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Os Cariocas|Mestres Da MPB

Mestres Da MPB

Os Cariocas

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Os Cariocas, together with the other important vocal groups, exerted enormous influence over Brazilian popular music, especially because of the new and instigating harmonies taken from classical music and jazz, which are the raw materials of vocal groups. This compilation brings "Adeus América" (later re-recorded by João Gilberto) and "Nova Ilusão," two hits of the first 78 rpm (1948), recorded already with the second formation, with Badeco and Quartera. "Cadê a Jane," recorded in the next year, is a pure samba of the hills composed by the unsuspected sambista Wilson Batista (with Erasmo Silva), which, after the Cariocas' recreation, evidences that several people, among the most advanced musicians like them, along with the trendsetters Garoto and Laurindo de Almeida, were already in the tracks of bossa nova -- both rhythmically and harmonically. The compilation includes also songs recorded after Ismael left the group, substituted by his sister Hortênsia: the baião "Juazeiro," the samba "Foi Ela," and others are from that period. Jazz influences are noted in "Neurastênico," and bossa nova is documented by "Zelão" (which had lyrics of strong social content, different than what the canons of bossa determine) by Sérgio Ricardo, and "Criticando" (by Carlos Lyra, whose lyrics criticize the influence of jazz in Brazilian music). The anti-bossa reaction is humorously documented by "Manifesto," "Tudo é Bossa," "Guerra à Bossa," and "Preto Velho Bossa Nova" (with Orquestra Severino Filho). These songs complete a good selection of important tracks by a highly influential historic group.

© Alvaro Neder /TiVo

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Mestres Da MPB

Os Cariocas

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1
Adeus, América
00:02:45

Os Cariocas, Producer, MainArtist - Haroldo Barbosa, Composer - Geraldo Jacques, Composer

© 1994 WEA International Inc. ℗ 1948 Warner Music Brasil Ltda.

2
Juazeiro
00:03:02

Humberto Teixeira, Composer - Luiz Gonzaga, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1949 WEA International Inc.

3
Foi ela
00:02:31

Os Cariocas, Producer, MainArtist - Ari Barroso, Composer

© 1994 WEA International Inc. ℗ 1957 Warner Music Brasil Ltda.

4
Nova ilusão
00:02:45

José Menezes, Composer - Luiz Bittencourt, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1948 Warner Music Brasil Ltda.

5
Joga a rede no mar
00:02:28

Fernando César and Nazareno De Brito, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1948 WEA International Inc.

6
Só vou de mulher
00:02:51

Luiz Reis and Haroldo Barbosa, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1961 WEA International Inc.

7
Zelão
00:02:53

Os Cariocas, Producer, MainArtist - Sérgio Ricardo, Composer

© 1994 WEA International Inc. 1960 ℗ 1991 Warner Music Brasil Ltda.

8
Cadê a Jane ?
00:02:33

Wilson Batista and Erasmo Silva, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1949 WEA International Inc.

9
Assim, assim
00:02:38

Hianto De Almeida and Francisco Anysio, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1956 WEA International Inc.

10
Criticando
00:03:05

Carlos Lyra, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1957 WEA International Inc.

11
Castigou legal
00:02:53

Newton Ramalho and N. Wanderley, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1956 WEA International Inc.

12
Qu'est-ce que tu penses ?
00:03:00

Haroldo Barbosa and Bidu Reis, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1954 WEA International Inc.

13
Neurastênico
00:02:54

Betinho and Nazareno De Brito, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1954 WEA International Inc.

14
Tudo é bossa
00:02:10

Miguel Gustavo and Alcyr Pires Vermelho, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1960 WEA International Inc.

15
Sinceridade
00:03:03

Luiz Bittencourt and Roberto Faissal, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1949 WEA International Inc.

16
Vamos dançar o coco
00:02:41

Humberto Teixeira and Carlos Barroso, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1949 WEA International Inc.

17
Garota coquete
00:02:35

L?cio Alves, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1956 WEA International Inc.

18
Parceira
00:02:57

Ismael Neto and Antonio Maria, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1956 WEA International Inc.

19
Manifesto
00:02:18

Catulo De Paula, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1960 WEA International Inc.

20
Guerra á bossa
00:02:47

Nonato Buzar, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1961 WEA International Inc.

21
Preto velho bossa nova
00:02:56

Norival Reis and Jorge Duarte, Composer - Os Cariocas, Producer, MainArtist

© 1994 WEA International Inc. ℗ 1960 WEA International Inc.

Album review

Os Cariocas, together with the other important vocal groups, exerted enormous influence over Brazilian popular music, especially because of the new and instigating harmonies taken from classical music and jazz, which are the raw materials of vocal groups. This compilation brings "Adeus América" (later re-recorded by João Gilberto) and "Nova Ilusão," two hits of the first 78 rpm (1948), recorded already with the second formation, with Badeco and Quartera. "Cadê a Jane," recorded in the next year, is a pure samba of the hills composed by the unsuspected sambista Wilson Batista (with Erasmo Silva), which, after the Cariocas' recreation, evidences that several people, among the most advanced musicians like them, along with the trendsetters Garoto and Laurindo de Almeida, were already in the tracks of bossa nova -- both rhythmically and harmonically. The compilation includes also songs recorded after Ismael left the group, substituted by his sister Hortênsia: the baião "Juazeiro," the samba "Foi Ela," and others are from that period. Jazz influences are noted in "Neurastênico," and bossa nova is documented by "Zelão" (which had lyrics of strong social content, different than what the canons of bossa determine) by Sérgio Ricardo, and "Criticando" (by Carlos Lyra, whose lyrics criticize the influence of jazz in Brazilian music). The anti-bossa reaction is humorously documented by "Manifesto," "Tudo é Bossa," "Guerra à Bossa," and "Preto Velho Bossa Nova" (with Orquestra Severino Filho). These songs complete a good selection of important tracks by a highly influential historic group.

© Alvaro Neder /TiVo

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