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Martin James Bartlett|La Danse

La Danse

Martin James Bartlett

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Maurice Ravel's Le tombeau de Couperin has sometimes been paired with music by its namesake, naturally enough, but here, pianist Martin James Bartlett expands the concept a bit, adding Rameau at the beginning, some little two-piano pieces by Reynaldo Hahn and Ravel's apocalyptic La valse as a grand finale. The result is that he looks outward from the neoclassic world, catching the memorial function of Le tombeau de Couperin (the work's six movements memorialize friends of the composer killed in World War I) and carrying overtones of the whole world that vanished with the war. The inclusion of the pair of two-piano pieces from Le ruban dénoué by the intensely nostalgic Hahn intensifies the mood. Bartlett's tone is measured, avoiding sentiment and holding to an elevated aesthetic. His La valse has an impact that is all the greater in this context. Ravel denied that this work was a symbolic representation of the decline of the old central European culture or of anything else, but one might rejoin that he did not have to realize it for this to be so. Hahn plays the work in its single-piano arrangement, made by Ravel. This is not often heard, due not only to its sheer difficulty but also because of its swirling density. Having introduced the second piano of Alexandre Tharaud in the Hahn works, Bartlett could easily have kept it on for the Ravel. However, his decision was intelligent; the single-piano arrangement has an overwhelming quality that works very well here. This is an unusually cohesive and powerful program, beautifully performed, and the album landed on classical best-seller lists in early 2024.

© James Manheim /TiVo

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La Danse

Martin James Bartlett

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1
Nouvelles suites de pièces de clavecin, Suite en la mineur: VII. Gavotte et six doubles
00:06:25

Jean-Philippe Rameau, Composer - Martin James Bartlett, Piano, MainArtist

A Warner Classics release, © 2024 Parlophone Records Limited A Warner Classics release, ℗ 2024 Parlophone Records Limited

2
Second livre de pièces de clavecin, Sixième ordre: No. 5, Les barricades mystérieuses
00:02:44

François Couperin, Composer - Martin James Bartlett, Piano, MainArtist

A Warner Classics release, © 2024 Parlophone Records Limited A Warner Classics release, ℗ 2024 Parlophone Records Limited

3
Le tombeau de Couperin, M. 68: I. Prélude
00:02:59

Maurice Ravel, Composer - Martin James Bartlett, Piano, MainArtist

A Warner Classics release, © 2024 Parlophone Records Limited A Warner Classics release, ℗ 2024 Parlophone Records Limited

4
Le tombeau de Couperin, M. 68: II. Fugue
00:03:56

Maurice Ravel, Composer - Martin James Bartlett, Piano, MainArtist

A Warner Classics release, © 2024 Parlophone Records Limited A Warner Classics release, ℗ 2024 Parlophone Records Limited

5
Le tombeau de Couperin, M. 68: III. Forlane
00:06:02

Maurice Ravel, Composer - Martin James Bartlett, Piano, MainArtist

A Warner Classics release, © 2024 Parlophone Records Limited A Warner Classics release, ℗ 2024 Parlophone Records Limited

6
Le tombeau de Couperin, M. 68: IV. Rigaudon
00:03:05

Maurice Ravel, Composer - Martin James Bartlett, Piano, MainArtist

A Warner Classics release, © 2024 Parlophone Records Limited A Warner Classics release, ℗ 2024 Parlophone Records Limited

7
Le tombeau de Couperin, M. 68: V. Menuet
00:04:43

Maurice Ravel, Composer - Martin James Bartlett, Piano, MainArtist

A Warner Classics release, © 2024 Parlophone Records Limited A Warner Classics release, ℗ 2024 Parlophone Records Limited

8
Le tombeau de Couperin, M. 68: VI. Toccata
00:03:54

Maurice Ravel, Composer - Martin James Bartlett, Piano, MainArtist

A Warner Classics release, © 2024 Parlophone Records Limited A Warner Classics release, ℗ 2024 Parlophone Records Limited

9
Le ruban dénoué: No. 1, Décrets indolents du hasard
00:01:35

Reynaldo Hahn, Composer - Alexandre Tharaud, Piano, FeaturedArtist - Martin James Bartlett, Piano, MainArtist

A Warner Classics release, © 2024 Parlophone Records Limited A Warner Classics release, ℗ 2024 Parlophone Records Limited

10
Le ruban dénoué: No. 2, Les soirs d'Albi
00:02:31

Reynaldo Hahn, Composer - Alexandre Tharaud, Piano, FeaturedArtist - Martin James Bartlett, Piano, MainArtist

A Warner Classics release, © 2024 Parlophone Records Limited A Warner Classics release, ℗ 2024 Parlophone Records Limited

11
Arabesques, CD 74, L. 66: No. 1, Andantino con moto
00:04:37

Claude Debussy, Composer - Martin James Bartlett, Piano, MainArtist

A Warner Classics release, © 2024 Parlophone Records Limited A Warner Classics release, ℗ 2024 Parlophone Records Limited

12
Pavane pour une infante défunte, M. 19
00:05:57

Maurice Ravel, Composer - Martin James Bartlett, Piano, MainArtist

A Warner Classics release, © 2024 Parlophone Records Limited A Warner Classics release, ℗ 2024 Parlophone Records Limited

13
La Valse, M. 72 (Piano Version)
00:11:35

Maurice Ravel, Composer - Martin James Bartlett, Piano, MainArtist

A Warner Classics release, © 2024 Parlophone Records Limited A Warner Classics release, ℗ 2024 Parlophone Records Limited

Album review

Maurice Ravel's Le tombeau de Couperin has sometimes been paired with music by its namesake, naturally enough, but here, pianist Martin James Bartlett expands the concept a bit, adding Rameau at the beginning, some little two-piano pieces by Reynaldo Hahn and Ravel's apocalyptic La valse as a grand finale. The result is that he looks outward from the neoclassic world, catching the memorial function of Le tombeau de Couperin (the work's six movements memorialize friends of the composer killed in World War I) and carrying overtones of the whole world that vanished with the war. The inclusion of the pair of two-piano pieces from Le ruban dénoué by the intensely nostalgic Hahn intensifies the mood. Bartlett's tone is measured, avoiding sentiment and holding to an elevated aesthetic. His La valse has an impact that is all the greater in this context. Ravel denied that this work was a symbolic representation of the decline of the old central European culture or of anything else, but one might rejoin that he did not have to realize it for this to be so. Hahn plays the work in its single-piano arrangement, made by Ravel. This is not often heard, due not only to its sheer difficulty but also because of its swirling density. Having introduced the second piano of Alexandre Tharaud in the Hahn works, Bartlett could easily have kept it on for the Ravel. However, his decision was intelligent; the single-piano arrangement has an overwhelming quality that works very well here. This is an unusually cohesive and powerful program, beautifully performed, and the album landed on classical best-seller lists in early 2024.

© James Manheim /TiVo

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