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James Blachly|Smyth: The Prison

Smyth: The Prison

James Blachly, Experiential Orchestra, Dashon Burton, Sarah Brailey, Experiential Chorus

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August 18th marks the 100th anniversary of the 19th Constitutional Amendment, granting women in the US the right to vote. A fitting time then for our release of the World Premier Recording of Ethel Smyth’s late masterpiece The Prison.
Smyth left home at nineteen to study composition in Leipzig. In the company of Clara Schumann and her teacher Heinrich von Herzogenberg, she met and won the admiration of composers such as Tchaikovsky, Brahms, Dvorák, and Grieg. Smyth was the first woman to have an opera performed at the MET, in 1903 - the second was Kaija Saariaho, whose L'Amour de loin appeared there in 2016 ! Smyth later became central to the Suffragette movement in England, writing the March of the Women. Her gender politics and sexuality were cause for attacks by critics, and she famously went to prison herself for throwing a stone through an MP’s window.
Composed in 1930 and premiered in 1931 in Edinburgh’s Usher Hall, The Prison is a symphony in two parts, Close on Freedom and The Deliverance, set for soprano and bass-baritone soloists, chorus, and full orchestra. The text is taken from a philosophical work by Henry Bennet Brewster and concerns the writings of a prisoner in solitary confinement, his reflections on life and his preparations for death. © Chandos

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Smyth: The Prison

James Blachly

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The Prison, Part I. Close on Freedom (Ethel Smyth)

1
The Prisoner communes with his Soul "I awoke in the middle of the night"
00:07:10

Sarah Brailey, MainArtist, SopranoSolo - James Blachly, Conductor, MainArtist - Dashon Burton, MainArtist, VocalSolo - Experiential Orchestra, Orchestra, MainArtist - Dame Ethel Smyth, Composer

2020 Chandos Records 2020 Chandos Records

2
Voices sing of immortality "We are full of immortality"
00:04:29

James Blachly, Conductor, MainArtist - Experiential Orchestra, Orchestra, MainArtist - Experiential Chorus, Choir, MainArtist - Dame Ethel Smyth, Composer

2020 Chandos Records 2020 Chandos Records

3
The Prisoner asks the secret of emancipation "I was alone with sorrow"
00:02:27

James Blachly, Conductor, MainArtist - Dashon Burton, MainArtist, VocalSolo - Experiential Orchestra, Orchestra, MainArtist - Experiential Chorus, Choir, MainArtist - Dame Ethel Smyth, Composer

2020 Chandos Records 2020 Chandos Records

4
His Soul (echosed by Voices) replies "There is no secret"
00:03:26

Sarah Brailey, MainArtist, SopranoSolo - James Blachly, Conductor, MainArtist - Experiential Orchestra, Orchestra, MainArtist - Experiential Chorus, Choir, MainArtist - Dame Ethel Smyth, Composer

2020 Chandos Records 2020 Chandos Records

5
He asks in what shape emancipation will come (Who are our saviours?) "Will it return to me with the same face"
00:01:36

Sarah Brailey, MainArtist, SopranoSolo - James Blachly, Conductor, MainArtist - Dashon Burton, MainArtist, VocalSolo - Experiential Orchestra, Orchestra, MainArtist - Experiential Chorus, Choir, MainArtist - Dame Ethel Smyth, Composer

2020 Chandos Records 2020 Chandos Records

6
The Voices reply "Others are elsewhere, under other names"
00:03:38

Sarah Brailey, MainArtist, SopranoSolo - James Blachly, Conductor, MainArtist - Experiential Orchestra, Orchestra, MainArtist - Experiential Chorus, Choir, MainArtist - Dame Ethel Smyth, Composer

2020 Chandos Records 2020 Chandos Records

7
Orchestral Interlude. The first glimmer of Dawn
00:03:12

James Blachly, Conductor, MainArtist - Experiential Orchestra, Orchestra, MainArtist - Dame Ethel Smyth, Composer

2020 Chandos Records 2020 Chandos Records

8
The Prisoner understands his own immortality "In the faint grey morning I hear"
00:05:09

James Blachly, Conductor, MainArtist - Dashon Burton, MainArtist, VocalSolo - Experiential Orchestra, Orchestra, MainArtist - Experiential Chorus, Choir, MainArtist - Dame Ethel Smyth, Composer

2020 Chandos Records 2020 Chandos Records

The Prison, Part II. The Deliverance (Ethel Smyth)

9
Chorale Prelude in the Prison Chapel (The Prisoner awakes)
00:03:59

James Blachly, Conductor, MainArtist - Experiential Orchestra, Orchestra, MainArtist - Dame Ethel Smyth, Composer

2020 Chandos Records 2020 Chandos Records

10
His Soul tells him the end of the struggle is at hand "The struggle is over. the time has come
00:02:51

Sarah Brailey, MainArtist, SopranoSolo - James Blachly, Conductor, MainArtist - Experiential Orchestra, Orchestra, MainArtist - Experiential Chorus, Choir, MainArtist - Dame Ethel Smyth, Composer

2020 Chandos Records 2020 Chandos Records

11
He hears his guests (the elements of his personality) moving to depart "I hear them overhead moving to depart
00:02:13

James Blachly, Conductor, MainArtist - Dashon Burton, MainArtist, VocalSolo - Experiential Orchestra, Orchestra, MainArtist - Experiential Chorus, Choir, MainArtist - Dame Ethel Smyth, Composer

2020 Chandos Records 2020 Chandos Records

12
Pastorale. Sunset calm.
00:02:45

James Blachly, Conductor, MainArtist - Dashon Burton, MainArtist, VocalSolo - Experiential Orchestra, Orchestra, MainArtist - Experiential Chorus, Choir, MainArtist - Dame Ethel Smyth, Composer

2020 Chandos Records 2020 Chandos Records

13
He disbands his ego "I disband myself"
00:03:06

James Blachly, Conductor, MainArtist - Dashon Burton, MainArtist, VocalSolo - Experiential Orchestra, Orchestra, MainArtist - Experiential Chorus, Choir, MainArtist - Dame Ethel Smyth, Composer

2020 Chandos Records 2020 Chandos Records

14
Voices sing (in Greek mode) the indestructibility of human passions "The laughter we have laughed"
00:02:01

James Blachly, Conductor, MainArtist - Experiential Orchestra, Orchestra, MainArtist - Experiential Chorus, Choir, MainArtist - Dame Ethel Smyth, Composer

2020 Chandos Records 2020 Chandos Records

15
Death calls him (The Last Post) - Gloring, he obeys the summons "For years you have been conning your lesson"
00:05:13

Sarah Brailey, MainArtist, SopranoSolo - James Blachly, Conductor, MainArtist - Dashon Burton, MainArtist, VocalSolo - Experiential Orchestra, Orchestra, MainArtist - Experiential Chorus, Choir, MainArtist - Dame Ethel Smyth, Composer

2020 Chandos Records 2020 Chandos Records

16
His farewell, his triumph, his peace "This is no leavetaking"
00:10:38

Sarah Brailey, MainArtist, SopranoSolo - James Blachly, Conductor, MainArtist - Dashon Burton, MainArtist, VocalSolo - Experiential Orchestra, Orchestra, MainArtist - Experiential Chorus, Choir, MainArtist - Dame Ethel Smyth, Composer

2020 Chandos Records 2020 Chandos Records

Album review

August 18th marks the 100th anniversary of the 19th Constitutional Amendment, granting women in the US the right to vote. A fitting time then for our release of the World Premier Recording of Ethel Smyth’s late masterpiece The Prison.
Smyth left home at nineteen to study composition in Leipzig. In the company of Clara Schumann and her teacher Heinrich von Herzogenberg, she met and won the admiration of composers such as Tchaikovsky, Brahms, Dvorák, and Grieg. Smyth was the first woman to have an opera performed at the MET, in 1903 - the second was Kaija Saariaho, whose L'Amour de loin appeared there in 2016 ! Smyth later became central to the Suffragette movement in England, writing the March of the Women. Her gender politics and sexuality were cause for attacks by critics, and she famously went to prison herself for throwing a stone through an MP’s window.
Composed in 1930 and premiered in 1931 in Edinburgh’s Usher Hall, The Prison is a symphony in two parts, Close on Freedom and The Deliverance, set for soprano and bass-baritone soloists, chorus, and full orchestra. The text is taken from a philosophical work by Henry Bennet Brewster and concerns the writings of a prisoner in solitary confinement, his reflections on life and his preparations for death. © Chandos

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