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This is the three-part version of Mahler’s Das Klagende Lied that the Vienna Radio Symphony Orchestra brought us. It’s worth pointing out that the composer rearranged his piece many times. The original writing dates from 1880, when he was a proud twenty-year old; after a several refusals, he rewrote the partition in 1883 (considerably reducing the initial orchestral headcount which, admittedly, required titanic forces, and deleting the first act) then again in 1899, proof that he was holding it in some regard. It was only in 1901, when he was finally famous, that he managed to give this work in concert—but in the two-part version—, without much success, as it would seem. And yet, all of Mahler is already in this musical discourse and we shouldn’t be surprised to find many turns from this work in the symphonies and orchestral Lieder. The present recording offers a “hybrid” version, which is actually the most performed, that is to say: the first part Waldmärchen (Forest Legend) in the 1880 writing, then the two following parts Der Spielmann (The Minstrel) and Hochzeitsstück (Wedding Piece), in the 1899 rewriting. © Qobuz
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Das klagende Lied (Gustav Mahler)
Gustav Mahler, Composer - Torsten Kerl, Artist - Wiener Singakademie, Choir - Cornelius Meister, Conductor - Simone Schneider, Artist, MainArtist - Adrian Erod, Artist - Tanja Ariane Baumgartner, Artist - ORF Radio-Symphonieorchester Wien, Orchestra - Oskar Stadler, Artist - Laurenz Ströbl, Artist - Camilo Diaz Delegado, Artist - Ju-Young Kim, Artist
(C) 2017 CapriccioNR (P) 2017 CapriccioNR
Gustav Mahler, Composer - Torsten Kerl, Artist - Wiener Singakademie, Choir - Cornelius Meister, Conductor - Simone Schneider, Artist, MainArtist - Adrian Erod, Artist - Tanja Ariane Baumgartner, Artist - ORF Radio-Symphonieorchester Wien, Orchestra - Oskar Stadler, Artist - Laurenz Ströbl, Artist - Camilo Diaz Delegado, Artist - Ju-Young Kim, Artist
(C) 2017 CapriccioNR (P) 2017 CapriccioNR
Gustav Mahler, Composer - Torsten Kerl, Artist - Wiener Singakademie, Choir - Cornelius Meister, Conductor - Simone Schneider, Artist, MainArtist - Adrian Erod, Artist - Tanja Ariane Baumgartner, Artist - ORF Radio-Symphonieorchester Wien, Orchestra - Oskar Stadler, Artist - Laurenz Ströbl, Artist - Camilo Diaz Delegado, Artist - Ju-Young Kim, Artist
(C) 2017 CapriccioNR (P) 2017 CapriccioNR
Album review
This is the three-part version of Mahler’s Das Klagende Lied that the Vienna Radio Symphony Orchestra brought us. It’s worth pointing out that the composer rearranged his piece many times. The original writing dates from 1880, when he was a proud twenty-year old; after a several refusals, he rewrote the partition in 1883 (considerably reducing the initial orchestral headcount which, admittedly, required titanic forces, and deleting the first act) then again in 1899, proof that he was holding it in some regard. It was only in 1901, when he was finally famous, that he managed to give this work in concert—but in the two-part version—, without much success, as it would seem. And yet, all of Mahler is already in this musical discourse and we shouldn’t be surprised to find many turns from this work in the symphonies and orchestral Lieder. The present recording offers a “hybrid” version, which is actually the most performed, that is to say: the first part Waldmärchen (Forest Legend) in the 1880 writing, then the two following parts Der Spielmann (The Minstrel) and Hochzeitsstück (Wedding Piece), in the 1899 rewriting. © Qobuz
About the album
- 1 disc(s) - 3 track(s)
- Total length: 01:00:29
- Main artists: Torsten Kerl
- Composer: Gustav Mahler
- Label: CapriccioNR
- Genre: Classical Secular Vocal Music Cantatas (secular)
(C) 2017 CapriccioNR (P) 2017 CapriccioNR
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