Categories:
Cart 0

Your cart is empty

Eddie Harris|Silver Cycles

Silver Cycles

Eddie Harris

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Still riding high from "Listen Here," Harris really started experimenting here with a dazzlingly eclectic LP that must have left his new fans wondering just who the real Eddie Harris was. There is good old Latinized funk in the opening cuts, "Free at Last" and "1974 Blues," but what was one to make of the next one, "Smoke Signals," with its interplanetary Echoplexed electric sax and ethereal wordless female voices? Then it's on to a long-limbed Coltrane tribute on pianist Jodie Christian's "Naima"-like "Coltrane's View," a wailing cry of raw pain with a huge band of horns, strings and voices ("I'm Gonna Leave You by Yourself"), another avant-garde electronic extravaganza ("Silver Cycles") and...well, you get the point; there's a surprise around every bend. The music is by turns swinging, touching, feverish, detached, nightmarish, and peaceful, bursting with new ideas generated from Harris' plunge into electronics. This album has been unjustly overlooked, probably because Harris was selling a lot of records and getting airplay at the time (a cardinal sin for purists), or perhaps for its free, anything-goes '60s spirit. The sound was always curiously distant on LP and on individual tracks reissued on CD; one wonders if this was due to a damaged or third-hand master tape.

© Richard S. Ginell /TiVo

More info

Silver Cycles

Eddie Harris

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From kr124,99/month

1
Free at Last (LP Version)
00:03:19

EDDIE HARRIS, Tenor Saxophone, MainArtist - TOM DOWD, Engineer - Ron Carter, Bass Guitar - Nesuhi Ertegun, Producer - Billy Higgins, Drums - CEDAR WALTON, Piano

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

2
1974 Blues (LP Version)
00:04:28

Arif Mardin, Producer - William Fischer, Brass Arranger - Joe Newman, Trumpet - Seldon Powell, Additional Saxophone - EDDIE HARRIS, Composer, Tenor Saxophone, MainArtist - Joel Dorn, Producer - Mel Lastie, Trumpet - Jodie Christian, Piano - Phil Iehle, Engineer - Richard Smith, Drums - Adrian Barber, Engineer - Snooky Young, Trumpet - Bennie Powell, Trombone

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1969 Atlantic Recording Corporation

3
Smoke Signals (LP Version)
00:03:02

EDDIE HARRIS, Writer, Performance, MainArtist

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

4
Coltrane's View (LP Version)
00:04:12

EDDIE HARRIS, Tenor Saxophone, MainArtist - TOM DOWD, Engineer - Ron Carter, Bass Guitar - Nesuhi Ertegun, Producer - Billy Higgins, Drums - CEDAR WALTON, Piano

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

5
I'm Gonna Leave You by Yourself (LP Version)
00:03:02

EDDIE HARRIS, Composer, Tenor Saxophone, MainArtist - TOM DOWD, Engineer - Ron Carter, Bass Guitar - Nesuhi Ertegun, Producer - Billy Higgins, Drums - CEDAR WALTON, Piano

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

6
Silver Cycles (LP Version)
00:05:52

Arif Mardin, Producer - EDDIE HARRIS, Composer, Additional Saxophone, Tenor Saxophone, Writer, MainArtist - Ray Barretto, Percussion - Melvin Jackson, Bass Guitar, Writer - Jodie Christian, Piano - Phil Iehle, Engineer - Richard Smith, Drums - Joe Wohletz, Percussion

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1969 Atlantic Recording Corporation

7
Little Bit (LP Version)
00:05:30

EDDIE HARRIS, Writer, Musician, MainArtist

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1969 Atlantic Recording Corporation

8
Electric Ballad (LP Version)
00:02:56

EDDIE HARRIS, Tenor Saxophone, MainArtist - TOM DOWD, Engineer - Ron Carter, Bass Guitar - Nesuhi Ertegun, Producer - Billy Higgins, Drums - CEDAR WALTON, Piano

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

9
Infrapolations (LP Version)
00:06:37

EDDIE HARRIS, Tenor Saxophone, MainArtist - TOM DOWD, Engineer - Ron Carter, Bass Guitar - Nesuhi Ertegun, Producer - Billy Higgins, Drums - CEDAR WALTON, Piano

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing. ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

Album review

Still riding high from "Listen Here," Harris really started experimenting here with a dazzlingly eclectic LP that must have left his new fans wondering just who the real Eddie Harris was. There is good old Latinized funk in the opening cuts, "Free at Last" and "1974 Blues," but what was one to make of the next one, "Smoke Signals," with its interplanetary Echoplexed electric sax and ethereal wordless female voices? Then it's on to a long-limbed Coltrane tribute on pianist Jodie Christian's "Naima"-like "Coltrane's View," a wailing cry of raw pain with a huge band of horns, strings and voices ("I'm Gonna Leave You by Yourself"), another avant-garde electronic extravaganza ("Silver Cycles") and...well, you get the point; there's a surprise around every bend. The music is by turns swinging, touching, feverish, detached, nightmarish, and peaceful, bursting with new ideas generated from Harris' plunge into electronics. This album has been unjustly overlooked, probably because Harris was selling a lot of records and getting airplay at the time (a cardinal sin for purists), or perhaps for its free, anything-goes '60s spirit. The sound was always curiously distant on LP and on individual tracks reissued on CD; one wonders if this was due to a damaged or third-hand master tape.

© Richard S. Ginell /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz...

On sale now...

Hier... Encore

Charles Aznavour

Hier... Encore Charles Aznavour

Olympia Février 1976

Charles Aznavour

Olympia Février 1976 Charles Aznavour

Idiote je t'aime...

Charles Aznavour

Idiote je t'aime... Charles Aznavour

La Bohème

Charles Aznavour

La Bohème Charles Aznavour
More on Qobuz
By Eddie Harris

The Electrifying Eddie Harris

Eddie Harris

Mean Greens

Eddie Harris

Mean Greens Eddie Harris

For Bird and Bags

Eddie Harris

For Bird and Bags Eddie Harris

Silver Cycles

Eddie Harris

Silver Cycles Eddie Harris

Plug Me In

Eddie Harris

Plug Me In Eddie Harris

Playlists

You may also like...

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Orchestras

Bill Frisell

Orchestras Bill Frisell

Kind Of Blue

Miles Davis

Kind Of Blue Miles Davis

We Get Requests

Oscar Peterson

We Get Requests Oscar Peterson