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Jools Holland|World Of His Own

World Of His Own

Jools Holland

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During his on-again off-again tenures with Squeeze, pianist Jools Holland's fondness for boogie-woogie and R&B seemed somehow out of step with Squeeze's reputation for delivering Beatlesque new wave pop. As a result, Holland often got shunted to the sidelines on the band's records. Turnabout is fair play, though, so A World of His Own features contributions from all of Holland's then-current Squeeze bandmates (as well as a crack horn section, Sting, and Holland's old Millionaires colleagues) -- and for this album, Holland's the one who is firmly in the driver's seat. For the most part, he forgoes trying to sound anything like Squeeze, and does what he does best -- he joyfully pounds his way through some polished but swinging jump tunes ("The Maiden's Lament," "Biggy Wiggy"); croons a few classic R&B sides (Percy Mayfield's "Danger Zone," Ray Charles' "In the Heat of the Night"); and generally has such a good time that it's almost impossible not to get caught up in the fun. Unfortunately, when Holland experiments with more modern sounds (such as the tedious three-part synthesizer suite "Thursday"), he gets too caught up in the mechanics of finicky multi-track production to find a groove, and the good times evaporate. Still, if you can program your CD player to skip the offending tracks, World of His Own offers up another solid helping of New Orleans-meets-South London bontemps roulez from the indefatigable Holland, surely one of Britain's greatest exponents of modern-day boogie-woogie.

© Rudyard Kennedy /TiVo

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World Of His Own

Jools Holland

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1
Architectural Number
00:06:28

Jools Holland, Composer, MainArtist

(C) 1990 Capitol Records, LLC ℗ 1990 Capitol Records, LLC

2
The Maiden's Lament
00:03:35

Jools Holland, Composer, MainArtist

(C) 1990 Capitol Records, LLC ℗ 1990 Capitol Records, LLC

3
Honey Dripper
00:03:39

Jools Holland, MainArtist - Joe Liggins, Composer

(C) 1990 Capitol Records, LLC ℗ 1990 Capitol Records, LLC

4
Thursday (In Three Movements)
00:04:09

Jools Holland, Composer, MainArtist

(C) 1990 Capitol Records, LLC ℗ 1990 Capitol Records, LLC

5
Harp Solo
00:00:07

Jools Holland, Composer, MainArtist

(C) 1990 Capitol Records, LLC ℗ 1990 Capitol Records, LLC

6
Biggy Wiggy
00:02:31

Jools Holland, Composer, MainArtist

(C) 1990 Capitol Records, LLC ℗ 1990 Capitol Records, LLC

7
Holy Cow
00:04:41

Jools Holland, MainArtist - Allen Toussaint, Composer

(C) 1990 Capitol Records, LLC ℗ 1990 Capitol Records, LLC

8
In The Heat Of The Night
00:03:47

Ray Charles, Composer - Quincy Jones, Arranger, Work Arranger - Jools Holland, MainArtist

(C) 1990 Capitol Records, LLC ℗ 1990 Capitol Records, LLC

9
Biggy Wiggy (Instrumental)
00:03:39

Jools Holland, Composer, MainArtist

(C) 1990 Capitol Records, LLC ℗ 1990 Capitol Records, LLC

10
We're Through
00:03:04

Chris Difford, Composer - Jools Holland, Composer, MainArtist

(C) 1990 Capitol Records, LLC ℗ 1990 Capitol Records, LLC

11
Grand Hotel
00:03:28

Sting, Composer - Jools Holland, Composer, MainArtist

(C) 1990 Capitol Records, LLC ℗ 1990 Capitol Records, LLC

12
Danger Zone
00:02:17

Jools Holland, MainArtist - Percy Mayfield, Composer

(C) 1990 Capitol Records, LLC ℗ 1990 Capitol Records, LLC

Albumbeschreibung

During his on-again off-again tenures with Squeeze, pianist Jools Holland's fondness for boogie-woogie and R&B seemed somehow out of step with Squeeze's reputation for delivering Beatlesque new wave pop. As a result, Holland often got shunted to the sidelines on the band's records. Turnabout is fair play, though, so A World of His Own features contributions from all of Holland's then-current Squeeze bandmates (as well as a crack horn section, Sting, and Holland's old Millionaires colleagues) -- and for this album, Holland's the one who is firmly in the driver's seat. For the most part, he forgoes trying to sound anything like Squeeze, and does what he does best -- he joyfully pounds his way through some polished but swinging jump tunes ("The Maiden's Lament," "Biggy Wiggy"); croons a few classic R&B sides (Percy Mayfield's "Danger Zone," Ray Charles' "In the Heat of the Night"); and generally has such a good time that it's almost impossible not to get caught up in the fun. Unfortunately, when Holland experiments with more modern sounds (such as the tedious three-part synthesizer suite "Thursday"), he gets too caught up in the mechanics of finicky multi-track production to find a groove, and the good times evaporate. Still, if you can program your CD player to skip the offending tracks, World of His Own offers up another solid helping of New Orleans-meets-South London bontemps roulez from the indefatigable Holland, surely one of Britain's greatest exponents of modern-day boogie-woogie.

© Rudyard Kennedy /TiVo

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