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Deer Tick|The Black Dirt Sessions

The Black Dirt Sessions

Deer Tick

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The Black Dirt Sessions, Deer Tick's third full studio album, combines the easy balladry and boozy rock tunes of the band’s prior two releases, but does away with the old-timey blues and country influences. The new sound of the group, which includes new member Ian O'Neil of Titus Andronicus on guitar, is contemporary and sincere. Vocalist John McCauley, the chief songwriter of the group, seems to have found his own distinct voice and is comfortable reeling back and singing quietly, harnessing his muscular, grainy timbre into a sweet instrument. The first half of the album never breaks a sweat, concentrating solely on stripped-down, melancholy ballads. Side two breaks away from the acoustic aspects, and kicks up a laid-back Nashville groove with honky tonk piano, Stonesy guitar riffs, and classic Americana harmonies. McCauley sounds liberated, calling up ‘70s hooks and harmonies that feel classic without being overtly retro. For The Black Dirt Sessions, the sepia tones are faded and less distracting. Songs written to sound like old pub standards helped to gain the group attention, but these heartfelt tunes gleam with McCauley's individuality.
© Jason Lymangrover /TiVo

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The Black Dirt Sessions

Deer Tick

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1
Choir Of Angels
00:02:55

Deer Tick, Producer, MainArtist - John Joseph McCauley III, Composer - Jason Meagher, Producer

2014 Partisan Records 2014 Partisan Records

2
Twenty Miles
00:03:44

Deer Tick, Producer, MainArtist - John Joseph McCauley III, Composer - Jason Meagher, Producer

2014 Partisan Records 2014 Partisan Records

3
Goodbye, Dear Friend
00:04:58

Deer Tick, Producer, MainArtist - John Joseph McCauley III, Composer - Jason Meagher, Producer

2014 Partisan Records 2014 Partisan Records

4
Piece By Piece and Frame By Frame
00:04:09

Deer Tick, Producer, MainArtist - John Joseph McCauley III, Composer - Jason Meagher, Producer

2014 Partisan Records 2014 Partisan Records

5
The Sad Sun
00:04:34

Deer Tick, Producer, MainArtist - John Joseph McCauley III, Composer - Jason Meagher, Producer

2014 Partisan Records 2014 Partisan Records

6
Mange
00:05:16

Deer Tick, Producer, MainArtist - John Joseph McCauley III, Composer - Jason Meagher, Producer

2014 Partisan Records 2014 Partisan Records

7
When She Comes Home
00:03:53

Deer Tick, Producer, MainArtist - John Joseph McCauley III, Composer - Jason Meagher, Producer

2014 Partisan Records 2014 Partisan Records

8
Hand In My Hand
00:04:31

Deer Tick, Producer, MainArtist - John Joseph McCauley III, Composer - Jason Meagher, Producer

2014 Partisan Records 2014 Partisan Records

9
I Will Not Be Myself
00:03:22

Deer Tick, Producer, MainArtist - John Joseph McCauley III, Composer - Jason Meagher, Producer

2014 Partisan Records 2014 Partisan Records

10
Blood Moon
00:04:41

Deer Tick, Producer, MainArtist - John Joseph McCauley III, Composer - Jason Meagher, Producer

2014 Partisan Records 2014 Partisan Records

11
Christ Jesus
00:04:33

Deer Tick, Producer, MainArtist - John Joseph McCauley III, Composer - Jason Meagher, Producer

2014 Partisan Records 2014 Partisan Records

Albumbeschreibung

The Black Dirt Sessions, Deer Tick's third full studio album, combines the easy balladry and boozy rock tunes of the band’s prior two releases, but does away with the old-timey blues and country influences. The new sound of the group, which includes new member Ian O'Neil of Titus Andronicus on guitar, is contemporary and sincere. Vocalist John McCauley, the chief songwriter of the group, seems to have found his own distinct voice and is comfortable reeling back and singing quietly, harnessing his muscular, grainy timbre into a sweet instrument. The first half of the album never breaks a sweat, concentrating solely on stripped-down, melancholy ballads. Side two breaks away from the acoustic aspects, and kicks up a laid-back Nashville groove with honky tonk piano, Stonesy guitar riffs, and classic Americana harmonies. McCauley sounds liberated, calling up ‘70s hooks and harmonies that feel classic without being overtly retro. For The Black Dirt Sessions, the sepia tones are faded and less distracting. Songs written to sound like old pub standards helped to gain the group attention, but these heartfelt tunes gleam with McCauley's individuality.
© Jason Lymangrover /TiVo

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