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John Zorn|Filmworks VI - 1996

Filmworks VI - 1996

John Zorn

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This volume of the Film Works series contains the scores for three films: Anton, Mailman, which was a short film directed by Dina Waxman that was never completed due to loss of funding in its final stages; Mechanics of the Brain directed by Henry Hills, who had worked with Zorn in the past on his sharply edited, meticulous, and sometimes gruesome films; and The Black Glove, a lesbian noir S&M film that was given a moody, subtle feel by its director and star, Maria Beatty. The three scores differed as much as the films for which they were intended. The tracks for Anton, Mailman are upbeat, swingy tunes that sound like they belong behind singing cowboys. The sections for the Henry Hills film are short, sharp, occasionally atmospheric, and definitely darker. And, perhaps most interestingly, instead of revisiting tired, old dungeon themes, the score for The Black Glove stepped even further into the realm of atmosphere by staying within only three sound reproductions: fire, water, and wind. The result is a soundtrack that evokes fear, discomfort, rest, and creepiness without rehashing the clichés of yore. Overall, these compositions are a fine addition to the Film Works series.

© Stacia Proefrock /TiVo

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Filmworks VI - 1996

John Zorn

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1
Opening Credits / Hawaiian Postcard
00:02:56

John Zorn, Composer, MainArtist

1996 Tzadik 1996 Tzadik

2
Work-a-day World (Anton's Theme)
00:03:29

John Zorn, Composer, MainArtist

1996 Tzadik 1996 Tzadik

3
Seductress
00:04:17

John Zorn, Composer, MainArtist

1996 Tzadik 1996 Tzadik

4
End Titles
00:03:09

John Zorn, Composer, MainArtist

1996 Tzadik 1996 Tzadik

5
Fireworks
00:01:50

John Zorn, Composer, MainArtist

1996 Tzadik 1996 Tzadik

6
Surgery Montage
00:01:44

John Zorn, Composer, MainArtist

1996 Tzadik 1996 Tzadik

7
Brain Scan
00:01:03

John Zorn, Composer, MainArtist

1996 Tzadik 1996 Tzadik

8
Witches' Cauldron
00:03:45

John Zorn, Composer, MainArtist

1996 Tzadik 1996 Tzadik

9
Houdini
00:03:09

John Zorn, Composer, MainArtist

1996 Tzadik 1996 Tzadik

10
Subliminal Perceptions
00:01:42

John Zorn, Composer, MainArtist

1996 Tzadik 1996 Tzadik

11
Measuring
00:01:32

John Zorn, Composer, MainArtist

1996 Tzadik 1996 Tzadik

12
Macbeth
00:03:02

John Zorn, Composer, MainArtist

1996 Tzadik 1996 Tzadik

13
Pendulum
00:02:03

John Zorn, Composer, MainArtist

1996 Tzadik 1996 Tzadik

14
Mechanics Of The Brain
00:02:00

John Zorn, Composer, MainArtist

1996 Tzadik 1996 Tzadik

15
Part One (Hot)
00:19:45

John Zorn, Composer, MainArtist

1996 Tzadik 1996 Tzadik

16
Part Two (Cold)
00:07:42

John Zorn, Composer, MainArtist

1996 Tzadik 1996 Tzadik

Albumbeschreibung

This volume of the Film Works series contains the scores for three films: Anton, Mailman, which was a short film directed by Dina Waxman that was never completed due to loss of funding in its final stages; Mechanics of the Brain directed by Henry Hills, who had worked with Zorn in the past on his sharply edited, meticulous, and sometimes gruesome films; and The Black Glove, a lesbian noir S&M film that was given a moody, subtle feel by its director and star, Maria Beatty. The three scores differed as much as the films for which they were intended. The tracks for Anton, Mailman are upbeat, swingy tunes that sound like they belong behind singing cowboys. The sections for the Henry Hills film are short, sharp, occasionally atmospheric, and definitely darker. And, perhaps most interestingly, instead of revisiting tired, old dungeon themes, the score for The Black Glove stepped even further into the realm of atmosphere by staying within only three sound reproductions: fire, water, and wind. The result is a soundtrack that evokes fear, discomfort, rest, and creepiness without rehashing the clichés of yore. Overall, these compositions are a fine addition to the Film Works series.

© Stacia Proefrock /TiVo

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