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Various Artists|Sweeney Todd, The Demon Barber of Fleet Street, The Motion Picture Soundtrack

Sweeney Todd, The Demon Barber of Fleet Street, The Motion Picture Soundtrack

Various Artists

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Stephen Sondheim's 1979 Broadway musical Sweeney Todd has been hailed as the composer's best work and the best musical of its decade, if not of the last three decades of the 20th century. It has been revived frequently and, as a work that straddles the line between musical theater and opera, adopted for the repertories of opera companies. When a stage musical is adapted into a motion picture, it is often the case that the score is given a bigger treatment. Broadway shows use a limited number of musicians, and, due to union regulations, Broadway cast albums tend to be recorded in a single day by casts also performing the music eight times that week on-stage. When the same score gets to Hollywood, producers often employ much larger orchestras and more elaborate recording techniques, for better or worse. Something like the opposite seems to have happened with director Tim Burton's 2007 film version of Sweeney Todd. Burton has cast the movie with actors not previously known as singers, starting with his frequent collaborator Johnny Depp (the two previously paired on Edward Scissorhands, Ed Wood, Sleepy Hollow, and Charlie and the Chocolate Factory), and also including Helena Bonham Carter (Burton's common-law wife) in the principal roles of Sweeney Todd and the pie shop proprietress Mrs. Lovett, plus Alan Rickman and comedian Sacha Baron Cohen (from the film Borat). To accommodate these performers, Sondheim orchestrator Jonathan Tunick has done some serious transposing of the score to bring the songs into the limited vocal ranges at hand. In this version, no one will confuse Sweeney Todd with an opera. Depp turns out to have a reasonable middle tenor, which makes for a very different Sweeney as compared with the baritones who usually essay the part on-stage. It might also cause some confusion with the secondary part of Anthony (Jamie Campbell Bower), if Depp did not adopt the same lower class British accent he used in the Pirates of the Caribbean movies. He also speak-sings his way through as much of the musical material as he can get away with. Bonham Carter does somewhat better, although she's no competition to previous Mrs. Lovetts such as Angela Lansbury and Patti LuPone. Much the same thing can be said about the rest. On a soundtrack album, the comparisons with stage performers are inevitable, but they shouldn't trouble moviegoers very much. Other associations may cause titters, however. Rickman sounds much as he did in the Harry Potter movies, and when he and Depp modestly mutter their way through the lovely ballad "Pretty Women," it's like hearing Captain Jack Sparrow in a duet with Professor Severus Snape.
There are two editions of the soundtrack. The regular one eliminates some minor music from the score, notably including "The Ballad of Sweeney Todd" (which is, however, used instrumentally as "Opening Title"). The highlights disc does not include the lyric booklet and deletes the short "Alms! Alms!," "Ladies in Their Sensitivities," and the lengthy "Final Scene," which consists of reprises of previously heard songs and some more killings to add to the pile in this musical Grand Guignol. Some dialogue is also edited in the highlights version. (In the marketing environment of 2007, the makers of the soundtrack are to be commended for not introducing a gratuitous new composition in the end credits just to have a potential Oscar contender for best song, and for not including karaoke versions of the songs on the album.)

© William Ruhlmann /TiVo

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Sweeney Todd, The Demon Barber of Fleet Street, The Motion Picture Soundtrack

Various Artists

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1
Opening Title
Stephen Sondheim
00:03:30

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist, MainArtist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

2
No Place Like London
Paul Gemignani
00:05:32

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Johnny Depp, MainArtist - Jamie Campbell Bower, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

3
The Worst Pies in London
Helena Bonham Carter
00:02:23

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Helena Bonham Carter, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

4
Poor Thing
Paul Gemignani
00:03:08

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Helena Bonham Carter, MainArtist - Johnny Depp, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

5
My Friends
Paul Gemignani
00:03:47

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Helena Bonham Carter, MainArtist - Johnny Depp, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

6
Green Finch and Linnett Bird
Jayne Wisener
00:02:15

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Jayne Wisener, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

7
Alms Alms
Paul Gemignani
00:01:16

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Laura Michelle Kelly, MainArtist - Jamie Campbell Bower, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

8
Johanna
Jamie Campbell Bower
00:01:57

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Jamie Campbell Bower, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

9
Pirelli's Miracle Elixir
Paul Gemignani
00:02:00

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Helena Bonham Carter, MainArtist - Johnny Depp, MainArtist - Edwards Sanders, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

10
The Contest
Paul Gemignani
00:03:37

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Sacha Baron Cohen, MainArtist - Johnny Depp, MainArtist - Tomothy Spall, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

11
Wait
Paul Gemignani
00:02:38

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Writer - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Helena Bonham Carter, MainArtist - Johnny Depp, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

12
Ladies in Their Sensitivities
Paul Gemignani
00:01:22

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Alan Rickman, MainArtist - Timothy Spall, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

13
Pretty Women
Paul Gemignani
00:04:27

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Johnny Depp, MainArtist - Alan Rickman, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

14
Epiphany
Paul Gemignani
00:03:16

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Helena Bonham Carter, MainArtist - Johnny Depp, MainArtist - Jamie Campbell Bower, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

15
A Little Priest
Paul Gemignani
00:05:15

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Helena Bonham Carter, MainArtist - Johnny Depp, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

16
Johanna
Paul Gemignani
00:05:41

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Johnny Depp, MainArtist - Laura Michelle Kelly, MainArtist - Jamie Campbell Bower, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

17
God, That's Good!
Paul Gemignani
00:02:46

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Edward Sanders, MainArtist - Tim Burton, ExecutiveProducer - Helena Bonham Carter, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

18
By the Sea
Paul Gemignani
00:02:19

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Helena Bonham Carter, MainArtist - Johnny Depp, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

19
Not While I'm Around
Paul Gemignani
00:04:11

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Edward Sanders, MainArtist - Tim Burton, ExecutiveProducer - Helena Bonham Carter, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

20
Final Scene
Paul Gemignani
00:10:20

Paul Gemignani, Conductor - Stephen Sondheim, Composer, Lyricist - Geoff Foster, Recorded by - Jake Jackson, Recorded by - Robert C. Ludwig, Masterer - Robert Hurwitz, ExecutiveProducer - Tim Burton, ExecutiveProducer - Helena Bonham Carter, MainArtist - Johnny Depp, MainArtist - Alan Rickman, MainArtist - Laura Michelle Kelly, MainArtist - Jamie Campbell Bower, MainArtist - Jayne Wisener, MainArtist - Mike Highman, Producer

© 2007 Nonesuch Records, Inc. ℗ 2007 Nonesuch Records, Inc.

Album review

Stephen Sondheim's 1979 Broadway musical Sweeney Todd has been hailed as the composer's best work and the best musical of its decade, if not of the last three decades of the 20th century. It has been revived frequently and, as a work that straddles the line between musical theater and opera, adopted for the repertories of opera companies. When a stage musical is adapted into a motion picture, it is often the case that the score is given a bigger treatment. Broadway shows use a limited number of musicians, and, due to union regulations, Broadway cast albums tend to be recorded in a single day by casts also performing the music eight times that week on-stage. When the same score gets to Hollywood, producers often employ much larger orchestras and more elaborate recording techniques, for better or worse. Something like the opposite seems to have happened with director Tim Burton's 2007 film version of Sweeney Todd. Burton has cast the movie with actors not previously known as singers, starting with his frequent collaborator Johnny Depp (the two previously paired on Edward Scissorhands, Ed Wood, Sleepy Hollow, and Charlie and the Chocolate Factory), and also including Helena Bonham Carter (Burton's common-law wife) in the principal roles of Sweeney Todd and the pie shop proprietress Mrs. Lovett, plus Alan Rickman and comedian Sacha Baron Cohen (from the film Borat). To accommodate these performers, Sondheim orchestrator Jonathan Tunick has done some serious transposing of the score to bring the songs into the limited vocal ranges at hand. In this version, no one will confuse Sweeney Todd with an opera. Depp turns out to have a reasonable middle tenor, which makes for a very different Sweeney as compared with the baritones who usually essay the part on-stage. It might also cause some confusion with the secondary part of Anthony (Jamie Campbell Bower), if Depp did not adopt the same lower class British accent he used in the Pirates of the Caribbean movies. He also speak-sings his way through as much of the musical material as he can get away with. Bonham Carter does somewhat better, although she's no competition to previous Mrs. Lovetts such as Angela Lansbury and Patti LuPone. Much the same thing can be said about the rest. On a soundtrack album, the comparisons with stage performers are inevitable, but they shouldn't trouble moviegoers very much. Other associations may cause titters, however. Rickman sounds much as he did in the Harry Potter movies, and when he and Depp modestly mutter their way through the lovely ballad "Pretty Women," it's like hearing Captain Jack Sparrow in a duet with Professor Severus Snape.
There are two editions of the soundtrack. The regular one eliminates some minor music from the score, notably including "The Ballad of Sweeney Todd" (which is, however, used instrumentally as "Opening Title"). The highlights disc does not include the lyric booklet and deletes the short "Alms! Alms!," "Ladies in Their Sensitivities," and the lengthy "Final Scene," which consists of reprises of previously heard songs and some more killings to add to the pile in this musical Grand Guignol. Some dialogue is also edited in the highlights version. (In the marketing environment of 2007, the makers of the soundtrack are to be commended for not introducing a gratuitous new composition in the end credits just to have a potential Oscar contender for best song, and for not including karaoke versions of the songs on the album.)

© William Ruhlmann /TiVo

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