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Whereas the likes of La Roux, Ladyhawke, and Little Boots have found both commercial and critical success with their retro brand of '80s synth pop, their male counterparts have struggled to connect with audiences in the same way. Frankmusik's online buzz failed to translate into record sales while Dan Black and Ali Love's careers stuttered before they really started. However, Manchester duo Theo Hutchcraft and Adam Anderson, aka Hurts, could well be the act to buck the trend. With influences stretching far beyond the usual Depeche Mode and Pet Shop Boys, their debut album, Happiness, has reference points that also appear to include the gothic balladry of Sisters of Mercy ("Evelyn"), the polished electro of a-ha ("Better Than Love"), and even the glossy new wave of Johnny Hates Jazz ("Blood, Tears and Gold"). But what on paper could have been nothing more than a derivative homage turns out to be one of the most consistently inventive pop albums of the year. Opening track "Silver Lining" begins with robotic processed beats and ends in a gloriously overblown wave of Gregorian chanting, "Sunday" is an anthemic slice of Hi-NRG string-soaked Europop occupying the space between Coldplay and Cascada, and "Stay" is a dramatic gospel-fused love song that highlights Hutchcraft's delicate but powerful vocals. Best of all is breakthrough track "Wonderful Life," a heart-wrenching tale of bitter optimism set against a backdrop of clattering rhythms, shimmering atmospheric synths, and one of the signature sounds of the '80s, the saxophone solo. Unfortunately, its lyrics, full of banal and clichéd metaphors, aren't as interesting as the music they accompany, while the final three tracks, including "Devotion," a disappointingly turgid duet with Kylie Minogue, don't quite live up to the rest of the album's high standards. But despite unashamedly wearing its influences on its sleeve, Happiness cleverly avoids being just a pastiche, with its sophisticated and grandiose production adding a modern twist to its authentic and affectionate '80s sound.
© Jon O'Brien /TiVo
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Mark Stent, Mixing Engineer - Adam Anderson, Composer - Adam Anderson, Lyricist - The Nexus, Other - The Nexus, Programmer - The Nexus, Producer - Matt Green, 2nd Engineer - George Marino, Mastering Engineer - Hurts, Performer - Hurts, Other - Hurts, Producer - Hurts, Programmer - Paulo Mendonca, Background Vocal - Stephen Kozmeniuk, Guitar - James Bauer-Mein, Composer - James Bauer-Mein, Lyricist - Jonas Quant, Other - Jonas Quant, Producer - Jonas Quant, Programmer - Jonas Quant, Keyboards - David Sneddon, Lyricist - David Sneddon, Composer - Theo Hutchcraft, Composer - Theo Hutchcraft, Lyricist
(P) 2010 Major Label Limited under exclusive licence to Sony Music Entertainment UK Limited
Theo Hutchcraft, Composer - Theo Hutchcraft, Lyricist - Adam Anderson, Composer - Adam Anderson, Lyricist - Joe Cross, Composer - Joe Cross, Producer - George Marino, Mastering Engineer - Hurts, Producer - Hurts, Performer - Hurts, Other - Hurts, Programmer - Jonas Quant, Producer - Mark Stent, Mixing Engineer
(P) 2010 Major Label Limited under exclusive licence to Sony Music Entertainment UK Limited
Mark Stent, Mixing Engineer - Adam Anderson, Composer - Adam Anderson, Lyricist - The Nexus, Other - The Nexus, Programmer - The Nexus, Producer - Salome Kent, Violin - Matt Green, 2nd Engineer - George Marino, Mastering Engineer - Hurts, Producer - Hurts, Performer - Hurts, Other - Hurts, Programmer - James Bauer-Mein, Composer - James Bauer-Mein, Lyricist - Jonas Quant, Producer - Jonas Quant, Other - Jonas Quant, Programmer - Jonas Quant, Keyboards - David Sneddon, Lyricist - David Sneddon, Composer - Theo Hutchcraft, Composer - Theo Hutchcraft, Lyricist
(P) 2010 Major Label Limited under exclusive licence to Sony Music Entertainment UK Limited
Adam Anderson, Lyricist - Adam Anderson, Composer - Theo Hutchcraft, Lyricist - Theo Hutchcraft, Composer - Stephen Kozmeniuk, Guitar - Stephen Kozmeniuk, Engineer - George Marino, Mastering Engineer - Hurts, Performer - Hurts, Other - Hurts, Producer - Hurts, Programmer - Jonas Quant, Other - Jonas Quant, Producer - Jonas Quant, Programmer - Jonas Quant, Keyboards - Mark Stent, Mixing Engineer - Matt Green, 2nd Engineer
(P) 2010 Major Label Limited under exclusive licence to Sony Music Entertainment UK Limited
Mark Stent, Mixing Engineer - Adam Anderson, Composer - Adam Anderson, Lyricist - Tina Sunnero, Vocal - Matt Green, 2nd Engineer - Jennifer Götvall, Vocal - George Marino, Mastering Engineer - Hurts, Producer - Hurts, Performer - Hurts, Other - Hurts, Programmer - Karianne Arvidsson, Vocal - Malin Abrahamsson, Vocal - Stephen Kozmeniuk, Engineer - Jonas Quant, Producer - Jonas Quant, Other - Jonas Quant, Programmer - Jonas Quant, Keyboards - Theo Hutchcraft, Composer - Theo Hutchcraft, Lyricist
(P) 2010 Major Label Limited under exclusive licence to Sony Music Entertainment UK Limited
Mark Stent, Mixing Engineer - Adam Anderson, Composer - Adam Anderson, Lyricist - The Nexus, Other - The Nexus, Programmer - The Nexus, Producer - Matt Green, 2nd Engineer - George Marino, Mastering Engineer - Hurts, Producer - Hurts, Performer - Hurts, Other - Hurts, Programmer - James Bauer-Mein, Composer - James Bauer-Mein, Lyricist - Jonas Quant, Producer - Jonas Quant, Other - Jonas Quant, Programmer - Jonas Quant, Keyboards - David Sneddon, Lyricist - David Sneddon, Composer - Theo Hutchcraft, Composer - Theo Hutchcraft, Lyricist
(P) 2010 Major Label Limited under exclusive licence to Sony Music Entertainment UK Limited
Mark Stent, Mixing Engineer - Adam Anderson, Lyricist - Adam Anderson, Composer - Matt Green, 2nd Engineer - George Marino, Mastering Engineer - Johan Håkansson, Drums - Hurts, Performer - Hurts, Other - Hurts, Producer - Hurts, Programmer - Jonas Quant, Other - Jonas Quant, Producer - Jonas Quant, Programmer - Jonas Quant, Keyboards - Stephen Kozmeniuk, Engineer - Theo Hutchcraft, Lyricist - Theo Hutchcraft, Composer
(P) 2010 Major Label Limited under exclusive licence to Sony Music Entertainment UK Limited
Theo Hutchcraft, Composer - Theo Hutchcraft, Lyricist - Adam Anderson, Composer - Adam Anderson, Lyricist - Joe Cross, Lyricist - Joe Cross, Composer - Joe Cross, Producer - George Marino, Mastering Engineer - Hurts, Producer - Hurts, Performer - Spike Stent, Mixing Engineer - Jonas Quant, Producer
(P) 2010 Major Label Limited under exclusive licence to Sony Music Entertainment UK Limited
Kylie Minogue, Vocal - Theo Hutchcraft, Composer - Theo Hutchcraft, Lyricist - Adam Anderson, Composer - Adam Anderson, Lyricist - Hurts Feat. Kylie Minogue, Performer - Hurts, Producer - Hurts, Programmer - Hurts, Other - Jonas Quant, Producer - Jonas Quant, Performer - Jonas Quant, Programmer - Jonas Quant, Other - Jonas Quant, Keyboards - Mark Stent, Mixing Engineer - Matt Green, 2nd Engineer
(P) 2010 Major Label Limited under exclusive licence to Sony Music Entertainment UK Limited
Mark Stent, Mixing Engineer - Adam Anderson, Lyricist - Adam Anderson, Composer - Simon Hale, Performance Arranger - Simon Hale, Conductor - Matt Green, 2nd Engineer - London Studio Orchestra, Performer - George Marino, Mastering Engineer - Johan Håkansson, Drums - Hurts, Performer - Hurts, Other - Hurts, Producer - Perry Montague-Mason, Orchestrator - Paulo Mendonca, Guitar - Stephen Kozmeniuk, Engineer - Jonas Quant, Producer - Jonas Quant, Programmer - Jonas Quant, Keyboards - Theo Hutchcraft, Lyricist - Theo Hutchcraft, Composer - Niall Acott, Recording Engineer
(P) 2010 Major Label Limited under exclusive licence to Sony Music Entertainment UK Limited
Mark Stent, Mixing Engineer - Adam Anderson, Lyricist - Adam Anderson, Composer - Simon Hale, Performance Arranger - Simon Hale, Conductor - The London Studio Orchestra, Performer - Matt Green, 2nd Engineer - George Marino, Mastering Engineer - Hurts, Performer - Hurts, Other - Hurts, Producer - Hurts, Programmer - Perry Montague-Mason, Orchestrator - Theo Hutchcraft, Lyricist - Theo Hutchcraft, Composer - Niall Acott, Recording Engineer
(P) 2010 Major Label Limited under exclusive licence to Sony Music Entertainment UK Limited
Album review
Whereas the likes of La Roux, Ladyhawke, and Little Boots have found both commercial and critical success with their retro brand of '80s synth pop, their male counterparts have struggled to connect with audiences in the same way. Frankmusik's online buzz failed to translate into record sales while Dan Black and Ali Love's careers stuttered before they really started. However, Manchester duo Theo Hutchcraft and Adam Anderson, aka Hurts, could well be the act to buck the trend. With influences stretching far beyond the usual Depeche Mode and Pet Shop Boys, their debut album, Happiness, has reference points that also appear to include the gothic balladry of Sisters of Mercy ("Evelyn"), the polished electro of a-ha ("Better Than Love"), and even the glossy new wave of Johnny Hates Jazz ("Blood, Tears and Gold"). But what on paper could have been nothing more than a derivative homage turns out to be one of the most consistently inventive pop albums of the year. Opening track "Silver Lining" begins with robotic processed beats and ends in a gloriously overblown wave of Gregorian chanting, "Sunday" is an anthemic slice of Hi-NRG string-soaked Europop occupying the space between Coldplay and Cascada, and "Stay" is a dramatic gospel-fused love song that highlights Hutchcraft's delicate but powerful vocals. Best of all is breakthrough track "Wonderful Life," a heart-wrenching tale of bitter optimism set against a backdrop of clattering rhythms, shimmering atmospheric synths, and one of the signature sounds of the '80s, the saxophone solo. Unfortunately, its lyrics, full of banal and clichéd metaphors, aren't as interesting as the music they accompany, while the final three tracks, including "Devotion," a disappointingly turgid duet with Kylie Minogue, don't quite live up to the rest of the album's high standards. But despite unashamedly wearing its influences on its sleeve, Happiness cleverly avoids being just a pastiche, with its sophisticated and grandiose production adding a modern twist to its authentic and affectionate '80s sound.
© Jon O'Brien /TiVo
About the album
- 1 disc(s) - 11 track(s)
- Total length: 00:44:41
- Main artists: Hurts
- Composer: Various Composers
- Label: RCA Records Label
- Genre: Pop/Rock
(P) 2010 Major Label Limited under exclusive licence to Sony Music Entertainment UK Limited
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