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The Third Eye Foundation|I Poo Poo On Your JuJu

I Poo Poo On Your JuJu

The Third Eye Foundation

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Language available : english

I Poo Poo on Your Juju -- surely a more meaningful or attractive title could have been generated? -- assembled hard-to-find Third Eye Foundation remixes, along with one new track. To its credit, it doesn't sound like an odds-and-ends collection of reworkings, but strong enough to hold up on its own merits. The Third Eye Foundation, the project of Matt Elliott, has sometimes been portrayed as a drum'n'bass act. But actually this would be more aptly characterized as intelligent and eclectic electronica, only sometimes using drum'n'bass elements. It's a diverse grouping, including a treatment of a work by French composer Yann Tiersen and a remix of a cover of Jonathan Richman's "When I Dance." It's best when it crafts hauntingly attractive yet somewhat disquieting moods with its blend of misty and wobbly textures, as on the Tiersen piece. The ones employing more common electronic percussive elements are less distinctive, and the range is wide enough that it may be hard to find many listeners who like everything here. Throughout, Elliott is adept at painting upon or adding a wealth of sounds -- jungle noises, electronic tones, classical piano, spooky special effects, a female voice, wavering bell rings -- into his craft.
© Richie Unterberger /TiVo

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I Poo Poo On Your JuJu

The Third Eye Foundation

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1
La Dispute (Third Eye Foundation Remix)
Yann Tiersen
00:06:31

Yann Tiersen, Composer, Lyricist, MainArtist - Matt Elliott, Lyricist - Third Eye Foundation, Remixer - -, MusicPublisher

2001 Domino Recording Co Ltd 2001 Domino Recording Co Ltd

2
To Describe You (Third Eye Foundation Mix)
Tarwater
00:04:48

Tarwater, MainArtist - Third Eye Foundation, Remixer - -, MusicPublisher - Ronald Lippok, Composer, Lyricist - Bernd Jestram, Composer, Lyricist

2001 Domino Recording Co Ltd 2001 Domino Recording Co Ltd

3
Snuffed Candles (Third Eye Foundation Version)
Urchin
00:07:59

Third Eye Foundation, Remixer - Urchin, MainArtist

2001 Domino Recording Co Ltd 2001 Domino Recording Co Ltd

4
All Of The Wckwc Want To Be Abstract (3EF Version)
The Remote Viewer
00:05:44

Craig Tattersall, Composer, Lyricist - -, MusicPublisher - Andrew Johnson, Composer, Lyricist - The Remote Viewer, MainArtist - 3EF, Remixer

2001 Domino Recording Co Ltd 2001 Domino Recording Co Ltd

5
Push Off My Wire
Chris Morris
00:05:44

Chris Morris, MainArtist - Matt Elliott, Composer, Lyricist - -, MusicPublisher

2001 Domino Recording Co Ltd 2001 Domino Recording Co Ltd

6
Four Damaged Lemons
Blonde Redhead
00:05:10

-, MusicPublisher - Blonde Redhead, Composer, Lyricist, MainArtist

2001 Domino Recording Co Ltd 2001 Domino Recording Co Ltd

7
Mute (Third Eye Foundation Remix)
Faultline
00:06:27

David Kosten, Composer, Lyricist - Third Eye Foundation, Remixer - Faultline, MainArtist - -, MusicPublisher - Keith Bayley, Composer, Lyricist

2001 Domino Recording Co Ltd 2001 Domino Recording Co Ltd

8
When I Dance
The Third Eye Foundation
00:07:55

Jonathan Richman, Composer, Lyricist - Third Eye Foundation, MainArtist - -, MusicPublisher

2001 Domino Recording Co Ltd 2001 Domino Recording Co Ltd

Albumbeschreibung

I Poo Poo on Your Juju -- surely a more meaningful or attractive title could have been generated? -- assembled hard-to-find Third Eye Foundation remixes, along with one new track. To its credit, it doesn't sound like an odds-and-ends collection of reworkings, but strong enough to hold up on its own merits. The Third Eye Foundation, the project of Matt Elliott, has sometimes been portrayed as a drum'n'bass act. But actually this would be more aptly characterized as intelligent and eclectic electronica, only sometimes using drum'n'bass elements. It's a diverse grouping, including a treatment of a work by French composer Yann Tiersen and a remix of a cover of Jonathan Richman's "When I Dance." It's best when it crafts hauntingly attractive yet somewhat disquieting moods with its blend of misty and wobbly textures, as on the Tiersen piece. The ones employing more common electronic percussive elements are less distinctive, and the range is wide enough that it may be hard to find many listeners who like everything here. Throughout, Elliott is adept at painting upon or adding a wealth of sounds -- jungle noises, electronic tones, classical piano, spooky special effects, a female voice, wavering bell rings -- into his craft.
© Richie Unterberger /TiVo

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