Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
After returning to the U.S. from London, where he fronted the blues band Mainline, Rick James cut one album with White Cane before he turned to his own solo venture. By 1977, he'd begun working with the Stone City Band, emerging at the end of the year with an album's worth of delicious funk-rock fusion. Released in spring 1978, Come Get It! was a triumphant debut, truly the sum of all that had gone before, at the same time as unleashing the rudiments of what would become not only his trademark sound, but also his mantra, his manifesto -- his self proclaimed punk-funk. Packed with intricate songs that are full of effusive energy, Come Get It! is marvelously hybridized funk, so tightly structured that, although they have the outward feel of funk's freewheeling jam, they never once cross the line into an uncontrolled frenzy. This is best demonstrated across the monumental, eight-plus-minute "You and I." With enough funk bubbling under the surface to supplant the outward disco sonics of the groove, but brought back to earth via James' vocal interpolations, "You and I" became James' first R&B chart hit, effortlessly slamming into the top spot. "Mary Jane," meanwhile, was James' homage to marijuana -- honoring the love affair through slang, it dipped into the Top Five in fall 1978. More importantly, though, it also offered up a remarkable preview of his subsequent vocal development. With nods to Earth, Wind & Fire on "Sexy Lady," Motown sonics on "Dream Maker," the passionate "Hollywood," and the classic club leanings of "Be My Lady," it's obvious that James was still very much in the throes of transition, still anticipating his future onslaught of hits and superstardom. Many of the songs here have a tendency toward the disco ethics that were inescapable in 1978, and have been faulted as such; nevertheless, what James achieved on this LP was remarkably fresh, and would prove vitally important to funk as it grew older during the next decade.
© Amy Hanson /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From 13,50€/month
Rick James, Producer, Mixer, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Art Stewart, Producer, Mixer, StudioPersonnel
℗ 1978 Motown Records, a Division of UMG Recordings, Inc.
Rick James, Producer, Mixer, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Art Stewart, Producer, Mixer, StudioPersonnel
℗ 1978 Motown Records, a Division of UMG Recordings, Inc.
Rick James, Producer, Mixer, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Art Stewart, Producer, Mixer, StudioPersonnel
℗ 1978 Motown Records, a Division of UMG Recordings, Inc.
Rick James, Producer, Mixer, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Art Stewart, Producer, Mixer, StudioPersonnel
℗ 1978 Motown Records, a Division of UMG Recordings, Inc.
Rick James, Producer, Mixer, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Art Stewart, Producer, Mixer, StudioPersonnel
℗ 1978 Motown Records, a Division of UMG Recordings, Inc.
Rick James, Producer, Mixer, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Art Stewart, Producer, Mixer, StudioPersonnel
℗ 1978 UMG Recordings, Inc.
Rick James, Producer, Mixer, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Art Stewart, Producer, Mixer, StudioPersonnel
℗ 1978 Motown Records, a Division of UMG Recordings, Inc.
Rick James, Producer, Mixer, Recording Arranger, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Art Stewart, Producer, Mixer, StudioPersonnel
℗ 1978 Motown Records, a Division of UMG Recordings, Inc.
Rick James, Producer, MainArtist, ComposerLyricist - John Morales, Mixer, StudioPersonnel - Art Stewart, Producer
℗ 2014 Motown Records, a Division of UMG Recordings, Inc.
Albumbeschreibung
After returning to the U.S. from London, where he fronted the blues band Mainline, Rick James cut one album with White Cane before he turned to his own solo venture. By 1977, he'd begun working with the Stone City Band, emerging at the end of the year with an album's worth of delicious funk-rock fusion. Released in spring 1978, Come Get It! was a triumphant debut, truly the sum of all that had gone before, at the same time as unleashing the rudiments of what would become not only his trademark sound, but also his mantra, his manifesto -- his self proclaimed punk-funk. Packed with intricate songs that are full of effusive energy, Come Get It! is marvelously hybridized funk, so tightly structured that, although they have the outward feel of funk's freewheeling jam, they never once cross the line into an uncontrolled frenzy. This is best demonstrated across the monumental, eight-plus-minute "You and I." With enough funk bubbling under the surface to supplant the outward disco sonics of the groove, but brought back to earth via James' vocal interpolations, "You and I" became James' first R&B chart hit, effortlessly slamming into the top spot. "Mary Jane," meanwhile, was James' homage to marijuana -- honoring the love affair through slang, it dipped into the Top Five in fall 1978. More importantly, though, it also offered up a remarkable preview of his subsequent vocal development. With nods to Earth, Wind & Fire on "Sexy Lady," Motown sonics on "Dream Maker," the passionate "Hollywood," and the classic club leanings of "Be My Lady," it's obvious that James was still very much in the throes of transition, still anticipating his future onslaught of hits and superstardom. Many of the songs here have a tendency toward the disco ethics that were inescapable in 1978, and have been faulted as such; nevertheless, what James achieved on this LP was remarkably fresh, and would prove vitally important to funk as it grew older during the next decade.
© Amy Hanson /TiVo
About the album
- 1 disc(s) - 9 track(s)
- Total length: 00:49:02
- Main artists: Rick James
- Composer: Rick James
- Label: Motown
- Genre: Soul/Funk/R&B Funk
© 1978 Motown Records, a Division of UMG Recordings, Inc. ℗ 2016 Motown Records, a Division of UMG Recordings, Inc.
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.