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Heinrich Neuhaus|The Russian Piano Tradition: Heinrich Neuhaus (Recorded 1938-1951)

The Russian Piano Tradition: Heinrich Neuhaus (Recorded 1938-1951)

Heinrich Neuhaus, Aleksander Vasil'yevich Gauk, Moscow Radio Symphony Orchestra

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Despite being an active recitalist up until 1949, pianist Heinrich Neuhaus' legacy lives on most notably in his pedagogical contributions rather than his recorded works. A venerable and much sought-after instructor at the Moscow Conservatoire, his students included the likes of Sviatoslav Richter and Radu Lupu, to name but a few. But unlike his students, Neuhaus was not a technically proficient performer; he suffered from stage fright, which impacted his performances, including the ones heard here. In fact, it is downright surprising that an artist as technically solid as Richter had his beginnings with Neuhaus. More interested in the musical and emotional impact of the music than what the composer had actually written in the score, Neuhaus frequently glosses over passagework and bangs through rapid chordal passages, practices that would never be acceptable in the modern era. This recording in particular exemplifies Neuhaus' musical acumen at his instrument while also demonstrating his blasé attitude toward accuracy. The result is a CD of moderate historical interest but not fulfilling in a broader musical sense. The restored sound of the recordings made between 1938 and 1951 is also undesirable and does little to demonstrate what many composers had enjoyed about Neuhaus' sound.
© TiVo

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The Russian Piano Tradition: Heinrich Neuhaus (Recorded 1938-1951)

Heinrich Neuhaus

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Piano Sonata No. 17 in D minor, Op. 31 No. 2 "Tempest" (Ludwig van Beethoven)

1
I. Largo - Allegro
00:05:53

Ludwig van Beethoven, Composer - Heinrich Neuhaus, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

2
II. Adagio
00:06:33

Ludwig van Beethoven, Composer - Heinrich Neuhaus, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

3
III. Allegretto
00:05:57

Ludwig van Beethoven, Composer - Heinrich Neuhaus, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

24 Préludes, op. 11 (Alexander Scriabin)

4
No. 2 in A Minor
00:02:05

ALEXANDER SCRIABIN, Composer - Heinrich Neuhaus, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

5
No. 5 in D Major
00:01:44

ALEXANDER SCRIABIN, Composer - Heinrich Neuhaus, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

6
No. 8 in F-Sharp Minor
00:01:29

ALEXANDER SCRIABIN, Composer - Heinrich Neuhaus, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

7
No. 11 in B Major
00:01:23

ALEXANDER SCRIABIN, Composer - Heinrich Neuhaus, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

8
No. 12 in G-Sharp Minor
00:01:32

ALEXANDER SCRIABIN, Composer - Heinrich Neuhaus, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

Mazurka in A minor, Op. 7 No. 2 (Frédéric Chopin)

9
Mazurka in A Minor, Op. 7 No. 2
00:02:40

Frederic Chopin, Composer - Heinrich Neuhaus, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

Mazurka in C-Sharp Minor, Op. 41 No. 4 (Frédéric Chopin)

10
Mazurka in C-Sharp Minor, Op. 41 No. 4
00:03:00

Frederic Chopin, Composer - Heinrich Neuhaus, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

Piano Concerto No. 1 in E minor, Op. 11 (Frédéric Chopin)

11
I. Allegro maestoso
00:18:27

Frederic Chopin, Composer - Moscow Radio Symphony Orchestra, Orchestra - Heinrich Neuhaus, Artist, MainArtist - Aleksander Vasil'yevich Gauk, Conductor

(C) 2007 APR (P) 2007 APR

12
II. Romanza. Larghetto
00:08:51

Frederic Chopin, Composer - Moscow Radio Symphony Orchestra, Orchestra - Heinrich Neuhaus, Artist, MainArtist - Aleksander Vasil'yevich Gauk, Conductor

(C) 2007 APR (P) 2007 APR

13
III. Rondo. Vivace
00:09:48

Frederic Chopin, Composer - Moscow Radio Symphony Orchestra, Orchestra - Heinrich Neuhaus, Artist, MainArtist - Aleksander Vasil'yevich Gauk, Conductor

(C) 2007 APR (P) 2007 APR

Albumbeschreibung

Despite being an active recitalist up until 1949, pianist Heinrich Neuhaus' legacy lives on most notably in his pedagogical contributions rather than his recorded works. A venerable and much sought-after instructor at the Moscow Conservatoire, his students included the likes of Sviatoslav Richter and Radu Lupu, to name but a few. But unlike his students, Neuhaus was not a technically proficient performer; he suffered from stage fright, which impacted his performances, including the ones heard here. In fact, it is downright surprising that an artist as technically solid as Richter had his beginnings with Neuhaus. More interested in the musical and emotional impact of the music than what the composer had actually written in the score, Neuhaus frequently glosses over passagework and bangs through rapid chordal passages, practices that would never be acceptable in the modern era. This recording in particular exemplifies Neuhaus' musical acumen at his instrument while also demonstrating his blasé attitude toward accuracy. The result is a CD of moderate historical interest but not fulfilling in a broader musical sense. The restored sound of the recordings made between 1938 and 1951 is also undesirable and does little to demonstrate what many composers had enjoyed about Neuhaus' sound.
© TiVo

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