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Clematis|Nun danket alle Gott

Nun danket alle Gott

Clematis, Stéphanie de Failly, Brice Sailly and Julie Roset

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With its ciaconna bass, Hammerschmidt’s sacred concerto Nun danket alle Gott perfectly exemplifies the programme of this recording devoted to the influences of the Italian Baroque on the works of seventeenth-century Lutheran composers. The vast majority of the repertory gathered here comes once again from the exceptionally rich library assembled at the end of the seventeenth century by Gustav Düben, organist of the German Church in Stockholm. His collection contains the only known copy of a Confitebor tibi, Domine by Claudio Monteverdi. Other composers such as Bernhard and Rosenmüller had very close links with Italy and were among those who helped to disseminate Italian practices in the German-speaking lands. In all this sacred repertory, the role of instruments, and particularly that of the violin (the emblematic instrument of Italy), is highly developed. The instruments accompany the voice and comment on the texts in most expressive fashion. This programme also offers a chance to discover some gems by lesser-known composers such as Hanff, Pfleger and Pohle. © Ricercar

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Nun danket alle Gott

Clematis

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1
Ach Herr, strafe mich nicht
Julie Roset
00:09:39

Anonymous, Lyricist - Copyright Control, MusicPublisher - Johann Rosenmüller, Composer - Clematis, MainArtist - Stéphanie de Failly, MainArtist - Brice Sailly, MainArtist - Julie Roset, MainArtist

2020 Outhere 2019 Outhere

2
O clemens, o mitis, o coelestis pater, BuxWV 82
Julie Roset
00:08:02

Anonymous, Lyricist - Copyright Control, MusicPublisher - Dietrich Buxtehude, Composer - Clematis, MainArtist - Stéphanie de Failly, MainArtist - Brice Sailly, MainArtist - Julie Roset, MainArtist

2020 Outhere 2019 Outhere

3
Ad te clamat cor meum
Julie Roset
00:07:02

Anonymous, Lyricist - Copyright Control, MusicPublisher - Augustin Pfleger, Composer - Clematis, MainArtist - Stéphanie de Failly, MainArtist - Brice Sailly, MainArtist - Julie Roset, MainArtist

2020 Outhere 2019 Outhere

4
Vulnerasti cor meum
Julie Roset
00:04:36

Anonymous, Lyricist - Copyright Control, MusicPublisher - Andreas Hammerschmidt, Composer - Brice Sailly, MainArtist - Julie Roset, MainArtist

2020 Outhere 2019 Outhere

5
Christ lag in Todesbanden (Versus 1), WV 3
Clematis
00:02:35

Copyright Control, MusicPublisher - Heinrich Scheidemann, Composer - Clematis, MainArtist - Stéphanie de Failly, MainArtist - Brice Sailly, MainArtist

2020 Outhere 2019 Outhere

6
Confitebor tibi Domine
Julie Roset
00:13:46

Anonymous, Lyricist - Copyright Control, MusicPublisher - Claudio Monteverdi, Composer - Clematis, MainArtist - Stéphanie de Failly, MainArtist - Brice Sailly, MainArtist - Julie Roset, MainArtist

2020 Outhere 2019 Outhere

7
Aus der Tieffen
Julie Roset
00:07:47

Anonymous, Lyricist - Copyright Control, MusicPublisher - Clematis, MainArtist - Stéphanie de Failly, MainArtist - Christoph Bernhard, Composer - Brice Sailly, MainArtist - Julie Roset, MainArtist

2020 Outhere 2019 Outhere

8
Herr, wenn ich nur dich habe, BuxWV 38
Julie Roset
00:03:35

Anonymous, Lyricist - Copyright Control, MusicPublisher - Dietrich Buxtehude, Composer - Clematis, MainArtist - Stéphanie de Failly, MainArtist - Brice Sailly, MainArtist - Julie Roset, MainArtist

2020 Outhere 2019 Outhere

9
Nun danket alle Gott
Julie Roset
00:05:03

Anonymous, Lyricist - Copyright Control, MusicPublisher - Andreas Hammerschmidt, Composer - Clematis, MainArtist - Stéphanie de Failly, MainArtist - Brice Sailly, MainArtist - Julie Roset, MainArtist

2020 Outhere 2019 Outhere

Album review

With its ciaconna bass, Hammerschmidt’s sacred concerto Nun danket alle Gott perfectly exemplifies the programme of this recording devoted to the influences of the Italian Baroque on the works of seventeenth-century Lutheran composers. The vast majority of the repertory gathered here comes once again from the exceptionally rich library assembled at the end of the seventeenth century by Gustav Düben, organist of the German Church in Stockholm. His collection contains the only known copy of a Confitebor tibi, Domine by Claudio Monteverdi. Other composers such as Bernhard and Rosenmüller had very close links with Italy and were among those who helped to disseminate Italian practices in the German-speaking lands. In all this sacred repertory, the role of instruments, and particularly that of the violin (the emblematic instrument of Italy), is highly developed. The instruments accompany the voice and comment on the texts in most expressive fashion. This programme also offers a chance to discover some gems by lesser-known composers such as Hanff, Pfleger and Pohle. © Ricercar

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