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Many arguments can be made as to which cuts constitute the "very best" of Dizzy Gillespie. These 14 cuts can certainly be argued for in making a solid case for the great trumpeter, bandleader, and composer. These tracks, all of which were cut for RCA between February of 1946 and July of 1949, still sound vital and progressive in the 21st century. The set kicks off with the title tune, featuring Diz with Don Byas, Milt Jackson, Al Haig, Ray Brown, J.C. Heard, and Bill DeArango. Clocking in at just over three minutes, the advanced harmonics and rhythmic invention is still startling. Thelonious Monk's "52nd Street Theme" and the Charlie Parker/Diz "Anthropology" are also included from this session. Check out DeArango's guitar solo on this last cut; it's blazing yet fluid and deeply bluesy. There are many big-band sides on this platter as well. There are three from an August 1947 session that feature James Moody, Cecil Payne, John Lewis, Jackson, Brown, and one, "Stay on It," arranged by Tadd Dameron, the cut's composer. "Two Bass Hit" is another excellent selection from this session. The big band changed a bit in December of 1947 when Al McKibbon, Chano Pozo, and Kenny Clarke entered the ranks -- check the cut "Algo Bueno (Woody 'n You)" for the new rhythmic intensity this band displayed. From the same session listeners also get "Oop-Pop-A-Da," with Kenny Hagood and Diz sharing scat vocals to add not only something humorous but also innovative to the mix (the pair appear on another tune from a later session -- eight days later to be exact -- entitled "Ool-Ya-Koo"). "Cubana Bop" -- with killer chanting from Pozo -- and "Cubana Be" (both arranged by George Russell) are also included. "Guarachi Guaro," a Diz tune with Gerald Wilson arranging (Sabú Martínez plays congas with Joe Harris, Ernie Henry appears on alto, and Budd Johnson plays tenor), comes from December of 1948. The final tune is a bona fide jazz classic updated for the bop era. Lester Young's "Jumpin' with Symphony Sid" was recorded in July of 1949 and features Yusef Lateef, Charles Greenlea, Al Gibson, and conguero Vince Guerra. So while it can be argued to the death about what the very best of Dizzy Gillespie actually is, there is no debate concerning the sheer excellence of these tracks and how they represented a small but important slice of Gillespie's development as both a student of and innovator in jazz. The Legacy issue also gets high marks for fine sound throughout.
© Thom Jurek /TiVo
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James Nichols, Re-Mastering Engineer - Dizzy Gillespie & His Orchestra, Performer - Orrin Keepnews, Re-Issue Producer - Don Byas, Tenor Saxophone - J.C. Heard, Drums - Bill DeArango, Guitar - Frank Paparelli, Composer - Milt Jackson, Vibraphone - Dizzy Gillespie, Trumpet - Dizzy Gillespie, Composer - Al Haig, Piano - Ray Brown, Bass
Originally released 1946. All rights reserved by RCA Records, a division of Sony Music Entertainment
Dizzy Gillespie, Trumpet - Orrin Keepnews, Re-Issue Producer - Thelonious Monk, Composer - James Nichols, Re-Mastering Engineer
Originally released 1946. All rights reserved by RCA Records, a division of Sony Music Entertainment
James Nichols, Re-Mastering Engineer - Orrin Keepnews, Re-Issue Producer - J.C. Heard, Drums - Bill DeArango, Guitar - Milt Jackson, Vibraphone - Dizzy Gillespie, Composer - Dizzy Gillespie, Trumpet - Charlie Parker, Composer - Al Haig, Piano - Ray Brown, Bass
Originally released 1946. All rights reserved by RCA Records, a division of Sony Music Entertainment
Babs Brown, Composer - Dizzy Gillespie, Performer - Orrin Keepnews, Re-Issue Producer - James Nichols, Re-Mastering Engineer
Originally Recorded 1947. All rights reserved by BMG Music
William Shepherd, Trombone - Ray Orr, Trumpet - Howard Johnson, Alto Saxophone - John Lewis, Piano - Joe Gayles, Tenor Saxophone - James Moody, Tenor Saxophone - John Collins, Guitar - Dizzy Gillespie, Composer - Dizzy Gillespie, Trumpet - Orrin Keepnews, Re-Issue Producer - John Brown, Alto Saxophone - James Nichols, Re-Mastering Engineer - Elmon Wright, Trumpet - Matthew McKay, Trumpet - J. Lewis, Composer - Milt Jackson, Vibraphone - Dave Burns, Trumpet - Dave Burns, Trombone - Cecil Payne, Baritone Saxophone - Ray Brown, Bass - Joe Harris, Drums
Originally released 1947. All rights reserved by RCA Records, a division of Sony Music Entertainment
Tadd Dameron, Composer - Dizzy Gillespie, Composer - Dizzy Gillespie, Performer - Orrin Keepnews, Re-Issue Producer - James Nichols, Re-Mastering Engineer
Originally released 1947. All rights reserved by RCA Records, a division of Sony Music Entertainment
Chano Pozo Gonzales, Congas - Howard Johnson, Alto Saxophone - John Lewis, Piano - Joe Gayles, Tenor Saxophone - Dizzy Gillespie, Trumpet - Dizzy Gillespie, Conductor - Orrin Keepnews, Re-Issue Producer - Bill Shepherd, Trombone - John Brown, Alto Saxophone - Lammar Wright, Jr., Trumpet - George Nicholas, Tenor Saxophone - James Nichols, Re-Mastering Engineer - Dizzy Gillespie & His Orchestra, Performer - Elmon Wright, Trumpet - Al McKibbon, Bass - Dave Burns, Trumpet - Benny Bailey, Trumpet - Ted Kelly, Trombone - Kenny Clarke, Drums - John Gillespie, Composer - Cecil Payne, Baritone Saxophone
Originally released 1947. All rights reserved by RCA Records, a division of Sony Music Entertainment
William Shepherd, Trombone - Howard Johnson, Alto Saxophone - John Lewis, Piano - Joe Gayles, Tenor Saxophone - John Collins, Guitar - Dizzy Gillespie, Composer - Dizzy Gillespie, Trumpet - Orrin Keepnews, Re-Issue Producer - John Brown, Alto Saxophone - Lammar Wright, Jr., Trumpet - James Nichols, Re-Mastering Engineer - Russell, Composer - Elmon Wright, Trumpet - Al McKibbon, Bass - George Russell, Arranger - Benny Bailey, Trumpet - Ted Kelly, Trombone - Kenny Clarke, Drums - Cecil Payne, Baritone Saxophone - Big Nick Nicholas, Tenor Saxophone
Originally released 1947. All rights reserved by RCA Records, a division of Sony Music Entertainment
George Russell, Composer - George Russell, Arranger - Dizzy Gillespie & His Orchestra, Performer - Dizzy Gillespie, Composer - Orrin Keepnews, Re-Issue Producer - James Nichols, Re-Mastering Engineer
Originally released 1947. All rights reserved by RCA Records, a division of Sony Music Entertainment
Marian M. Conaty, Re-Mixer - Luciano "Chano" Pozo, Composer - Dizzy Gillespie, Composer - Dizzy Gillespie, Performer - Fuller, Composer - Orrin Keepnews, Re-Issue Producer - James Nichols, Re-Mastering Engineer
Originally released 1947. All rights reserved by RCA Records, a division of Sony Music Entertainment
William Shepherd, Trombone - Howard Johnson, Alto Saxophone - John Lewis, Piano - Joe Gayles, Tenor Saxophone - John Collins, Guitar - Dizzy Gillespie, Trumpet - Orrin Keepnews, Re-Issue Producer - John Brown, Alto Saxophone - Lammar Wright, Jr., Trumpet - James Nichols, Engineer - Tadd Dameron, Composer - Elmon Wright, Trumpet - Al McKibbon, Bass - Benny Bailey, Trumpet - Ted Kelly, Trombone - Kenny Clarke, Drums - Cecil Payne, Baritone Saxophone - Count Basie, Composer - Big Nick Nicholas, Tenor Saxophone
Originally released 1947. All rights reserved by RCA Records, a division of Sony Music Entertainment
Walter Fuller, Composer - Dizzy Gillespie, Composer - Dizzy Gillespie, Performer - Orrin Keepnews, Re-Issue Producer - James Nichols, Re-Mastering Engineer
Originally released 1947. All rights reserved by RCA Records, a division of Sony Music Entertainment
Lucien Pozo Gonzalez, Composer - Dizzy Gillespie & His Orchestra, Performer - Dizzy Gillespie, Composer - Dizzy Gillespie, Performer - Orrin Keepnews, Re-Issue Producer - James Nichols, Re-Mastering Engineer
Originally released 1947. All rights reserved by RCA Records, a division of Sony Music Entertainment
Lester Young, Composer - Vince Guerra, Congas - J.J. Johnson, Trombone - Joe Gayles, Tenor Saxophone - Buddy Feyne, Composer - Dizzy Gillespie, Trumpet - Orrin Keepnews, Re-Issue Producer - John Brown, Alto Saxophone - Willie Cook, Trumpet - James Nichols, Re-Mastering Engineer - Elmon Wright, Trumpet - Al Gibson, Baritone Saxophone - Benny Harris, Trumpet - Al McKibbon, Bass - Teddy Stewart, Drums - Yusef Lateef, Tenor Saxophone - Ernie Henry, Alto Saxophone - Charles Greenlea, Trombone - Andy Duryea, Trombone - James Forman, Piano
Originally released 1949. All rights reserved by RCA Records, a division of Sony Music Entertainment
Album review
Many arguments can be made as to which cuts constitute the "very best" of Dizzy Gillespie. These 14 cuts can certainly be argued for in making a solid case for the great trumpeter, bandleader, and composer. These tracks, all of which were cut for RCA between February of 1946 and July of 1949, still sound vital and progressive in the 21st century. The set kicks off with the title tune, featuring Diz with Don Byas, Milt Jackson, Al Haig, Ray Brown, J.C. Heard, and Bill DeArango. Clocking in at just over three minutes, the advanced harmonics and rhythmic invention is still startling. Thelonious Monk's "52nd Street Theme" and the Charlie Parker/Diz "Anthropology" are also included from this session. Check out DeArango's guitar solo on this last cut; it's blazing yet fluid and deeply bluesy. There are many big-band sides on this platter as well. There are three from an August 1947 session that feature James Moody, Cecil Payne, John Lewis, Jackson, Brown, and one, "Stay on It," arranged by Tadd Dameron, the cut's composer. "Two Bass Hit" is another excellent selection from this session. The big band changed a bit in December of 1947 when Al McKibbon, Chano Pozo, and Kenny Clarke entered the ranks -- check the cut "Algo Bueno (Woody 'n You)" for the new rhythmic intensity this band displayed. From the same session listeners also get "Oop-Pop-A-Da," with Kenny Hagood and Diz sharing scat vocals to add not only something humorous but also innovative to the mix (the pair appear on another tune from a later session -- eight days later to be exact -- entitled "Ool-Ya-Koo"). "Cubana Bop" -- with killer chanting from Pozo -- and "Cubana Be" (both arranged by George Russell) are also included. "Guarachi Guaro," a Diz tune with Gerald Wilson arranging (Sabú Martínez plays congas with Joe Harris, Ernie Henry appears on alto, and Budd Johnson plays tenor), comes from December of 1948. The final tune is a bona fide jazz classic updated for the bop era. Lester Young's "Jumpin' with Symphony Sid" was recorded in July of 1949 and features Yusef Lateef, Charles Greenlea, Al Gibson, and conguero Vince Guerra. So while it can be argued to the death about what the very best of Dizzy Gillespie actually is, there is no debate concerning the sheer excellence of these tracks and how they represented a small but important slice of Gillespie's development as both a student of and innovator in jazz. The Legacy issue also gets high marks for fine sound throughout.
© Thom Jurek /TiVo
About the album
- 1 disc(s) - 14 track(s)
- Total length: 00:42:01
- Main artists: Dizzy Gillespie
- Composer: Various Composers
- Label: Bluebird - Legacy
- Genre: Jazz Bebop
Originally Recorded 1946, 1947, 1948, 1949. All rights reserved by BMG Music, (P) 2006 BMG Music
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