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Barry Wordsworth|The Sleeping Beauty (Pyotr Il'yich Tchaikovsky)

The Sleeping Beauty (Pyotr Il'yich Tchaikovsky)

Pyotr Il'yich Tchaikovsky

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Following an exceptional release of Pyotr Il'yich Tchaikovsky's Swan Lake, the Royal Philharmonic Orchestra returns to ballet music with its 2010 recording of The Sleeping Beauty, conducted by Barry Wordsworth. In many ways a superior work to Swan Lake, Tchaikovsky's second great ballet boasts a polished score that is filled with sophisticated melodies, lush harmonies, and dazzling orchestration that Tchaikovsky arguably never surpassed. This double-disc recording presents the most famous selections from the work, which in its full version would run close to four hours, but the reduced version includes all of the best-known dances. Yet as enjoyable as this performance is, it has an underwhelming sound quality that is not as colorful nor as vivid as the recording of Swan Lake, and requires a fairly high volume setting to clearly hear details. For a comparable shortened version, André Previn's "ballet edition" on EMI gives this twofer serious competition by offering better sound, more tracks, and a much more impressive interpretation. This album is still useful as an introduction for beginners or casual listeners, but devoted admirers of The Sleeping Beauty should only settle for the complete work.

© TiVo

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The Sleeping Beauty (Pyotr Il'yich Tchaikovsky)

Barry Wordsworth

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1
Introduction
Royal Philharmonic Orchestra
00:02:43

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

2
Le Prologue: Marche
Royal Philharmonic Orchestra
00:04:24

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

3
Scene dansante
Royal Philharmonic Orchestra
00:04:23

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

4
Pas de six: Introduction
Royal Philharmonic Orchestra
00:00:37

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

5
Pas de six: Adagio
Royal Philharmonic Orchestra
00:04:01

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

6
Candide (Variation 1)
Royal Philharmonic Orchestra
00:01:08

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

7
Coulante, Fleur de Farine (Variation II)
Royal Philharmonic Orchestra
00:00:35

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

8
Fee aux Miettes (Variation III)
Royal Philharmonic Orchestra
00:01:12

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

9
Canari qui chante (Variation IV)
Royal Philharmonic Orchestra
00:00:31

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

10
Violente (Variation V)
Royal Philharmonic Orchestra
00:01:16

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

11
Fee des Lilas (Variation VI)
Royal Philharmonic Orchestra
00:01:06

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

12
Coda
Royal Philharmonic Orchestra
00:01:39

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

13
Carabosse et la Fee des Lilas (Carabosse and the Lilac Fairy)
Royal Philharmonic Orchestra
00:08:37

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

14
Act I: The Spell: Scene
Royal Philharmonic Orchestra
00:03:06

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

15
Act I: Valse
Royal Philharmonic Orchestra
00:05:00

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

16
Act I: Entree d'Aurore
Royal Philharmonic Orchestra
00:01:59

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

17
Act I: Pas d'action: Adagio (Rose Adagio)
Royal Philharmonic Orchestra
00:06:32

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

18
Act I: Pas d'action: Variation d'Aurore
Royal Philharmonic Orchestra
00:03:26

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

19
Act I: Pas d'action: Coda
Royal Philharmonic Orchestra
00:02:31

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

20
Act I: Finale
Royal Philharmonic Orchestra
00:06:51

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

DISC 2

1
Act II: The Vision and the Sleeping Beauty Awakened: Entr'acte et Scene
Royal Philharmonic Orchestra
00:02:43

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

2
Act II: Colin-maillard (Blind Man's Buff)
Royal Philharmonic Orchestra
00:01:02

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

3
Act II: Scene
Royal Philharmonic Orchestra
00:04:16

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

4
Act II: Pas d'action
Royal Philharmonic Orchestra
00:05:13

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

5
Act II: Variation d'Aurore
Royal Philharmonic Orchestra
00:01:37

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

6
Act II: Panorama
Royal Philharmonic Orchestra
00:02:08

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

7
Act II: Entr'acte
Royal Philharmonic Orchestra
00:06:42

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

8
Act II: Entr'acte symphonique (Le Sommeil) et Scene
Royal Philharmonic Orchestra
00:06:13

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

9
Act II: Finale
Royal Philharmonic Orchestra
00:00:47

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

10
Act III: The Wedding: Marche
Royal Philharmonic Orchestra
00:02:03

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

11
Act III: Pas de caractere: Le chat botte et la chatte blanche (Puss-in-Boots and the White Cat)
Royal Philharmonic Orchestra
00:02:30

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

12
Act III: Pas de quatre
Royal Philharmonic Orchestra
00:02:11

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

13
Act III: (a) Entree
Royal Philharmonic Orchestra
00:01:06

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

14
Act III: (b) Adagio
Royal Philharmonic Orchestra
00:04:43

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

15
Act III: (c) Desire (Variation I)
Royal Philharmonic Orchestra
00:01:03

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

16
Act III: (d) Aurore (Variation II)
Royal Philharmonic Orchestra
00:01:44

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

17
Act III: (e) Coda
Royal Philharmonic Orchestra
00:01:19

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

18
Act III: Polacca
Royal Philharmonic Orchestra
00:04:02

Royal Philharmonic Orchestra - Barry Wordsworth, Conductor - Jessica Burroughs, cello

Album review

Following an exceptional release of Pyotr Il'yich Tchaikovsky's Swan Lake, the Royal Philharmonic Orchestra returns to ballet music with its 2010 recording of The Sleeping Beauty, conducted by Barry Wordsworth. In many ways a superior work to Swan Lake, Tchaikovsky's second great ballet boasts a polished score that is filled with sophisticated melodies, lush harmonies, and dazzling orchestration that Tchaikovsky arguably never surpassed. This double-disc recording presents the most famous selections from the work, which in its full version would run close to four hours, but the reduced version includes all of the best-known dances. Yet as enjoyable as this performance is, it has an underwhelming sound quality that is not as colorful nor as vivid as the recording of Swan Lake, and requires a fairly high volume setting to clearly hear details. For a comparable shortened version, André Previn's "ballet edition" on EMI gives this twofer serious competition by offering better sound, more tracks, and a much more impressive interpretation. This album is still useful as an introduction for beginners or casual listeners, but devoted admirers of The Sleeping Beauty should only settle for the complete work.

© TiVo

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