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Guru|Guru's Jazzmatazz, Vol. 4: The Hip Hop Jazz Messenger: Back to the Future

Guru's Jazzmatazz, Vol. 4: The Hip Hop Jazz Messenger: Back to the Future

Guru

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Although Guru's been putting out new editions in his Jazzmatazz series for almost 15 years now, none of the releases has gotten quite the same amount of acclaim as 1993's Vol. 1, which was one of the first examples, and certainly the best, of how actual live jazz could be used and mixed with hip-hop. He collected a wide selection of players and vocalists and ended up with what has been one of the most respected rap albums ever, with a trans-genre appeal that's been hard to match. Vol. 4 continues in this direction, though more often than not the jazzy horn breaks and piano grooves are replaced with more contemporary sounding beats. This isn't to say that the production's not good here (it's done entirely by a very skillful Solar), but it ventures into more straightforward hip-hop territory than most of the other volumes did. "Kissed the World," a witty anti-Bush track, uses a poppy piano line and synth strings, while "Stand Up (Somethings'll Never Change)" features Damien Marley and mixes Afro drum rhythms with Marley's reggae call. "Follow the Signs" is more guitar-based than any other song, and "Connection" has a smooth R&B feel. Guru, of course, holds his own on the mic, and though his lyrics do tend to veer towards the typical braggadocio, he has enough history behind him, as well as some pretty good lines ("I serve a rapper like an ace from Agassi,") he spits on "Infinite," which features Blackalicious' Gift of Gab and is one of the best tracks on the entire album as he employs insightful social commentary to back these statements up. Jazzmatazz is the MC's baby, and at this point is funded by him and his company, 7 Grand Records, but he doesn't let this take him overboard. He's clearly dedicated to it, yes, but he's experienced and talented enough to keep it from being a project of indulgence, using outside help (besides Gab and Marley, Common and David Sanborn, among others, also show up here) to keep the ideas and sounds interesting to all those -- listeners included -- involved, and making, ultimately, for a successful accomplishment.

© Marisa Brown /TiVo

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Guru's Jazzmatazz, Vol. 4: The Hip Hop Jazz Messenger: Back to the Future

Guru

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1
Cuz I'm Jazzy
00:03:00

Guru, Composer, Lyricist, MainArtist - Solar, Composer, Lyricist, Producer - Slum Village, FeaturedArtist

2007 7 Grand 2007 7 Grand

2
State of Clarity
00:03:32

BOB JAMES, FeaturedArtist - Guru, Composer, Lyricist, MainArtist - Solar, Composer, Lyricist, Producer - Common, FeaturedArtist

2007 7 Grand 2007 7 Solutions Media

3
Stand Up
00:03:36

Guru, Composer, Lyricist, MainArtist - Damian Marley, FeaturedArtist - Solar, Composer, Lyricist, Producer

2007 7 Grand 2007 7 Solutions Media

4
Look to the Sun
00:03:27

Guru, Composer, Lyricist, MainArtist - Solar, Composer, Lyricist, Producer

2007 7 Grand 2007 7 Solutions Media

5
Connection
00:03:24

Guru, Composer, Lyricist, MainArtist - Solar, Composer, Lyricist, Producer - Kem, FeaturedArtist

2007 7 Grand 2007 7 Solutions Media

6
Fine and Free
00:03:25

Guru, Composer, Lyricist, MainArtist - Vivian Green, FeaturedArtist - Solar, Composer, Lyricist, Producer

2007 7 Grand 2007 7 Solutions Media

7
Wait On Me
00:03:05

Guru, Composer, Lyricist, MainArtist - Solar, Composer, Lyricist, Producer - Raheem Davaughn, FeaturedArtist

2007 7 Grand 2007 7 Solutions Media

8
International
00:04:09

Guru, Composer, Lyricist, MainArtist - Solar, Composer, Lyricist, Producer - Bobby Valentino, FeaturedArtist

2007 7 Grand 2007 7 Solutions Media

9
This Is Art
00:02:21

Guru, Composer, Lyricist, MainArtist - Solar, Composer, Lyricist, Producer - RONNIE LAWS, FeaturedArtist

2007 7 Grand 2007 7 Solutions Media

10
Fly Magnetic
00:03:01

Dionne Farris, FeaturedArtist - Guru, Composer, Lyricist, MainArtist - Solar, Composer, Lyricist, Producer

2007 7 Grand 2007 7 Solutions Media

11
The Jazz Style
00:03:41

Guru, Composer, Lyricist, MainArtist - Omar, FeaturedArtist - Solar, Composer, Lyricist, Producer

2007 7 Grand 2007 7 Solutions Media

12
Follow the Signs
00:04:35

Guru, Composer, Lyricist, MainArtist - Shelley Harland, FeaturedArtist - Solar, Composer, Lyricist, Producer

2007 7 Grand 2007 7 Solutions Media

13
Universal Struggle
00:03:32

Guru, Composer, Lyricist, MainArtist - Solar, Composer, Lyricist, Producer

2007 7 Grand 2007 7 Solutions Media

14
Infinite
00:03:11

Blackalicious, FeaturedArtist - Guru, Composer, Lyricist, MainArtist - Solar, Composer, Lyricist, Producer

2007 7 Grand 2007 7 Solutions Media

15
Kissed the World
00:03:41

Guru, Composer, Lyricist, MainArtist - Solar, Composer, Lyricist, Producer - Caron Wheeler, FeaturedArtist

2007 7 Grand 2007 7 Solutions Media

16
Living Legend
00:04:30

David Sanborn, FeaturedArtist - Guru, Composer, Lyricist, MainArtist - Solar, Composer, Lyricist, Producer

2007 7 Grand 2007 7 Solutions Media

Albumbeschreibung

Although Guru's been putting out new editions in his Jazzmatazz series for almost 15 years now, none of the releases has gotten quite the same amount of acclaim as 1993's Vol. 1, which was one of the first examples, and certainly the best, of how actual live jazz could be used and mixed with hip-hop. He collected a wide selection of players and vocalists and ended up with what has been one of the most respected rap albums ever, with a trans-genre appeal that's been hard to match. Vol. 4 continues in this direction, though more often than not the jazzy horn breaks and piano grooves are replaced with more contemporary sounding beats. This isn't to say that the production's not good here (it's done entirely by a very skillful Solar), but it ventures into more straightforward hip-hop territory than most of the other volumes did. "Kissed the World," a witty anti-Bush track, uses a poppy piano line and synth strings, while "Stand Up (Somethings'll Never Change)" features Damien Marley and mixes Afro drum rhythms with Marley's reggae call. "Follow the Signs" is more guitar-based than any other song, and "Connection" has a smooth R&B feel. Guru, of course, holds his own on the mic, and though his lyrics do tend to veer towards the typical braggadocio, he has enough history behind him, as well as some pretty good lines ("I serve a rapper like an ace from Agassi,") he spits on "Infinite," which features Blackalicious' Gift of Gab and is one of the best tracks on the entire album as he employs insightful social commentary to back these statements up. Jazzmatazz is the MC's baby, and at this point is funded by him and his company, 7 Grand Records, but he doesn't let this take him overboard. He's clearly dedicated to it, yes, but he's experienced and talented enough to keep it from being a project of indulgence, using outside help (besides Gab and Marley, Common and David Sanborn, among others, also show up here) to keep the ideas and sounds interesting to all those -- listeners included -- involved, and making, ultimately, for a successful accomplishment.

© Marisa Brown /TiVo

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