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Feargal Mostyn-Williams|Rosner: Requiem, Op. 59

Rosner: Requiem, Op. 59

Nick palmer, London Philharmonic Orchestra

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Far from being a treatment of the usual Latin, the Requiem of the New York-based Arnold Rosner (1945–2013) sets spiritual and secular texts on death from a number of the world’s cultures, including Whitman, Villon, the Tibetan Book of the Dead, a sutra from Zen Buddhism and the Jewish Kaddish. The work of a young man (Rosner was 28 when he wrote it), this Requiem is both monumental and wildly energetic – but it also encompasses passages of transcendent beauty. His musical language clothes the modal harmony and rhythm of pre-Baroque polyphony in rich Romantic colours, producing a style that is instantly recognisable and immediately appealing. Some of the music was first written for an aborted operatic treatment of Ingmar Bergman’s film The Seventh Seal, where the main character plays chess with Death; in like spirit, Rosner’s Requiem is a major statement of human defiance in the face of mortality, even if its gentle closing pages bring uneasy acceptance. © Toccata Classics

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Rosner: Requiem, Op. 59

Feargal Mostyn-Williams

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Requiem, Op. 59 (Arnold Rosner)

1
I. Overture (The Seventh Seal)
Feargal Mostyn-Williams
00:11:16

London Philharmonic Orchestra, Orchestra - Crouch End Festival Chorus, Choir - Arnold Rosner, Composer - Nick palmer, Conductor - Feargal Mostyn-Williams, Artist, MainArtist - Gareth Brynmor John, Artist - Thomas Elwin, Artist

(C) 2020 Toccata Classics (P) 2020 Toccata Classics

2
II. Recitative (Ein Wort, ein Satz)
Thomas Elwin
00:03:28

London Philharmonic Orchestra, Orchestra - Arnold Rosner, Composer - Nick palmer, Conductor - Thomas Elwin, Artist, MainArtist

(C) 2020 Toccata Classics (P) 2020 Toccata Classics

3
III. Toccata (Musica satanica)
London Philharmonic Orchestra
00:05:08

London Philharmonic Orchestra, Orchestra, MainArtist - Arnold Rosner, Composer - Nick palmer, Conductor

(C) 2020 Toccata Classics (P) 2020 Toccata Classics

4
IV. Ballade (Les neiges d'antan)
Kelley Hollis
00:06:15

London Philharmonic Orchestra, Orchestra - Arnold Rosner, Composer - Nick palmer, Conductor - Kelley Hollis, Artist, MainArtist

(C) 2020 Toccata Classics (P) 2020 Toccata Classics

5
V. Sutra (Enmei jukku kannon gyo)
Gareth Brynmor John
00:09:48

London Philharmonic Orchestra, Orchestra - Crouch End Festival Chorus, Choir - Arnold Rosner, Composer - Nick palmer, Conductor - Gareth Brynmor John, Artist, MainArtist

(C) 2020 Toccata Classics (P) 2020 Toccata Classics

6
VI. Madrigal (To All, to Each)
Crouch End Festival Chorus
00:06:27

David Temple, Conductor - Crouch End Festival Chorus, Choir, MainArtist - Arnold Rosner, Composer

(C) 2020 Toccata Classics (P) 2020 Toccata Classics

7
VII. Organum (Lasciate ogni speranze)
Feargal Mostyn-Williams
00:05:56

London Philharmonic Orchestra, Orchestra - Arnold Rosner, Composer - Nick palmer, Conductor - Feargal Mostyn-Williams, Artist, MainArtist - Gareth Brynmor John, Artist - Thomas Elwin, Artist

(C) 2020 Toccata Classics (P) 2020 Toccata Classics

8
VIII. Prayer (Kaddish)
Kelley Hollis
00:06:42

London Philharmonic Orchestra, Orchestra - Arnold Rosner, Composer - Nick palmer, Conductor - Kelley Hollis, Artist, MainArtist

(C) 2020 Toccata Classics (P) 2020 Toccata Classics

9
IX. Passacaglia (Libera me)
Crouch End Festival Chorus
00:08:50

London Philharmonic Orchestra, Orchestra - Crouch End Festival Chorus, Choir, MainArtist - Arnold Rosner, Composer - Nick palmer, Conductor

(C) 2020 Toccata Classics (P) 2020 Toccata Classics

10
X. Und wieder Dunkel, ungeheuer
London Philharmonic Orchestra
00:05:26

London Philharmonic Orchestra, Orchestra, MainArtist - Arnold Rosner, Composer - Nick palmer, Conductor

(C) 2020 Toccata Classics (P) 2020 Toccata Classics

Albumbeschreibung

Far from being a treatment of the usual Latin, the Requiem of the New York-based Arnold Rosner (1945–2013) sets spiritual and secular texts on death from a number of the world’s cultures, including Whitman, Villon, the Tibetan Book of the Dead, a sutra from Zen Buddhism and the Jewish Kaddish. The work of a young man (Rosner was 28 when he wrote it), this Requiem is both monumental and wildly energetic – but it also encompasses passages of transcendent beauty. His musical language clothes the modal harmony and rhythm of pre-Baroque polyphony in rich Romantic colours, producing a style that is instantly recognisable and immediately appealing. Some of the music was first written for an aborted operatic treatment of Ingmar Bergman’s film The Seventh Seal, where the main character plays chess with Death; in like spirit, Rosner’s Requiem is a major statement of human defiance in the face of mortality, even if its gentle closing pages bring uneasy acceptance. © Toccata Classics

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