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Sam Roberts|Love at the End of the World

Love at the End of the World

Sam Roberts Band

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Superficially, Sam Roberts is part of that continuum of heartland Canadian rockers best exemplified in the United States by Bryan Adams and Bachman-Turner Overdrive: plainspoken, uncomplicated hard rock leavened with enough pop hooks to appeal to both the dudes and their chicks. There's certainly an element of that kind of meat and potatoes rock & roll on Roberts' third album: first single "Them Kids" is a grumpy state-of-the-rawk overview that posits the idea that old-fashioned rock & roll values are under attack by the dominance of flavor of the month hip-hop and prefab American Idol (or at least Canadian Idol) types. Roberts is only 33, which is awfully young for this kind of "you kids get offa my lawn!" rant, which is probably why that particular song is kinda awful. That misstep aside, however, Roberts reveals himself to be a thoughtful lyricist with an eye for novelistic detail, and his songs -- while rooted in the play list of the average classic rock radio play list, heavy on the Springsteen and '70s vintage Rolling Stones -- are far more varied and interesting than one might expect. For example, "Lions of the Kalahari" mixes a psychedelic guitar wash and hazy, diffuse vocals with a prominent, rubbery bassline, for an effect that's more R.E.M. than the Who, and the defiant "Up Sister" and the churning "End of the Empire" in different ways channel various periods of U2's career. Other highlights include the immediately catchy album closer "Detroit '67," setting an impressionistic stream of consciousness lyric to a rollicking piano-fueled tune, and the elegiac "Waking the Dead," built on shimmering Eno-style washes of heavily processed guitars. An appealingly eclectic and mostly very good album, Love at the End of the World proves that mainstream-oriented rock doesn't need to be boring and formulaic.

© Stewart Mason /TiVo

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Love at the End of the World

Sam Roberts

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1
Love At The End Of The World (Album Version)
00:02:37

Mike Fraser, Mixer, StudioPersonnel - Eric Mosher, Assistant Mixer, StudioPersonnel - Eric Fares, Keyboards, AssociatedPerformer - Sam Roberts, Guitar, Keyboards, Percussion, Vocals, Harmonica, MainArtist, AssociatedPerformer, ComposerLyricist - James Hall, AssociatedPerformer, Bass (Vocal) - JOSEPH DONOVAN, Percussion, Recording Engineer, AssociatedPerformer, StudioPersonnel - Dave Nugent, Guitar, Background Vocalist, AssociatedPerformer - Josh Trager, Drums, Percussion, AssociatedPerformer - Adrian Popovich, Recording Engineer, StudioPersonnel

℗ 2008 Secret Brain, Inc., Under exclusive license to Universal Music Canada Inc.

2
Stripmall Religion (Album Version)
00:04:02

Mike Fraser, Mixer, StudioPersonnel - Eric Mosher, Assistant Mixer, StudioPersonnel - Eric Fares, Keyboards, AssociatedPerformer - Sam Roberts, Guitar, Keyboards, Percussion, Vocals, Harmonica, MainArtist, AssociatedPerformer, ComposerLyricist - James Hall, AssociatedPerformer, Bass (Vocal) - JOSEPH DONOVAN, Percussion, Recording Engineer, AssociatedPerformer, StudioPersonnel - Dave Nugent, Guitar, Background Vocalist, AssociatedPerformer - Josh Trager, Drums, Percussion, AssociatedPerformer - Adrian Popovich, Recording Engineer, StudioPersonnel

℗ 2008 Secret Brain, Inc., Under exclusive license to Universal Music Canada Inc.

3
Oh Maria (Album Version)
00:03:47

Mike Fraser, Mixer, StudioPersonnel - Eric Mosher, Assistant Mixer, StudioPersonnel - Eric Fares, Keyboards, AssociatedPerformer - Sam Roberts, Guitar, Keyboards, Percussion, Vocals, Harmonica, MainArtist, AssociatedPerformer, ComposerLyricist - James Hall, AssociatedPerformer, Bass (Vocal) - JOSEPH DONOVAN, Percussion, Recording Engineer, AssociatedPerformer, StudioPersonnel - Dave Nugent, Guitar, Background Vocalist, AssociatedPerformer - Josh Trager, Drums, Percussion, AssociatedPerformer - Adrian Popovich, Recording Engineer, StudioPersonnel - Emilie Marzinotto, Vocals, AssociatedPerformer - Bill Anthopoulos, Drums, AssociatedPerformer

℗ 2008 Secret Brain, Inc., Under exclusive license to Universal Music Canada Inc.

4
Lions Of The Kalahari (Album Version)
00:04:12

Mike Fraser, Mixer, StudioPersonnel - Eric Mosher, Assistant Mixer, StudioPersonnel - Eric Fares, Keyboards, AssociatedPerformer - Sam Roberts, Guitar, Keyboards, Percussion, Vocals, Harmonica, MainArtist, AssociatedPerformer, ComposerLyricist - James Hall, AssociatedPerformer, Bass (Vocal) - JOSEPH DONOVAN, Percussion, Recording Engineer, AssociatedPerformer, StudioPersonnel - Dave Nugent, Guitar, Background Vocalist, AssociatedPerformer - Josh Trager, Drums, Percussion, AssociatedPerformer - Adrian Popovich, Recording Engineer, StudioPersonnel

℗ 2008 Secret Brain, Inc., Under exclusive license to Universal Music Canada Inc.

5
Fixed To Ruin (Album Version)
00:03:46

Eric Fares, Keyboards, AssociatedPerformer - Sam Roberts, Guitar, Keyboards, Percussion, Vocals, Harmonica, MainArtist, AssociatedPerformer, ComposerLyricist - James Hall, AssociatedPerformer, Bass (Vocal) - JOSEPH DONOVAN, Mixer, Percussion, Recording Engineer, AssociatedPerformer, StudioPersonnel - Dave Nugent, Guitar, Background Vocalist, AssociatedPerformer - Josh Trager, Drums, Percussion, AssociatedPerformer - Adrian Popovich, Recording Engineer, StudioPersonnel - Sadio Sissokho, Percussion, AssociatedPerformer - Cheick Anta Faye, Percussion, AssociatedPerformer - Diali MoryToukara, Percussion, AssociatedPerformer

℗ 2008 Secret Brain, Inc., Under exclusive license to Universal Music Canada Inc.

6
Them Kids (Album Version)
00:03:58

Mike Fraser, Mixer, StudioPersonnel - Eric Mosher, Assistant Mixer, StudioPersonnel - Eric Fares, Keyboards, AssociatedPerformer - Sam Roberts, Guitar, Keyboards, Percussion, Harmonica, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - James Hall, AssociatedPerformer, Bass (Vocal) - JOSEPH DONOVAN, Percussion, Recording Engineer, AssociatedPerformer, StudioPersonnel - Dave Nugent, Guitar, Background Vocalist, AssociatedPerformer - Josh Trager, Drums, Percussion, AssociatedPerformer - Adrian Popovich, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Secret Brain, Inc., Under exclusive license to Universal Music Canada Inc.

7
Words & Fire (Album Version)
00:03:54

Mike Fraser, Mixer, StudioPersonnel - Eric Mosher, Assistant Mixer, StudioPersonnel - Eric Fares, Keyboards, AssociatedPerformer - Sam Roberts, Guitar, Keyboards, Percussion, Vocals, Harmonica, MainArtist, AssociatedPerformer, ComposerLyricist - James Hall, AssociatedPerformer, Bass (Vocal) - Angela Desveaux, Vocals, AssociatedPerformer - JOSEPH DONOVAN, Percussion, Recording Engineer, AssociatedPerformer, StudioPersonnel - Dave Nugent, Guitar, Background Vocalist, AssociatedPerformer - Josh Trager, Drums, Percussion, AssociatedPerformer - Adrian Popovich, Recording Engineer, StudioPersonnel

℗ 2008 Secret Brain, Inc., Under exclusive license to Universal Music Canada Inc.

8
Sundance (Album Version)
00:04:17

Mike Fraser, Mixer, StudioPersonnel - Eric Mosher, Assistant Mixer, StudioPersonnel - Eric Fares, Keyboards, AssociatedPerformer - Sam Roberts, Guitar, Keyboards, Percussion, Vocals, Harmonica, MainArtist, AssociatedPerformer, ComposerLyricist - James Hall, AssociatedPerformer, Bass (Vocal) - JOSEPH DONOVAN, Percussion, Recording Engineer, AssociatedPerformer, StudioPersonnel - Dave Nugent, Guitar, Background Vocalist, AssociatedPerformer - Josh Trager, Drums, Percussion, AssociatedPerformer - Adrian Popovich, Recording Engineer, StudioPersonnel

℗ 2008 Secret Brain, Inc., Under exclusive license to Universal Music Canada Inc.

9
Up Sister (Album Version)
00:03:40

Mike Fraser, Mixer, StudioPersonnel - Eric Mosher, Assistant Mixer, StudioPersonnel - Eric Fares, Keyboards, AssociatedPerformer - Sam Roberts, Guitar, Keyboards, Percussion, Vocals, Harmonica, MainArtist, AssociatedPerformer, ComposerLyricist - James Hall, AssociatedPerformer, Bass (Vocal) - JOSEPH DONOVAN, Percussion, Recording Engineer, AssociatedPerformer, StudioPersonnel - Dave Nugent, Guitar, Background Vocalist, AssociatedPerformer - Josh Trager, Drums, Percussion, AssociatedPerformer - Adrian Popovich, Recording Engineer, StudioPersonnel

℗ 2008 Secret Brain, Inc., Under exclusive license to Universal Music Canada Inc.

10
End Of The Empire (Album Version)
00:04:18

Mike Fraser, Mixer, StudioPersonnel - Eric Mosher, Assistant Mixer, StudioPersonnel - Eric Fares, Keyboards, AssociatedPerformer - Sam Roberts, Guitar, Keyboards, Percussion, Vocals, Harmonica, MainArtist, AssociatedPerformer, ComposerLyricist - James Hall, AssociatedPerformer, Bass (Vocal) - JOSEPH DONOVAN, Percussion, Recording Engineer, AssociatedPerformer, StudioPersonnel - Dave Nugent, Guitar, Background Vocalist, AssociatedPerformer - Josh Trager, Drums, Percussion, AssociatedPerformer - Adrian Popovich, Recording Engineer, StudioPersonnel

℗ 2008 Secret Brain, Inc., Under exclusive license to Universal Music Canada Inc.

11
The Pilgrim (Album Version)
00:05:32

Mike Fraser, Mixer, StudioPersonnel - Eric Mosher, Assistant Mixer, StudioPersonnel - Eric Fares, Keyboards, AssociatedPerformer - Sam Roberts, Guitar, Keyboards, Percussion, Vocals, Harmonica, MainArtist, AssociatedPerformer, ComposerLyricist - James Hall, AssociatedPerformer, Bass (Vocal) - JOSEPH DONOVAN, Percussion, Recording Engineer, AssociatedPerformer, StudioPersonnel - Dave Nugent, Guitar, Background Vocalist, AssociatedPerformer - Josh Trager, Drums, Percussion, AssociatedPerformer - Adrian Popovich, Recording Engineer, StudioPersonnel

℗ 2008 Secret Brain, Inc., Under exclusive license to Universal Music Canada Inc.

12
Waking The Dead (Album Version)
00:06:27

Mike Fraser, Mixer, StudioPersonnel - Eric Mosher, Assistant Mixer, StudioPersonnel - Eric Fares, Keyboards, AssociatedPerformer - Sam Roberts, Guitar, Keyboards, Percussion, Vocals, Harmonica, MainArtist, AssociatedPerformer, ComposerLyricist - James Hall, AssociatedPerformer, Bass (Vocal) - JOSEPH DONOVAN, Percussion, Recording Engineer, AssociatedPerformer, StudioPersonnel - Dave Nugent, Guitar, Background Vocalist, AssociatedPerformer - Josh Trager, Drums, Percussion, AssociatedPerformer - Adrian Popovich, Recording Engineer, StudioPersonnel

℗ 2008 Secret Brain, Inc., Under exclusive license to Universal Music Canada Inc.

13
Detroit '67 (Album Version)
00:04:04

Mike Fraser, Mixer, StudioPersonnel - Eric Mosher, Assistant Mixer, StudioPersonnel - Eric Fares, Keyboards, AssociatedPerformer - Sam Roberts, Guitar, Keyboards, Percussion, Vocals, Harmonica, MainArtist, AssociatedPerformer, ComposerLyricist - James Hall, AssociatedPerformer, Bass (Vocal) - JOSEPH DONOVAN, Percussion, Recording Engineer, AssociatedPerformer, StudioPersonnel - Dave Nugent, Guitar, Background Vocalist, AssociatedPerformer - Josh Trager, Drums, Percussion, AssociatedPerformer - Adrian Popovich, Recording Engineer, StudioPersonnel

℗ 2008 Secret Brain, Inc., Under exclusive license to Universal Music Canada Inc.

Albumbeschreibung

Superficially, Sam Roberts is part of that continuum of heartland Canadian rockers best exemplified in the United States by Bryan Adams and Bachman-Turner Overdrive: plainspoken, uncomplicated hard rock leavened with enough pop hooks to appeal to both the dudes and their chicks. There's certainly an element of that kind of meat and potatoes rock & roll on Roberts' third album: first single "Them Kids" is a grumpy state-of-the-rawk overview that posits the idea that old-fashioned rock & roll values are under attack by the dominance of flavor of the month hip-hop and prefab American Idol (or at least Canadian Idol) types. Roberts is only 33, which is awfully young for this kind of "you kids get offa my lawn!" rant, which is probably why that particular song is kinda awful. That misstep aside, however, Roberts reveals himself to be a thoughtful lyricist with an eye for novelistic detail, and his songs -- while rooted in the play list of the average classic rock radio play list, heavy on the Springsteen and '70s vintage Rolling Stones -- are far more varied and interesting than one might expect. For example, "Lions of the Kalahari" mixes a psychedelic guitar wash and hazy, diffuse vocals with a prominent, rubbery bassline, for an effect that's more R.E.M. than the Who, and the defiant "Up Sister" and the churning "End of the Empire" in different ways channel various periods of U2's career. Other highlights include the immediately catchy album closer "Detroit '67," setting an impressionistic stream of consciousness lyric to a rollicking piano-fueled tune, and the elegiac "Waking the Dead," built on shimmering Eno-style washes of heavily processed guitars. An appealingly eclectic and mostly very good album, Love at the End of the World proves that mainstream-oriented rock doesn't need to be boring and formulaic.

© Stewart Mason /TiVo

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