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Michael Collins|Crusell: Clarinet Concertos

Crusell: Clarinet Concertos

Michael Collins, Swedish Chamber Orchestra

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Clarinetist Bernhard Henrik Crusell, who played the first performance of Mozart's Clarinet Concerto in A major, K. 622, after its posthumous publication, considered himself a Finn despite his Swedish background. He is now regarded as the most prominent Finnish composer before Sibelius, and he wrote a lot for his chosen instrument. The three concertos and the variation set recorded here by Michael Collins, performing and conducting the Swedish Chamber Orchestra (a feat in itself), are virtuoso pieces built on a Mozartian base. Sample the opening movement of the first or the third concerto to assure yourself of Collins' technique. These movements have Mozartian openings that bloom into perilously difficult solo entrances, and Collins executes them without a squawk and even with a bit of charisma and humor. The strongest movements are the slow ones, highly reminiscent of those of the Mozart Concerto and Clarinet Quintet in A major, K. 581: they are not just similar in overall shape, but have the long-breathed beauty of clarinet writing that Mozart mastered so instinctively with the new instrument, and they're really lovely. In all, this is music that should be part of the general concerto repertory but isn't, and it's gorgeously performed.

© TiVo

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Crusell: Clarinet Concertos

Michael Collins

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1
Concerto in E-Flat Major, Op. 1: I. Allegro
00:10:15

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

2
Concerto in E-Flat Major, Op. 1: II. Adagio
00:03:40

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

3
Concerto in E-Flat Major, Op. 1: III. Rondo. Allegretto
00:06:12

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

4
Concerto in F Minor, Op. 5 "Grand": I. Allegro
00:10:44

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

5
Concerto in F Minor, Op. 5 "Grand": II. Andante pastorale
00:05:17

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

6
Concerto in F Minor, Op. 5 "Grand": III. Rondo
00:05:31

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

7
Concerto in B-Flat Major, Op. 11: I. Allegro risoluto
00:10:01

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

8
Concerto in B-Flat Major, Op. 11: II. Andante moderato
00:06:02

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

9
Concerto in B-Flat Major, Op. 11: III. Alla polacca
00:06:51

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

10
Introduction et air suédois, Op. 12: Introduktion
00:01:04

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

11
Introduction et air suédois, Op. 12: Thema
00:00:53

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

12
Introduction et air suédois, Op. 12: Variation 1
00:01:27

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

13
Introduction et air suédois, Op. 12: Variation 2
00:01:19

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

14
Introduction et air suédois, Op. 12: Variation 3
00:01:13

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

15
Introduction et air suédois, Op. 12: Variation 4
00:01:26

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

16
Introduction et air suédois, Op. 12: Variation 5
00:01:49

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

17
Introduction et air suédois, Op. 12: Allegretto
00:00:29

Michael Collins, Conductor, MainArtist - Bernhard Henrik Crusell, Composer - Swedish Chamber Orchestra, Orchestra, MainArtist

2018 Chandos Records 2018 Chandos Records

Album review

Clarinetist Bernhard Henrik Crusell, who played the first performance of Mozart's Clarinet Concerto in A major, K. 622, after its posthumous publication, considered himself a Finn despite his Swedish background. He is now regarded as the most prominent Finnish composer before Sibelius, and he wrote a lot for his chosen instrument. The three concertos and the variation set recorded here by Michael Collins, performing and conducting the Swedish Chamber Orchestra (a feat in itself), are virtuoso pieces built on a Mozartian base. Sample the opening movement of the first or the third concerto to assure yourself of Collins' technique. These movements have Mozartian openings that bloom into perilously difficult solo entrances, and Collins executes them without a squawk and even with a bit of charisma and humor. The strongest movements are the slow ones, highly reminiscent of those of the Mozart Concerto and Clarinet Quintet in A major, K. 581: they are not just similar in overall shape, but have the long-breathed beauty of clarinet writing that Mozart mastered so instinctively with the new instrument, and they're really lovely. In all, this is music that should be part of the general concerto repertory but isn't, and it's gorgeously performed.

© TiVo

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