Art Hodes
Throughout his long career, Art Hodes was a fighter for traditional jazz, whether through his distinctive piano playing, his writings (which included many articles and liner notes), or his work on radio and educational television. Renowned for the feeling he put into blues, Hodes was particularly effective on up-tempo tunes, where his on-the-beat chordings from his left hand could be quite exciting. Born in Russia, he came to America with his family when he was six months old and grew up in Chicago. Hodes had the opportunity to witness Chicago jazz during its prime years in the 1920s, and he learned from other pianists. In 1928, he made his recording debut with Wingy Manone, but spent most of the 1930s in obscurity in Chicago until he moved to New York in 1938. He played with Joe Marsala and Mezz Mezzrow before forming his own band in 1941. Hodes recorded for Solo Art, his Jazz Record label, Signature, Decca, and Black & White during 1939-1942, but he made more of an impression with his heated Dixieland recordings for Blue Note during 1944-1945 (all of which have been reissued on a Mosaic box set). During 1943-1947, Hodes edited the important magazine the Jazz Record, had a radio show, and became involved in the moldy fig versus bebop wars with Leonard Feather and Barry Ulanov; jazz on a whole lost to the latter. In 1950, he returned to Chicago, where he remained active locally and made occasional records. Hodes hosted a television series, Jazz Alley, for a time in the 1960s, wrote for Downbeat, and was a jazz educator. Art Hodes recorded frequently during the 1970s and '80s, and was widely recognized as one of the last survivors of Chicago jazz. His later recordings were for such labels as Audiophile, Jazzology, Delmark, Storyville, Euphonic, Muse, Parkwood, Candid, and Music & Arts.
© Scott Yanow /TiVo
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Art Hodes Quintet and Don Ewell Quartet
Jazz - Erschienen bei Audiophile am 05.03.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Keepin' Out Of Mischief Now
Jazz - Erschienen bei Candid am 01.01.1995
16-Bit CD Quality 44.1 kHz - Stereo -
The Best Of Sidney Bechet
Sidney Bechet, Art Hodes, Albert Nicholas
Jazz - Erschienen bei Blue Note Records am 01.01.1994
16-Bit CD Quality 44.1 kHz - Stereo -
Bucket's Got a Hole in It
Jazz - Erschienen bei Delmark Records am 01.01.1968
16-Bit CD Quality 44.1 kHz - Stereo -
The Authenetic Art Hodes Rhythm Section
Jazz - Erschienen bei Jazzology am 16.12.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Mostly Blues, Piano Solos, Vol. 2
Jazz - Erschienen bei Solo Art am 14.11.2015
16-Bit CD Quality 44.1 kHz - Stereo -
Selections from the Gutter
Jazz - Erschienen bei Storyville Records am 27.10.2017
24-Bit 96.0 kHz - Stereo -
Up in Volly's Room
Jazz - Erschienen bei Delmark Records am 01.01.1992
16-Bit CD Quality 44.1 kHz - Stereo -
Tribute To The Greats
Jazz - Erschienen bei Delmark am 01.01.2001
16-Bit CD Quality 44.1 kHz - Stereo -
Blues Session at Bluenote
Jazz - Erschienen bei Past Classics Jazz am 09.02.2009
16-Bit CD Quality 44.1 kHz - Stereo -
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George "Pops" Foster with Art Hodes
Jazz - Erschienen bei American Music am 23.10.2014
16-Bit CD Quality 44.1 kHz - Stereo -
Friar's Inn Revisited
Jazz - Erschienen bei Delmark Records am 01.01.2007
16-Bit CD Quality 44.1 kHz - Stereo -
Hodes, Art: Final Sessions (The) (Art Hodes)
Jazz - Erschienen bei Music and Arts Programs of America am 01.01.1990
16-Bit CD Quality 44.1 kHz - Stereo -
Galloway, Jim / Hodes, Art: Live! From Toronto's Cafe Des Copains
Jazz - Erschienen bei Music and Arts Programs of America am 01.01.1988
16-Bit CD Quality 44.1 kHz - Stereo -
Art for Art's Sake
Jazz - Erschienen bei Jazzology am 17.01.2015
16-Bit CD Quality 44.1 kHz - Stereo -
Art Hodes Jazz Trio
Art Hodes, Reimer von Essen, Trevor Richards
Jazz - Erschienen bei Jazzology am 24.06.2017
16-Bit CD Quality 44.1 kHz - Stereo -
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