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The Left|Jesus Loves the Left

Jesus Loves the Left

The Left

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This 20-track compilation includes everything from the Left's sole EP (1984's It's the World) and sole LP (1985's Last Train to Hagerstown), as well as the track they contributed to the 1983 compilation Train to Disaster ("You're So") and four previously unissued 1992 recordings. It's the complete legacy of a band who, though they didn't get a ton of press while active, stood up to much of what was recorded by better-known bands of the period that kept the punk flame burning. Close to, but not quite, hardcore, it was a pinch more melodic and indebted to hard rock, metal, and garage than much other punk of the time, though many hardcore elements were there in the pummeling rapid rhythms, defiant and nasty lyrics, sullen yet anthemic singing, and darkly brooding riffs. The four 1992 tracks are fairly similar in tone to their mid-'80s work, though these were done by a slightly altered lineup, with Rod Smith replacing Kevin Sefsic on bass. The CD also features historical liner notes, photos, and artwork done for their original vinyl releases.
© Richie Unterberger /TiVo

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Jesus Loves the Left

The Left

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1
Hell
00:03:31

The Left, MainArtist - the Left/Kiki Kelly, Composer

2006 Bona Fide Records 2006 Bona Fide Records

2
Youngster on the Force
00:01:44

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

3
Stop
00:00:48

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

4
R.I.P.
00:02:43

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

5
Fuck It
00:01:47

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

6
Attitudes
00:02:38

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

7
Frontline
00:01:40

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

8
5 AM
00:02:52

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

9
The Viet Cong Live Next Door
00:02:46

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

10
Labels
00:02:10

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

11
T.V. Eye
00:04:27

The Stooges, Composer - The Left, MainArtist

2006 Bona Fide Records 2006 Bona Fide Records

12
Teenage Suicide
00:02:22

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

13
My Shows
00:02:04

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

14
Aids Alley
00:02:51

The Left, MainArtist - The Left/Brian Sefsic, Composer

2006 Bona Fide Records 2006 Bona Fide Records

15
Redneck 7-11
00:02:25

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

16
You're So
00:02:18

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

17
State Of Mind
00:04:32

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

18
Justice
00:03:21

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

19
Columbus Day
00:02:19

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

20
A Perfect World
00:04:02

The Left, MainArtist - The Left/Jim Swope, Composer

2006 Bona Fide Records 2006 Bona Fide Records

Album review

This 20-track compilation includes everything from the Left's sole EP (1984's It's the World) and sole LP (1985's Last Train to Hagerstown), as well as the track they contributed to the 1983 compilation Train to Disaster ("You're So") and four previously unissued 1992 recordings. It's the complete legacy of a band who, though they didn't get a ton of press while active, stood up to much of what was recorded by better-known bands of the period that kept the punk flame burning. Close to, but not quite, hardcore, it was a pinch more melodic and indebted to hard rock, metal, and garage than much other punk of the time, though many hardcore elements were there in the pummeling rapid rhythms, defiant and nasty lyrics, sullen yet anthemic singing, and darkly brooding riffs. The four 1992 tracks are fairly similar in tone to their mid-'80s work, though these were done by a slightly altered lineup, with Rod Smith replacing Kevin Sefsic on bass. The CD also features historical liner notes, photos, and artwork done for their original vinyl releases.
© Richie Unterberger /TiVo

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