post office/She’s still a male lady”) and scrappy rhymes reigned supreme. His other foot is in the Relapse/Recovery-era present with all the soul searching you’d expect, but as interesting as this career-spanning blend is, it is even more interesting when contrasted with Royce’s more traditional brand of thugging. Throughout his career, Mr. Mathers has given props to his Detroit hip-hop clan and spoken of his interactions, but his discography has been somewhat light on examples. Past the Mars cut, Hell: The Sequel helps right that wrong, providing the welcome sound of Shady meets the streets.

© David Jeffries /TiVo

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