Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Regina Spektor|Far

Far

Regina Spektor

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Regina Spektor worked with no less than four big-name producers on Far, all of them with very different backgrounds: David Kahne was her collaborator on 2006's Begin to Hope; Garret "Jacknife" Lee counts R.E.M. and U2 among his credits; Jeff Lynne's lavish sound is famous on ELO's albums; and Mike Elizondo has worked with Fiona Apple and Maroon 5. It's something of a surprise, then, that Far sounds so homogenized. On Soviet Kitsch and Begin to Hope, Spektor's wide-eyed moments were balanced with darker, knowing songs that kept her music grounded. Here, almost all of the rough or unpredictable edges have been smoothed away, and all that's left is Spektor's sweet, quirky side. At times, Far gets close to being unbearably precious, whether it's putting Spektor's name in all lowercase letters in the liner notes, her dolphin on the otherwise charming "Folding Chair," or lyrics like "We made our own computer out of macaroni pieces" on the chirpy opener, "The Calculation." Even the album's darker tracks, such as the percussion-heavy "Machine," are surprisingly sugary compared to her previous work. However, Spektor's guileless voice and delivery allow her to get away with sounds and ideas that would be horribly cloying in the hands of almost any other artist. She manages to make a song with the chorus "Eet, eet, eet" catchy and affecting, and fashions an observant and witty story out of returning a wallet to Blockbuster Video. Still, Far's best moments occur when Spektor turns down the whimsy a few notches. It's probably not a coincidence that the Kahne-produced "Human of the Year" shares some of Begin to Hope's intimacy and ambition, but "Blue Lips" and "Man of a Thousand Faces" also let Spektor's more mature -- but not overly serious -- side shine. Likewise, "Two Birds" and "One More Time with Feeling" show that she hasn't lost her touch for deceptively pretty pop with clever lyrics. While Far is far from bad, it doesn't quite live up to expectations, either, based on all the talent involved in making it and how fully Spektor expressed herself on Begin to Hope.

© Heather Phares /TiVo

More info

Far

Regina Spektor

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From kr124,99/month

1
The Calculation (Album Version)
00:03:11

Mike Elizondo, Producer, Bass Guitar - Bob Ludwig, MasteringEngineer - Adam Hawkins, Engineer - Tom Whalley, ExecutiveProducer - Brent Arrowood, AssistantEngineer - Jolie Levine, Co-ordinator Production - Matt Chamberlain, Drums, Percussion - Will Hensley, Assistant Mixing Engineer, Pro-Tools Engineer - Michael H. Brauer, MixingEngineer - Ryan Gilligan, Assistant Mixing Engineer, Pro-Tools Engineer - Regina Spektor, Keyboards, Piano, Vocals, Writer, MainArtist, CoProducer

© 2009 Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company ℗ 2009 Sire Records, A Warner Music Group Company. Marketed by Warner Records Inc., A Warner Music Group Company.

2
Eet (Album Version)
00:03:51

Mike Elizondo, Producer, Bass Guitar - Bob Ludwig, MasteringEngineer - Adam Hawkins, Engineer - Tom Whalley, ExecutiveProducer - Brent Arrowood, AssistantEngineer - Jolie Levine, Co-ordinator Production - Matt Chamberlain, Drums - Will Hensley, Assistant Mixing Engineer, Pro-Tools Engineer - Michael H. Brauer, MixingEngineer - Ryan Gilligan, Assistant Mixing Engineer, Pro-Tools Engineer - Regina Spektor, Keyboards, Piano, Vocals, Writer, MainArtist, CoProducer - Brad Warnaar, French Horn

© 2009 Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company ℗ 2009 Sire Records, A Warner Music Group Company. Marketed by Warner Records Inc., A Warner Music Group Company.

3
Blue Lips (Album Version)
00:03:32

Bob Ludwig, MasteringEngineer - Tom Whalley, ExecutiveProducer - Marc Mann, Engineer, Orchestration, MixingEngineer - Jeff Lynne, Producer, Bass Guitar, 12 String Guitar - Steve Jay, Engineer, MixingEngineer - Regina Spektor, Keyboards, Piano, Vocals, Writer, MainArtist

© 2009 Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company ℗ 2009 Sire Records, A Warner Music Group Company. Marketed by Warner Records Inc., A Warner Music Group Company.

4
Folding Chair (Album Version)
00:03:34

Bob Ludwig, MasteringEngineer - Tom Whalley, ExecutiveProducer - Marc Mann, Engineer, MixingEngineer - Jeff Lynne, Producer, Guitar, Bass Guitar - Steve Jay, Engineer, MixingEngineer - Regina Spektor, Keyboards, Piano, Vocals, Writer, MainArtist

© 2009 Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company ℗ 2009 Sire Records, A Warner Music Group Company. Marketed by Warner Records Inc., A Warner Music Group Company.

5
Machine (Album Version)
00:03:52

Mike Elizondo, Producer, Bass Guitar - Bob Ludwig, MasteringEngineer - Adam Hawkins, Engineer, MixingEngineer - Tom Whalley, ExecutiveProducer - Brent Arrowood, AssistantEngineer - Jolie Levine, Co-ordinator Production - Matt Chamberlain, Drums - Will Hensley, Assistant Mixing Engineer, Pro-Tools Engineer - Michael H. Brauer, MixingEngineer - Ryan Gilligan, Assistant Mixing Engineer, Pro-Tools Engineer - Yoed Nir, Cello - Regina Spektor, Piano, Vocals, Writer, MainArtist, CoProducer

© 2009 Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company ℗ 2009 Sire Records, A Warner Music Group Company. Marketed by Warner Records Inc., A Warner Music Group Company.

6
Laughing With (Album Version)
00:03:14

Bob Ludwig, MasteringEngineer - Tom Whalley, ExecutiveProducer - Will Hensley, Assistant Mixing Engineer, Pro-Tools Engineer - Michael H. Brauer, MixingEngineer - Ryan Gilligan, Assistant Mixing Engineer, Pro-Tools Engineer - Sonia Slany, Viola, Violin - Tom McFall, Engineer - Jacknife Lee, Producer - Sam Bell, Editing Engineer, AdditionalEngineer - Dave Price, Drums - Jeremy Isaac, Violin - Katherine Jenkinson, Cello - Nicholas Holland, Cello - Regina Spektor, Piano, Vocals, Writer, MainArtist

© 2009 Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company ℗ 2009 Sire Records, A Warner Music Group Company. Marketed by Warner Records Inc., A Warner Music Group Company.

7
Human of the Year (Album Version)
00:04:08

David Kahne, Producer, Engineer, Programmer, MixingEngineer - Bob Ludwig, MasteringEngineer - Tom Whalley, ExecutiveProducer - Jack Dishel, Additional Vocals - Joe Baressi, AdditionalEngineer - McKenzie Smith, Drums - Regina Spektor, Keyboards, Piano, Vocals, Writer, MainArtist, CoProducer

© 2009 Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company ℗ 2009 Sire Records, A Warner Music Group Company. Marketed by Warner Records Inc., A Warner Music Group Company.

8
Two Birds (Album Version)
00:03:16

David Kahne, Additional Producer - Bob Ludwig, MasteringEngineer - Tom Whalley, ExecutiveProducer - Will Hensley, Assistant Mixing Engineer, Pro-Tools Engineer - Michael H. Brauer, MixingEngineer - Ryan Gilligan, Assistant Mixing Engineer, Pro-Tools Engineer - Tom McFall, Engineer - Jacknife Lee, Producer, Drums, Guitar, Keyboards, Percussion, Programmer - Sam Bell, Editing Engineer, AdditionalEngineer - Dave Price, Drums, Percussion - Joe Baressi, AdditionalEngineer - McKenzie Smith, Additional Drums - Oren Marshall, Tuba - Regina Spektor, Drums, Keyboards, Percussion, Piano, Vocals, Writer, MainArtist

© 2009 Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company ℗ 2009 Sire Records, A Warner Music Group Company. Marketed by Warner Records Inc., A Warner Music Group Company.

9
Dance Anthem of the 80's (Album Version)
00:03:41

Bob Ludwig, MasteringEngineer - Tom Whalley, ExecutiveProducer - Will Hensley, Assistant Mixing Engineer, Pro-Tools Engineer - Michael H. Brauer, MixingEngineer - Ryan Gilligan, Assistant Mixing Engineer, Pro-Tools Engineer - Tom McFall, Engineer - Jacknife Lee, Producer, Bass Guitar, Keyboards, Programmer - Sam Bell, Editing Engineer, AdditionalEngineer - Dave Price, Drums, Percussion - Oren Marshall, Tuba - Regina Spektor, Keyboards, Piano, Vocals, Writer, MainArtist - Reggie Watts, Beatbox Vocals - Beck Henderer-Pena, Engineer

© 2009 Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company ℗ 2009 Sire Records, A Warner Music Group Company. Marketed by Warner Records Inc., A Warner Music Group Company.

10
Genius Next Door (Album Version)
00:05:05

Bob Ludwig, MasteringEngineer - Tom Whalley, ExecutiveProducer - Marc Mann, Engineer, Programmer, MixingEngineer - Jeff Lynne, Producer, Guitar, Bass Guitar, Background Vocals - Steve Jay, Engineer, MixingEngineer - Regina Spektor, Keyboards, Piano, Vocals, Writer, MainArtist

© 2009 Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company ℗ 2009 Sire Records, A Warner Music Group Company. Marketed by Warner Records Inc., A Warner Music Group Company.

11
Wallet (Album Version)
00:02:26

Bob Ludwig, MasteringEngineer - Tom Whalley, ExecutiveProducer - Marc Mann, Engineer, Programmer, MixingEngineer - Jeff Lynne, Producer, Bass Guitar, Keyboards - Steve Jay, Engineer, MixingEngineer - Regina Spektor, Piano, Vocals, Writer, MainArtist

© 2009 Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company ℗ 2009 Sire Records, A Warner Music Group Company. Marketed by Warner Records Inc., A Warner Music Group Company.

12
One More Time with Feeling (Album Version)
00:03:57

David Kahne, Producer, Engineer, Programmer, MixingEngineer - Bob Ludwig, MasteringEngineer - Tom Whalley, ExecutiveProducer - Joe Baressi, AdditionalEngineer - McKenzie Smith, Drums - Regina Spektor, Keyboards, Piano, Vocals, Writer, MainArtist, CoProducer

© 2009 Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company ℗ 2009 Sire Records, A Warner Music Group Company. Marketed by Warner Records Inc., A Warner Music Group Company.

13
Man of a Thousand Faces (Album Version)
00:03:12

Mike Elizondo, Producer, Upright Bass - Bob Ludwig, MasteringEngineer - Adam Hawkins, Engineer, MixingEngineer - Tom Whalley, ExecutiveProducer - Brent Arrowood, AssistantEngineer - Jolie Levine, Co-ordinator Production - Matt Chamberlain, Drums, Percussion - Yoed Nir, Cello - Regina Spektor, Keyboards, Piano, Vocals, Writer, MainArtist, CoProducer

© 2009 Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company ℗ 2009 Sire Records, A Warner Music Group Company. Marketed by Warner Records Inc., A Warner Music Group Company.

Album review

Regina Spektor worked with no less than four big-name producers on Far, all of them with very different backgrounds: David Kahne was her collaborator on 2006's Begin to Hope; Garret "Jacknife" Lee counts R.E.M. and U2 among his credits; Jeff Lynne's lavish sound is famous on ELO's albums; and Mike Elizondo has worked with Fiona Apple and Maroon 5. It's something of a surprise, then, that Far sounds so homogenized. On Soviet Kitsch and Begin to Hope, Spektor's wide-eyed moments were balanced with darker, knowing songs that kept her music grounded. Here, almost all of the rough or unpredictable edges have been smoothed away, and all that's left is Spektor's sweet, quirky side. At times, Far gets close to being unbearably precious, whether it's putting Spektor's name in all lowercase letters in the liner notes, her dolphin on the otherwise charming "Folding Chair," or lyrics like "We made our own computer out of macaroni pieces" on the chirpy opener, "The Calculation." Even the album's darker tracks, such as the percussion-heavy "Machine," are surprisingly sugary compared to her previous work. However, Spektor's guileless voice and delivery allow her to get away with sounds and ideas that would be horribly cloying in the hands of almost any other artist. She manages to make a song with the chorus "Eet, eet, eet" catchy and affecting, and fashions an observant and witty story out of returning a wallet to Blockbuster Video. Still, Far's best moments occur when Spektor turns down the whimsy a few notches. It's probably not a coincidence that the Kahne-produced "Human of the Year" shares some of Begin to Hope's intimacy and ambition, but "Blue Lips" and "Man of a Thousand Faces" also let Spektor's more mature -- but not overly serious -- side shine. Likewise, "Two Birds" and "One More Time with Feeling" show that she hasn't lost her touch for deceptively pretty pop with clever lyrics. While Far is far from bad, it doesn't quite live up to expectations, either, based on all the talent involved in making it and how fully Spektor expressed herself on Begin to Hope.

© Heather Phares /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz...

On sale now...

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

The Studio Albums 2009 – 2018

Mark Knopfler

Brothers In Arms

Dire Straits

Brothers In Arms Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
More on Qobuz
By Regina Spektor

11:11

Regina Spektor

11:11 Regina Spektor

Home, before and after

Regina Spektor

Home, before and after Regina Spektor

Remember Us to Life

Regina Spektor

Remember Us to Life Regina Spektor

Begin to Hope

Regina Spektor

Begin to Hope Regina Spektor

Soviet Kitsch

Regina Spektor

Soviet Kitsch Regina Spektor

Playlists

You may also like...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

Born To Die

Lana Del Rey

Born To Die Lana Del Rey

In Times New Roman...

Queens Of The Stone Age

In Times New Roman... Queens Of The Stone Age

Ohio Players

The Black Keys

Ohio Players The Black Keys

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish