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Ben Kim|The First Vienna Concertos | Piano Concertos Nos. 11-12-13

The First Vienna Concertos | Piano Concertos Nos. 11-12-13

Ben Kim & Concertgebouw Chamber Orchestra

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Pianist Ben Kim was a student of Leon Fleisher and Martha Argerich, and his precise, elegant style brings to mind the former and especially what might have happened had he been affected by the historical performance movement. Kim plays a modern piano in his series of Mozart piano concertos, but he has stated the aim of making it sound like a fortepiano, with clear articulation and little dynamic variation or pedal. He also conducts the 35-member Concertgebouw Chamber Orchestra from the keyboard. It all works quite well in this release, devoted to Mozart's first three Vienna concertos, works that helped make Mozart's reputation, and that shows the composer exploring the capabilities of the then relatively new fortepiano. Kim is a naturally sympathetic Mozart player, alert to the small turns of melody that make his music so entrancing. If there is a weakness here, it is the slow movements, which hint at the depths to come in a way that Kim's straightforward lines do not quite catch. Listeners' mileage may vary here; everything in his readings is impressively consistent. Another plus is Challenge Classics' beautifully clear studio sound from Hilversum, picking up small details of Kim's articulation. An especially strong entry in Kim's series.

© James Manheim /TiVo

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The First Vienna Concertos | Piano Concertos Nos. 11-12-13

Ben Kim

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1
Piano Concerto No. 11 in F Major, K. 413: I. Allegro
00:09:17

Wolfgang Amadeus Mozart, Composer - Concertgebouw Chamber Orchestra, Orchestra, MainArtist - Ben Kim, MainArtist

(C) 2024 Challenge Classics (P) 2023 Challenge Records

2
Piano Concerto No. 11 in F Major, K. 413: II. Larghetto
00:06:47

Wolfgang Amadeus Mozart, Composer - Concertgebouw Chamber Orchestra, Orchestra, MainArtist - Ben Kim, MainArtist

(C) 2024 Challenge Classics (P) 2023 Challenge Records

3
Piano Concerto No. 11 in F Major, K. 413: III. Tempo di menuetto
00:05:16

Wolfgang Amadeus Mozart, Composer - Concertgebouw Chamber Orchestra, Orchestra, MainArtist - Ben Kim, MainArtist

(C) 2024 Challenge Classics (P) 2023 Challenge Records

4
Piano Concerto No. 12 in A Major, K. 414: I. Allegro
00:10:23

Wolfgang Amadeus Mozart, Composer - Concertgebouw Chamber Orchestra, Orchestra, MainArtist - Ben Kim, MainArtist

(C) 2024 Challenge Classics (P) 2023 Challenge Records

5
Piano Concerto No. 12 in A Major, K. 414: II. Andante
00:08:15

Wolfgang Amadeus Mozart, Composer - Concertgebouw Chamber Orchestra, Orchestra, MainArtist - Ben Kim, MainArtist

(C) 2024 Challenge Classics (P) 2023 Challenge Records

6
Piano Concerto No. 12 in A Major, K. 414: III. Allegretto
00:06:24

Wolfgang Amadeus Mozart, Composer - Concertgebouw Chamber Orchestra, Orchestra, MainArtist - Ben Kim, MainArtist

(C) 2024 Challenge Classics (P) 2023 Challenge Records

7
Piano Concerto No. 13 in C Major, K. 415: I. Allegro
00:10:31

Wolfgang Amadeus Mozart, Composer - Concertgebouw Chamber Orchestra, Orchestra, MainArtist - Ben Kim, MainArtist

(C) 2024 Challenge Classics (P) 2023 Challenge Records

8
Piano Concerto No. 13 in C Major, K. 415: II. Andante
00:07:53

Wolfgang Amadeus Mozart, Composer - Concertgebouw Chamber Orchestra, Orchestra, MainArtist - Ben Kim, MainArtist

(C) 2024 Challenge Classics (P) 2023 Challenge Records

9
Piano Concerto No. 13 in C Major, K. 415: III. Allegro
00:08:31

Wolfgang Amadeus Mozart, Composer - Concertgebouw Chamber Orchestra, Orchestra, MainArtist - Ben Kim, MainArtist

(C) 2024 Challenge Classics (P) 2023 Challenge Records

Albumbeschreibung

Pianist Ben Kim was a student of Leon Fleisher and Martha Argerich, and his precise, elegant style brings to mind the former and especially what might have happened had he been affected by the historical performance movement. Kim plays a modern piano in his series of Mozart piano concertos, but he has stated the aim of making it sound like a fortepiano, with clear articulation and little dynamic variation or pedal. He also conducts the 35-member Concertgebouw Chamber Orchestra from the keyboard. It all works quite well in this release, devoted to Mozart's first three Vienna concertos, works that helped make Mozart's reputation, and that shows the composer exploring the capabilities of the then relatively new fortepiano. Kim is a naturally sympathetic Mozart player, alert to the small turns of melody that make his music so entrancing. If there is a weakness here, it is the slow movements, which hint at the depths to come in a way that Kim's straightforward lines do not quite catch. Listeners' mileage may vary here; everything in his readings is impressively consistent. Another plus is Challenge Classics' beautifully clear studio sound from Hilversum, picking up small details of Kim's articulation. An especially strong entry in Kim's series.

© James Manheim /TiVo

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