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Rachel Podger|Bach: The Art of Fugue

Bach: The Art of Fugue

Rachel Podger and Brecon Baroque

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Fugue and the art of counterpoint are oftenalmost bywords for Bach the composer.Certainly, from the viewpoint of many latergenerations, he was the first composerto make fugue the basis for a whole andcomplete piece of music, one that oftenseemed to serve no purpose beyond the‘purely musical’. In a sense, this mustsurely be right: while there are countlessfugal compositions before Bach, very fewshare the same relentless, yet expressive,cohesion, and most that were written outsidethe keyboard sphere were associatedwith a text and liturgical function. There issomething about Bach’s fugal compositionthat immediately places it at the service ofcomposers such as Mozart, Beethoven,Brahms and Schoenberg. For them, earliercounterpoint in the Renaissance traditionprovided more a model for refined techniquethan for an overriding nexus of musicallycohering ideas.

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Bach: The Art of Fugue

Rachel Podger

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The Art of Fugue, BWV 1080 (Johann Sebastian Bach)

1
I. Contrapunctus I
00:02:50

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

2
II. Contrapunctus II
00:03:00

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

3
III. Contrapunctus III
00:02:30

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

4
IV. Contrapunctus IV
00:03:42

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

5
V. Canon alla ottava
00:02:16

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

6
VI. Contrapunctus IX a 4 alla duodecima
00:02:28

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

7
VII. Contrapunctus X a 4 alla decima
00:03:50

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

8
VIII. Contrapunctus V
00:02:53

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

9
IX. Contrapunctus VI a 4 in stylo francese
00:02:53

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

10
X. Contrapunctus VII a 4 per augmentationem et diminutionem
00:03:31

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

11
XI. Contrapunctus VIII a 3
00:05:53

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

12
XII. Contrapunctus XI a 4
00:05:43

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

13
XIII. Canon alla duodecima in contrapunto alla quinta
00:03:47

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

14
XIV. Contrapunctus inversus XII a 4. Forma recta
00:03:50

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

15
XV. Canon alla decima contrapunto alla terza
00:04:28

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

16
XVI. Contrapunctus inversus XIII a 3. Forma inversa
00:04:38

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

17
XVII. Canon per augmentationem in contrario motu
00:03:24

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

18
XVIII. Fuga a 3 soggetti
00:08:24

Johann Sebastian Bach, Composer - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Brecon Baroque, Ensemble, MainArtist

2016 Channel Classics Records 2016 Channel Classics Records

Album review

Fugue and the art of counterpoint are oftenalmost bywords for Bach the composer.Certainly, from the viewpoint of many latergenerations, he was the first composerto make fugue the basis for a whole andcomplete piece of music, one that oftenseemed to serve no purpose beyond the‘purely musical’. In a sense, this mustsurely be right: while there are countlessfugal compositions before Bach, very fewshare the same relentless, yet expressive,cohesion, and most that were written outsidethe keyboard sphere were associatedwith a text and liturgical function. There issomething about Bach’s fugal compositionthat immediately places it at the service ofcomposers such as Mozart, Beethoven,Brahms and Schoenberg. For them, earliercounterpoint in the Renaissance traditionprovided more a model for refined techniquethan for an overriding nexus of musicallycohering ideas.

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