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Pop Will Eat Itself|The Looks Or The Lifestyle

The Looks Or The Lifestyle

Pop Will Eat Itself

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Certainly not their best effort, The Looks or the Lifestyle saw RCA pressuring the band to move in a more commercial direction. The Poppies ignored the pressure and moved in a less commercial direction. Displaying an interest in a dancier style that had started to become evident on the previous album, elements of the harsher attack that would characterize Dos Dedos Mis Amigos were apparent in such songs as "Urban Futuristic" and "Eat Me, Drink Me, Love Me, Kill Me." Samples come from diverse influences, including Akira, INXS, and Perry Farrell; this album represents a sort of midway point between PWEI's two landmark albums. Another marker on the album is the addition of live drummer Fuzz Townshend, replacing the band's temperamental drum machine, Dr. Nightmare. After the album's release, RCA dumped PWEI. Ironically enough, "Get the Girl, Kill the Baddies" -- the post-dumping single from the album -- reached number nine on the U.K. charts, the band's highest position to that day.

© Joshua Landau /TiVo

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The Looks Or The Lifestyle

Pop Will Eat Itself

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1
Englands Finest
00:00:45

Vestan Pance, Composer - Vestan Pance, Lyricist - Kennan Keating, Mixing Engineer - Noel Rafferty, Engineer - Garry Hughes, Programmer - Garry Hughes, Keyboards - Andy Dean, Producer - Pop Will Eat Itself, Performer - Ben Wolff, Producer

(P) 1992 Sony Music Entertainment UK Limited

2
Eat Me, Drink Me, Love Me, Kill Me
00:02:59

Vestan Pance, Composer - Vestan Pance, Lyricist - Kennan Keating, Mixing Engineer - Noel Rafferty, Engineer - Garry Hughes, Programmer - Garry Hughes, Keyboards - Andy Dean, Producer - Pop Will Eat Itself, Performer - The Buzzard, Guitar - Ben Wolff, Producer

(P) 1992 Sony Music Entertainment UK Limited

3
Mother
00:04:12

Vestan Pance, Composer - Vestan Pance, Lyricist - Kennan Keating, Mixing Engineer - Noel Rafferty, Engineer - Garry Hughes, Programmer - Garry Hughes, Keyboards - Andy Dean, Producer - Pop Will Eat Itself, Performer - The Buzzard, Guitar - Ben Wolff, Producer

(P) 1992 Sony Music Entertainment UK Limited

4
Get the Girl! Kill the Baddies!
00:05:07

Vestan Pance, Composer - Vestan Pance, Lyricist - Kennan Keating, Mixing Engineer - Noel Rafferty, Engineer - Garry Hughes, Programmer - Garry Hughes, Keyboards - Andy Dean, Producer - Pop Will Eat Itself, Performer - Ben Wolff, Producer

(P) 1992 Sony Music Entertainment UK Limited

5
I've Always Been a Coward Baby
00:03:23

Vestan Pance, Composer - Vestan Pance, Lyricist - Kennan Keating, Mixing Engineer - Noel Rafferty, Engineer - Garry Hughes, Programmer - Garry Hughes, Keyboards - Andy Dean, Producer - Pop Will Eat Itself, Performer - Ben Wolff, Producer

(P) 1992 Sony Music Entertainment UK Limited

6
Token Drug Song
00:04:01

Vestan Pance, Composer - Vestan Pance, Lyricist - Kennan Keating, Mixing Engineer - Noel Rafferty, Engineer - Garry Hughes, Programmer - Garry Hughes, Keyboards - Andy Dean, Producer - Pop Will Eat Itself, Performer - Ben Wolff, Producer

(P) 1992 Sony Music Entertainment UK Limited

7
Karmadrome
00:04:20

Vestan Pance, Composer - Vestan Pance, Lyricist - Kennan Keating, Mixing Engineer - Noel Rafferty, Engineer - Garry Hughes, Programmer - Garry Hughes, Keyboards - Andy Dean, Producer - Pop Will Eat Itself, Performer - The Buzzard, Guitar - Ben Wolff, Producer

(P) 1992 Sony Music Entertainment UK Limited

8
Urban Futuristic
00:04:42

Vestan Pance, Composer - Vestan Pance, Lyricist - Kennan Keating, Mixing Engineer - Noel Rafferty, Engineer - Garry Hughes, Programmer - Garry Hughes, Keyboards - Andy Dean, Producer - Pop Will Eat Itself, Performer - The Buzzard, Guitar - Ben Wolff, Producer

(P) 1992 Sony Music Entertainment UK Limited

9
Pretty Pretty
00:04:07

Vestan Pance, Composer - Vestan Pance, Lyricist - Kennan Keating, Mixing Engineer - Noel Rafferty, Engineer - Garry Hughes, Programmer - Garry Hughes, Keyboards - Andy Dean, Producer - Pop Will Eat Itself, Performer - The Buzzard, Guitar - Ben Wolff, Producer

(P) 1992 Sony Music Entertainment UK Limited

10
I Was a Teenage Grandad
00:04:01

Vestan Pance, Composer - Vestan Pance, Lyricist - Kennan Keating, Mixing Engineer - Noel Rafferty, Engineer - Garry Hughes, Programmer - Garry Hughes, Keyboards - Andy Dean, Producer - Pop Will Eat Itself, Performer - The Buzzard, Guitar - Ben Wolff, Producer

(P) 1992 Sony Music Entertainment UK Limited

11
Harry Dean Stanton
00:05:11

Vestan Pance, Composer - Vestan Pance, Lyricist - Kennan Keating, Mixing Engineer - Noel Rafferty, Engineer - Garry Hughes, Programmer - Garry Hughes, Keyboards - Andy Dean, Producer - Pop Will Eat Itself, Performer - Ben Wolff, Producer

(P) 1992 Sony Music Entertainment UK Limited

12
Bulletproof
00:03:14

Vestan Pance, Composer - Vestan Pance, Lyricist - Kennan Keating, Mixing Engineer - Garry Hughes, Keyboards - Garry Hughes, Programmer - Andy Dean, Producer - Pop Will Eat Itself, Performer - Ben Wolff, Producer

(P) 1992 Sony Music Entertainment UK Limited

Album review

Certainly not their best effort, The Looks or the Lifestyle saw RCA pressuring the band to move in a more commercial direction. The Poppies ignored the pressure and moved in a less commercial direction. Displaying an interest in a dancier style that had started to become evident on the previous album, elements of the harsher attack that would characterize Dos Dedos Mis Amigos were apparent in such songs as "Urban Futuristic" and "Eat Me, Drink Me, Love Me, Kill Me." Samples come from diverse influences, including Akira, INXS, and Perry Farrell; this album represents a sort of midway point between PWEI's two landmark albums. Another marker on the album is the addition of live drummer Fuzz Townshend, replacing the band's temperamental drum machine, Dr. Nightmare. After the album's release, RCA dumped PWEI. Ironically enough, "Get the Girl, Kill the Baddies" -- the post-dumping single from the album -- reached number nine on the U.K. charts, the band's highest position to that day.

© Joshua Landau /TiVo

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