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Myra Hess|Schumann: Carnaval, Op. 9 - Brahms: Piano Quintet in F Minor, Op. 34 (Historic Broadcast Recordings)

Schumann: Carnaval, Op. 9 - Brahms: Piano Quintet in F Minor, Op. 34 (Historic Broadcast Recordings)

Myra Hess, Griller String Quartet

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The historical legacy of Dame Myra Hess is at least as significant (and perhaps a shade more interesting) than that of her recording legacy. One of the most prominent British pianists of all time, she concertized extensively throughout Europe and North America. The most notable mark that she left on her country's musical scene is her organization of more than 1,600 lunchtime concerts held at the National Gallery during the Second World War. As nearly all concert venues were closed throughout the country during the war, Hess's untiring work to keep the arts alive during such a bleak period of history did not go unnoticed by her government. Her own performances were equally lauded as being some of the best interpretations of the standard romantic repertoire. Hess's interpretations of Schumann in particular were greatly admired, and her performance of Carnaval on this album clearly demonstrates why. Introspective, sonorous, and meticulously paced, Hess's execution of the work easily rivals most others. Regrettably, however, the sound quality on this particular album greatly detracts from Hess's abilities. A fair amount of hiss remains -- much more than would normally be expected from a 1950 studio recording. As for the Brahms Piano Quintet, this recording is more significant as a historical memento; it is the only surviving record of the wartime concerts in the National Gallery. It is not, however, an exceptionally commanding performance of the work and sound quality again plagues pianist and strings alike.
© TiVo

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Schumann: Carnaval, Op. 9 - Brahms: Piano Quintet in F Minor, Op. 34 (Historic Broadcast Recordings)

Myra Hess

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Carnaval, Op. 9 (Robert Schumann)

1
No. 1, Préambule
00:02:21

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

2
No. 2, Pierrot
00:01:17

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

3
No. 3, Arlequin
00:00:43

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

4
No. 4, Valse noble
00:01:20

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

5
No. 5, Eusebius
00:01:40

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

6
No. 6, Florestan
00:00:58

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

7
No. 7, Coquette
00:01:06

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

8
No. 8, Réplique
00:00:28

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

9
No. 9, Papillons
00:00:47

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

10
No. 10, ASCH - SCHA (Lettres dansantes)
00:00:37

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

11
No. 11, Chiarina
00:01:02

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

12
No. 12, Chopin
00:01:41

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

13
No. 13, Estrella
00:00:31

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

14
No. 14, Reconnaissance
00:01:39

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

15
No. 15, Pantalon et Colombine
00:01:06

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

16
No. 16, Valse allemande
00:00:48

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

17
No. 17, Paganini
00:01:22

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

18
No. 18, Aveu
00:01:01

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

19
No. 19, Promenade
00:01:50

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

20
No. 20, Pause
00:00:21

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

21
No. 21, Marche des Davidsbündler contre les Philistins
00:04:07

Robert Schumann, Composer - Myra Hess, Artist, MainArtist

(C) 2007 APR (P) 2007 APR

Piano Quintet in F minor, Op. 34 (Johannes Brahms)

22
I. Allegro non troppo
00:11:42

Johannes Brahms, Composer - Myra Hess, Artist, MainArtist - Griller String Quartet, Ensemble

(C) 2007 APR (P) 2007 APR

23
II. Andante un poco adagio
00:08:36

Johannes Brahms, Composer - Myra Hess, Artist, MainArtist - Griller String Quartet, Ensemble

(C) 2007 APR (P) 2007 APR

24
III. Scherzo. Allegro
00:07:37

Johannes Brahms, Composer - Myra Hess, Artist, MainArtist - Griller String Quartet, Ensemble

(C) 2007 APR (P) 2007 APR

25
IV. Finale. Poco sostenuto - Allegro non troppo
00:10:41

Johannes Brahms, Composer - Myra Hess, Artist, MainArtist - Griller String Quartet, Ensemble

(C) 2007 APR (P) 2007 APR

Albumbeschreibung

The historical legacy of Dame Myra Hess is at least as significant (and perhaps a shade more interesting) than that of her recording legacy. One of the most prominent British pianists of all time, she concertized extensively throughout Europe and North America. The most notable mark that she left on her country's musical scene is her organization of more than 1,600 lunchtime concerts held at the National Gallery during the Second World War. As nearly all concert venues were closed throughout the country during the war, Hess's untiring work to keep the arts alive during such a bleak period of history did not go unnoticed by her government. Her own performances were equally lauded as being some of the best interpretations of the standard romantic repertoire. Hess's interpretations of Schumann in particular were greatly admired, and her performance of Carnaval on this album clearly demonstrates why. Introspective, sonorous, and meticulously paced, Hess's execution of the work easily rivals most others. Regrettably, however, the sound quality on this particular album greatly detracts from Hess's abilities. A fair amount of hiss remains -- much more than would normally be expected from a 1950 studio recording. As for the Brahms Piano Quintet, this recording is more significant as a historical memento; it is the only surviving record of the wartime concerts in the National Gallery. It is not, however, an exceptionally commanding performance of the work and sound quality again plagues pianist and strings alike.
© TiVo

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