Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
The second album by Elvin Jones as sole title rights leader (excluding the co-op ensemble that recorded the stunning and essential progressive jazz icon Illumination!) has the drummer sounding more like a backup musician, as he claims no compositional duties or noticeable solo space. In fact, this is one of the very best albums in the career of alto saxophonist Charlie Mariano, who occupies the bulk of lead lines and improvising responsibilities. He's so up-front, and on an instrument that is not John Coltrane's main instrument -- the tenor sax -- that the title is also a bit of a misnomer. The value of Jones as a bandleader lies in his concept of using fellow Detroiter Sir Roland Hanna or brother Hank Jones on selected tracks, or in the case of three tracks, no pianist. Bassist Richard Davis rounds out this truly brilliant ensemble of burgeoning mid-'60s jazz stars, who play an enticing collection of standards, bop, compositions of Bob Hammer, and originals from several modern sources. A stone cold bebopper and Charlie Parker devotee at the time of this recording. Mariano is the standout performer. He swings easily but mightily on the title track paralleling Coltrane's "Milestones," stretches the Charles Mingus evergreen "Reincarnation of a Lovebird" (titled here as "Love Bird"), and pulls out all the stops with Hank Jones during an only slightly flawed (they miss two notes) version of the tricky "Anthropology." They tack a calypso beat onto Duke Ellington's "Fantazm" in a playful, modern dress, and stroll on the quirky Hammer composition "That Five-Four Bag" as an offshoot retort to Dave Brubeck's "Take Five." The three tracks sans piano include a walking version of "Everything Happens to Me"; the ballad "Smoke Rings," where the band excepting Mariano is relaxed; and Frank Sinatra's "This Love of Mine," where the emotive saxophonist dips into humor, even a bit ribald. The variety from cut to cut is engaging, and there's nothing over the top, even the drumming of Elvin Jones. With the musicality at a high level, Dear John C. needs revisiting by drumming students and jazz fans to note how teamwork, shared values, and held-in-check dynamics benefit the overall quality of music. It seems this recording is underrated when over time it should never be. Dear John C. is deserving of an excellent rating.
© Michael G. Nastos /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From kr124,99/month
Richard Davis, AssociatedPerformer, Bass (Vocal) - Hank Jones, Piano, AssociatedPerformer - Elvin Jones, Drum, MainArtist, AssociatedPerformer - George Douglas, Producer, ComposerLyricist - Charlie Mariano, Alto Saxophone, AssociatedPerformer - Bob Thiele, Producer - Bob Hammer, ComposerLyricist
℗ 1965 UMG Recordings, Inc.
Richard Davis, Bass Guitar, AssociatedPerformer - Elvin Jones, Drum, MainArtist, AssociatedPerformer - George Douglas, Producer - Charlie Mariano, Alto Saxophone, AssociatedPerformer - Bob Thiele, Producer - Bob Hammer, ComposerLyricist
℗ 1965 UMG Recordings, Inc.
Richard Davis, Bass Guitar, AssociatedPerformer - Hank Jones, Piano, AssociatedPerformer - Charles Mingus, Composer - Elvin Jones, Drum, MainArtist, AssociatedPerformer - George Douglas, Producer - Charlie Mariano, Alto Saxophone, AssociatedPerformer - Bob Thiele, Producer
℗ 1965 UMG Recordings, Inc.
Richard Davis, Bass Guitar, AssociatedPerformer - Matt Dennis, Composer - Tom Adair, Author, ComposerLyricist - Elvin Jones, Drum, MainArtist, AssociatedPerformer - George Douglas, Producer - Roland Hanna, Piano, AssociatedPerformer - Charlie Mariano, Alto Saxophone, AssociatedPerformer - Bob Thiele, Producer
℗ 1965 UMG Recordings, Inc.
H.E. Gifford, ComposerLyricist - Richard Davis, Bass Guitar, AssociatedPerformer - Ned Washington, ComposerLyricist - Elvin Jones, Drum, MainArtist, AssociatedPerformer - George Douglas, Producer - Roland Hanna, Piano, AssociatedPerformer - Charlie Mariano, Alto Saxophone, AssociatedPerformer - Bob Thiele, Producer
℗ 1965 UMG Recordings, Inc.
Richard Davis, Bass Guitar, AssociatedPerformer - Frank Sinatra, ComposerLyricist - Elvin Jones, Drum, MainArtist, AssociatedPerformer - George Douglas, Producer - Charlie Mariano, Alto Saxophone, AssociatedPerformer - Bob Thiele, Producer - Sol Parker, ComposerLyricist - Henry W. Sanicola, ComposerLyricist
℗ 1965 UMG Recordings, Inc.
Richard Davis, Bass Guitar, AssociatedPerformer - Charlie Parker, ComposerLyricist - Dizzy Gillespie, ComposerLyricist - Elvin Jones, Drum, MainArtist, AssociatedPerformer - George Douglas, Producer - Roland Hanna, Piano, AssociatedPerformer - Charlie Mariano, Alto Saxophone, AssociatedPerformer - Bob Thiele, Producer
℗ 1965 UMG Recordings, Inc.
Richard Davis, Bass Guitar, AssociatedPerformer - Anthony Newley, ComposerLyricist - Leslie Bricusse, ComposerLyricist - Hank Jones, Piano, AssociatedPerformer - Elvin Jones, Drum, MainArtist, AssociatedPerformer - George Douglas, Producer - Charlie Mariano, Alto Saxophone, AssociatedPerformer - Bob Thiele, Producer
℗ 1965 UMG Recordings, Inc.
Richard Davis, Bass Guitar, AssociatedPerformer - Duke Ellington, Composer - Elvin Jones, Drum, MainArtist, AssociatedPerformer - George Douglas, Producer - Charlie Mariano, Alto Saxophone, AssociatedPerformer - Bob Thiele, Producer
℗ 1965 UMG Recordings, Inc.
Richard Davis, AssociatedPerformer, Bass (Vocal) - Elvin Jones, Drum, MainArtist, AssociatedPerformer - George Douglas, Producer - Charlie Mariano, Alto Saxophone, AssociatedPerformer - Bob Thiele, Producer - Bob Hammer, ComposerLyricist
℗ 1965 UMG Recordings, Inc.
Album review
The second album by Elvin Jones as sole title rights leader (excluding the co-op ensemble that recorded the stunning and essential progressive jazz icon Illumination!) has the drummer sounding more like a backup musician, as he claims no compositional duties or noticeable solo space. In fact, this is one of the very best albums in the career of alto saxophonist Charlie Mariano, who occupies the bulk of lead lines and improvising responsibilities. He's so up-front, and on an instrument that is not John Coltrane's main instrument -- the tenor sax -- that the title is also a bit of a misnomer. The value of Jones as a bandleader lies in his concept of using fellow Detroiter Sir Roland Hanna or brother Hank Jones on selected tracks, or in the case of three tracks, no pianist. Bassist Richard Davis rounds out this truly brilliant ensemble of burgeoning mid-'60s jazz stars, who play an enticing collection of standards, bop, compositions of Bob Hammer, and originals from several modern sources. A stone cold bebopper and Charlie Parker devotee at the time of this recording. Mariano is the standout performer. He swings easily but mightily on the title track paralleling Coltrane's "Milestones," stretches the Charles Mingus evergreen "Reincarnation of a Lovebird" (titled here as "Love Bird"), and pulls out all the stops with Hank Jones during an only slightly flawed (they miss two notes) version of the tricky "Anthropology." They tack a calypso beat onto Duke Ellington's "Fantazm" in a playful, modern dress, and stroll on the quirky Hammer composition "That Five-Four Bag" as an offshoot retort to Dave Brubeck's "Take Five." The three tracks sans piano include a walking version of "Everything Happens to Me"; the ballad "Smoke Rings," where the band excepting Mariano is relaxed; and Frank Sinatra's "This Love of Mine," where the emotive saxophonist dips into humor, even a bit ribald. The variety from cut to cut is engaging, and there's nothing over the top, even the drumming of Elvin Jones. With the musicality at a high level, Dear John C. needs revisiting by drumming students and jazz fans to note how teamwork, shared values, and held-in-check dynamics benefit the overall quality of music. It seems this recording is underrated when over time it should never be. Dear John C. is deserving of an excellent rating.
© Michael G. Nastos /TiVo
About the album
- 1 disc(s) - 10 track(s)
- Total length: 00:42:26
- Main artists: Elvin Jones
- Composer: Various Composers
- Label: Impulse!
- Genre: Jazz
© 1965 UMG Recordings, Inc. ℗ 1965 UMG Recordings, Inc.
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.