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Philippe Grisvard|Berlin Harpsichord Concertos

Berlin Harpsichord Concertos

Philippe Grisvard, Ensemble Diderot, Johannes Pramsohler

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One might object to certain details in this recording of harpsichord concertos from Germany in the middle 18th century, all but one (that by Ernst Wilhelm Wolf) from the Prussian court in Berlin. The one-instrument-per-part forces don't accord with images from the time and require a rather aggressive tone from Ensemble Diderot. The sound from the over-live and over-bright Gustav-Mahler-Auditorium in Toblach, Italy, isn't especially idiomatic, but these details don't matter too much, for listeners will be glad to hear this repertory. Harpsichordist Philippe Grisvard, playing a 2015 Christoph Kern copy of an instrument by the German builder Michael Mietke, is fluent and naturally melodic. When music from this place and era is performed, it is usually by C.P.E. Bach or one of his siblings, but they are omitted here in favor of a group of composers who, for most listeners, will be little-known (Carl Heinrich Graun) or completely obscure (such as Christoph Nichelmann, a student of J.S. Bach in Leipzig, or Christoph Schaffrath). The quality of the whole is remarkably high. Influences from both J.S. and C.P.E. Bach are detectable, but each composer makes something distinctive of them. Sample the densely contrapuntal opening of the Harpsichord Concerto in C minor of Schaffrath, gracefully resolving to more galant sounds. All the recordings are world premieres. Two of the works are in minor keys, suggesting that the Sturm und Drang movement extended far beyond C.P.E.'s and Haydn's well-known examples. This is a recording that will rewrite the 18th century repertory a bit, and lovers of music from this era will find it essential listening. It landed on classical best-seller charts in the spring of 2024.

© James Manheim /TiVo

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Berlin Harpsichord Concertos

Philippe Grisvard

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Harpsichord Concerto in D Minor (Christoph Nichelmann)

1
I. Allegro
00:06:04

Philippe Grisvard, Harpsichord, MainArtist - Christoph Nichelmann, Composer - Johannes Pramsohler, Conductor, MainArtist - Ensemble Diderot, Orchestra, MainArtist

2024 Audax Records 2024 Audax Records

2
II. Adagio
00:04:13

Philippe Grisvard, Harpsichord, MainArtist - Christoph Nichelmann, Composer - Johannes Pramsohler, Conductor, MainArtist - Ensemble Diderot, Orchestra, MainArtist

2024 Audax Records 2024 Audax Records

3
III. Allegro
00:06:01

Philippe Grisvard, Harpsichord, MainArtist - Christoph Nichelmann, Composer - Johannes Pramsohler, Conductor, MainArtist - Ensemble Diderot, Orchestra, MainArtist

2024 Audax Records 2024 Audax Records

Harpsichord Concerto in D Major, WVC:XIII:72 (Carl Heinrich Graun)

4
I. Allegro non troppo
00:06:21

Carl Heinrich Graun, Composer - Philippe Grisvard, Harpsichord, MainArtist - Johannes Pramsohler, Conductor, MainArtist - Ensemble Diderot, Orchestra, MainArtist

2024 Audax Records 2024 Audax Records

5
II. Adagio
00:05:50

Carl Heinrich Graun, Composer - Philippe Grisvard, Harpsichord, MainArtist - Johannes Pramsohler, Conductor, MainArtist - Ensemble Diderot, Orchestra, MainArtist

2024 Audax Records 2024 Audax Records

6
III. Vivace
00:05:47

Carl Heinrich Graun, Composer - Philippe Grisvard, Harpsichord, MainArtist - Johannes Pramsohler, Conductor, MainArtist - Ensemble Diderot, Orchestra, MainArtist

2024 Audax Records 2024 Audax Records

Harpsichord Concerto in C Minor, CSWV:C:11 (Christoph Schaffrath)

7
I. Allegro
00:07:09

Philippe Grisvard, Harpsichord, MainArtist - Johannes Pramsohler, Conductor, MainArtist - Christoph Schaffrath, Composer - Ensemble Diderot, Orchestra, MainArtist

2024 Audax Records 2024 Audax Records

8
II. Largo
00:06:03

Philippe Grisvard, Harpsichord, MainArtist - Johannes Pramsohler, Conductor, MainArtist - Christoph Schaffrath, Composer - Ensemble Diderot, Orchestra, MainArtist

2024 Audax Records 2024 Audax Records

9
III. Allegro
00:05:53

Philippe Grisvard, Harpsichord, MainArtist - Johannes Pramsohler, Conductor, MainArtist - Christoph Schaffrath, Composer - Ensemble Diderot, Orchestra, MainArtist

2024 Audax Records 2024 Audax Records

Harpsichord Concerto in B-Flat Major (Ernst Wilhelm Wolf)

10
I. Allegretto
00:06:48

Philippe Grisvard, Harpsichord, MainArtist - Johannes Pramsohler, Conductor, MainArtist - Ernst Wilhelm Wolf, Composer - Ensemble Diderot, Orchestra, MainArtist

2024 Audax Records 2024 Audax Records

11
II. Adagio
00:09:37

Philippe Grisvard, Harpsichord, MainArtist - Johannes Pramsohler, Conductor, MainArtist - Ernst Wilhelm Wolf, Composer - Ensemble Diderot, Orchestra, MainArtist

2024 Audax Records 2024 Audax Records

12
III. Allegro di molto
00:07:58

Philippe Grisvard, Harpsichord, MainArtist - Johannes Pramsohler, Conductor, MainArtist - Ernst Wilhelm Wolf, Composer - Ensemble Diderot, Orchestra, MainArtist

2024 Audax Records 2024 Audax Records

Album review

One might object to certain details in this recording of harpsichord concertos from Germany in the middle 18th century, all but one (that by Ernst Wilhelm Wolf) from the Prussian court in Berlin. The one-instrument-per-part forces don't accord with images from the time and require a rather aggressive tone from Ensemble Diderot. The sound from the over-live and over-bright Gustav-Mahler-Auditorium in Toblach, Italy, isn't especially idiomatic, but these details don't matter too much, for listeners will be glad to hear this repertory. Harpsichordist Philippe Grisvard, playing a 2015 Christoph Kern copy of an instrument by the German builder Michael Mietke, is fluent and naturally melodic. When music from this place and era is performed, it is usually by C.P.E. Bach or one of his siblings, but they are omitted here in favor of a group of composers who, for most listeners, will be little-known (Carl Heinrich Graun) or completely obscure (such as Christoph Nichelmann, a student of J.S. Bach in Leipzig, or Christoph Schaffrath). The quality of the whole is remarkably high. Influences from both J.S. and C.P.E. Bach are detectable, but each composer makes something distinctive of them. Sample the densely contrapuntal opening of the Harpsichord Concerto in C minor of Schaffrath, gracefully resolving to more galant sounds. All the recordings are world premieres. Two of the works are in minor keys, suggesting that the Sturm und Drang movement extended far beyond C.P.E.'s and Haydn's well-known examples. This is a recording that will rewrite the 18th century repertory a bit, and lovers of music from this era will find it essential listening. It landed on classical best-seller charts in the spring of 2024.

© James Manheim /TiVo

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