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London Philharmonic Orchestra|Johannes Brahms : Symphony No. 2 - Hungarian Dances

Johannes Brahms : Symphony No. 2 - Hungarian Dances

London Philharmonic Orchestra - Marin Alsop

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While an improvement over her earlier recording of Brahms' First Symphony, American conductor Marin Alsop's new recording of Brahms' Second is still nothing to write home about. As before, the London Philharmonic plays superlatively, with strong strings, blended winds, and warm brass and, as before, Alsop conducts superbly, with a cogent ensemble, a full sound, and muscular rhythms. The problem, as before, is that Alsop's interpretations, while well-phrased and admirably shaped, are ultimately shallow. For all the clarity of her phrasing and the lucidity of her textures, Alsop's melodies have no nuance, her shapes have no substance, and her colors have no shadows. Her performances of eight of Brahms' Hungarian Dances orchestrated by Brahms and Dvorák are more successful because the music is more straightforward and plays to Alsop's strengths, and, once again, the LPO performs brilliantly. But there are dozens of better performances of Brahms' Second available -- try Furtwängler's or Walter's for starters, then try Abbado's or Davis' for later recordings. Speaking of recordings, Naxos' sound is dim, distant, and gray.
© TiVo

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Johannes Brahms : Symphony No. 2 - Hungarian Dances

London Philharmonic Orchestra

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Symphony No. 2 in D major, Op. 73 (Johannes Brahms)

1
I. Allegro non troppo
00:20:09

Johannes Brahms, Composer - London Philharmonic Orchestra, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2005 Naxos (P) 2005 Naxos

2
II. Adagio non troppo
00:09:45

Johannes Brahms, Composer - London Philharmonic Orchestra, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2005 Naxos (P) 2005 Naxos

3
III. Allegretto grazioso, quasi andantino
00:05:14

Johannes Brahms, Composer - London Philharmonic Orchestra, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2005 Naxos (P) 2005 Naxos

4
IV. Allegro con spirito
00:09:51

Johannes Brahms, Composer - London Philharmonic Orchestra, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2005 Naxos (P) 2005 Naxos

21 Hungarian Dances, WoO 1 (Johannes Brahms)

5
Hungarian Dance No. 1 in G Minor (Orch. J. Brahms)
00:03:16

Johannes Brahms, Composer - London Philharmonic Orchestra, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2005 Naxos (P) 2005 Naxos

6
Hungarian Dance No. 3 in F Major (Orch. J. Brahms)
00:02:46

Johannes Brahms, Composer - London Philharmonic Orchestra, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2005 Naxos (P) 2005 Naxos

7
Hungarian Dance No. 10 in F Major (Orch. J. Brahms)
00:01:52

Johannes Brahms, Composer - London Philharmonic Orchestra, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2005 Naxos (P) 2005 Naxos

8
Hungarian Dance No. 17 in F-Sharp Minor (Orch. A. Dvorak)
00:03:35

Johannes Brahms, Composer - London Philharmonic Orchestra, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2005 Naxos (P) 2005 Naxos

9
Hungarian Dance No. 18 in D Major (Orch. A. Dvorak)
00:01:32

Johannes Brahms, Composer - London Philharmonic Orchestra, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2005 Naxos (P) 2005 Naxos

10
Hungarian Dance No. 19 in B Minor (Orch. A. Dvorak)
00:02:39

Johannes Brahms, Composer - London Philharmonic Orchestra, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2005 Naxos (P) 2005 Naxos

11
Hungarian Dance No. 20 in E Minor (Orch. A. Dvorak)
00:02:44

Johannes Brahms, Composer - London Philharmonic Orchestra, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2005 Naxos (P) 2005 Naxos

12
Hungarian Dance No. 21 in E Minor (Orch. A. Dvorak)
00:01:35

Johannes Brahms, Composer - London Philharmonic Orchestra, Orchestra, MainArtist - Marin Alsop, Conductor

(C) 2005 Naxos (P) 2005 Naxos

Album review

While an improvement over her earlier recording of Brahms' First Symphony, American conductor Marin Alsop's new recording of Brahms' Second is still nothing to write home about. As before, the London Philharmonic plays superlatively, with strong strings, blended winds, and warm brass and, as before, Alsop conducts superbly, with a cogent ensemble, a full sound, and muscular rhythms. The problem, as before, is that Alsop's interpretations, while well-phrased and admirably shaped, are ultimately shallow. For all the clarity of her phrasing and the lucidity of her textures, Alsop's melodies have no nuance, her shapes have no substance, and her colors have no shadows. Her performances of eight of Brahms' Hungarian Dances orchestrated by Brahms and Dvorák are more successful because the music is more straightforward and plays to Alsop's strengths, and, once again, the LPO performs brilliantly. But there are dozens of better performances of Brahms' Second available -- try Furtwängler's or Walter's for starters, then try Abbado's or Davis' for later recordings. Speaking of recordings, Naxos' sound is dim, distant, and gray.
© TiVo

Details of original recording : 65:06 - DDD - Enregistré à la Salle de concert de Blackheath, Londres, les 21 & 22 mars 2005, et au Colosseum de Watford (UK) le 28 juillet 2005 - Notes en anglais & allemand

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