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Pieter Wispelwey|Chopin, Fauré & Poulenc: Works for Cello and Piano

Chopin, Fauré & Poulenc: Works for Cello and Piano

Pieter Wispelwey

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The compositions on this CD encompass an entire century; all of them are French. Of course, they do not represent the entire range of a century of French cello music, bout on the other hand they are all completely un-German! I thought that it would be a good idea to offer the listener of the late 1990s a sort of double upbeat for the masterly Chopin Sonata, in this way arriving at the 1840s by means of two successive steps. The Poulenc Sonata, although dating from 1948, is more a reflection of the Paris of the 1920s anti-aesthetic decadence and coolly presented cabaret-style sentiment. The work is remarkable for its refined surrealism, tinged with an intriguing hint of Catholic irony and seduction in the slow movement, and the moments in the last movement where the energy, for the first time, acquires a sarcastic tint, succeeded by an even more macabre quality which evokes Prokofiev....

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Chopin, Fauré & Poulenc: Works for Cello and Piano

Pieter Wispelwey

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Cello Sonata, FP 143 (Francis Poulenc)

1
I. Allegro - Tempo di Marcia
00:05:55

Francis Poulenc, Composer - Paolo Giacometti, MainArtist - Pieter Wispelwey, MainArtist - Heugel, MusicPublisher

2006 Channel Classics Records 2006 Channel Classics Records

2
II. Cavatine
00:07:17

Francis Poulenc, Composer - Paolo Giacometti, MainArtist - Pieter Wispelwey, MainArtist - Heugel, MusicPublisher

2006 Channel Classics Records 2006 Channel Classics Records

3
III. Ballabile
00:03:28

Francis Poulenc, Composer - Paolo Giacometti, MainArtist - Pieter Wispelwey, MainArtist - Heugel, MusicPublisher

2006 Channel Classics Records 2006 Channel Classics Records

4
IV. Finale
00:06:45

Francis Poulenc, Composer - Paolo Giacometti, MainArtist - Pieter Wispelwey, MainArtist - Heugel, MusicPublisher

2006 Channel Classics Records 2006 Channel Classics Records

5
Élégie in C Minor, Op. 24. Molto adagio
00:06:59

Gabriel Fauré, Composer - Copyright Control, MusicPublisher - Paolo Giacometti, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

6
Romance in A Major, Op. 69
00:04:34

Gabriel Fauré, Composer - Copyright Control, MusicPublisher - Paolo Giacometti, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

7
Papillon in A Major, Op. 77
00:02:42

Gabriel Fauré, Composer - Copyright Control, MusicPublisher - Paolo Giacometti, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

Cello Sonata in G minor, Op. 65 (Frédéric Chopin)

8
I. Allegro moderato
00:15:30

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Paolo Giacometti, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

9
II. Scherzo. Allegro con brio
00:04:47

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Paolo Giacometti, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

10
III. Largo
00:03:32

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Paolo Giacometti, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

11
IV. Finale. Allegro
00:05:57

Frederic Chopin, Composer - Copyright Control, MusicPublisher - Paolo Giacometti, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

Album review

The compositions on this CD encompass an entire century; all of them are French. Of course, they do not represent the entire range of a century of French cello music, bout on the other hand they are all completely un-German! I thought that it would be a good idea to offer the listener of the late 1990s a sort of double upbeat for the masterly Chopin Sonata, in this way arriving at the 1840s by means of two successive steps. The Poulenc Sonata, although dating from 1948, is more a reflection of the Paris of the 1920s anti-aesthetic decadence and coolly presented cabaret-style sentiment. The work is remarkable for its refined surrealism, tinged with an intriguing hint of Catholic irony and seduction in the slow movement, and the moments in the last movement where the energy, for the first time, acquires a sarcastic tint, succeeded by an even more macabre quality which evokes Prokofiev....

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