Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
As a youthful prodigy, Evgeny Kissin awed an international audience with his astounding performances of Chopin, Rachmaninov, and Shostakovich while still a teenager. His technique was huge. His tone was enormous. His interpretations were eccentric, inspired, and, more often than not, utterly compelling. As the teenager grew into young manhood, Kissin's technique and tone remained imposing, but his interpretations went from inspired eccentricity into willful eccentricity and, more often than not, complete superficiality.
As a mature pianist of 32, Kissin has produced a supremely superficial account of Schubert ultimate Sonata in B flat major. Kissin's technique and tone remain impressive, but his interpretation is, when not willfully eccentric, utterly conventional. His opening Molto moderato is soporifically placid when not absurdly tempestuous. His central Andante sostenuto is dismally dour when not ridiculously histrionic. His Scherzo is blessedly brief but truly trivial, and his closing Allegro, ma non troppo is blissfully unaware and deeply superficial.
It gets worse. Kissin follows the sonata with four of Liszt's transcriptions of Schubert's songs. In Liszt's transcriptions, Schubert's sublime songs are turned into works of virtuoso sentimentality and, for better or worse, Kissin's performances are equal to Liszt's transcriptions. It gets worse. Kissin follows Liszt's transcriptions of sublime songs with his own infernal Mephisto Waltz No. 1, surely one of the trashiest pieces of music in Liszt's trashy catalog and, once again, Kissin's performance is equal to Liszt's music in both its transcendent virtuosity and its supreme superficiality. RCA's recording is masterful: warm, detailed, and almost real.
© TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Sonata in B-Flat, D. 960 (Franz Schubert)
Evgeny Kissin, Main Artist, Piano, Piano - Franz Schubert, Composer - Jay David Saks, Producer - Mike Hatch, Recording Engineer - Tim Martyn, Engineer
(P) 2004 Sony Music Entertainment
Evgeny Kissin, Main Artist, Piano, Piano - Franz Schubert, Composer - Jay David Saks, Producer - Mike Hatch, Recording Engineer - Tim Martyn, Engineer
(P) 2004 Sony Music Entertainment
Evgeny Kissin, Main Artist, Piano, Piano - Franz Schubert, Composer - Jay David Saks, Producer - Mike Hatch, Recording Engineer - Tim Martyn, Engineer
(P) 2004 Sony Music Entertainment
Evgeny Kissin, Main Artist, Piano, Piano - Franz Schubert, Composer - Jay David Saks, Producer - Mike Hatch, Recording Engineer - Tim Martyn, Engineer
(P) 2004 Sony Music Entertainment
Evgeny Kissin, Main Artist, Piano, Piano - Jay David Saks, Producer - Franz Liszt, Composer - Mike Hatch, Recording Engineer - Tim Martyn, Engineer
(P) 2004 BMG Music
Evgeny Kissin, Main Artist, Piano, Piano - Jay David Saks, Producer - Franz Liszt, Composer - Mike Hatch, Recording Engineer - Tim Martyn, Engineer
(P) 2004 BMG Music
Evgeny Kissin, Main Artist, Piano, Piano - Jay David Saks, Producer - Franz Liszt, Composer - Mike Hatch, Recording Engineer - Tim Martyn, Engineer
(P) 2004 BMG Music
Evgeny Kissin, Main Artist, Piano, Piano - Franz Liszt, Composer - Jay David Saks, Producer - Mike Hatch, Recording Engineer - Tim Martyn, Engineer
(P) 2004 BMG Music
Evgeny Kissin, Main Artist, Piano, Piano - Jay David Saks, Producer - Franz Liszt, Composer - Mike Hatch, Recording Engineer - Tim Martyn, Engineer
(P) 2004 BMG Music
Albumbeschreibung
As a youthful prodigy, Evgeny Kissin awed an international audience with his astounding performances of Chopin, Rachmaninov, and Shostakovich while still a teenager. His technique was huge. His tone was enormous. His interpretations were eccentric, inspired, and, more often than not, utterly compelling. As the teenager grew into young manhood, Kissin's technique and tone remained imposing, but his interpretations went from inspired eccentricity into willful eccentricity and, more often than not, complete superficiality.
As a mature pianist of 32, Kissin has produced a supremely superficial account of Schubert ultimate Sonata in B flat major. Kissin's technique and tone remain impressive, but his interpretation is, when not willfully eccentric, utterly conventional. His opening Molto moderato is soporifically placid when not absurdly tempestuous. His central Andante sostenuto is dismally dour when not ridiculously histrionic. His Scherzo is blessedly brief but truly trivial, and his closing Allegro, ma non troppo is blissfully unaware and deeply superficial.
It gets worse. Kissin follows the sonata with four of Liszt's transcriptions of Schubert's songs. In Liszt's transcriptions, Schubert's sublime songs are turned into works of virtuoso sentimentality and, for better or worse, Kissin's performances are equal to Liszt's transcriptions. It gets worse. Kissin follows Liszt's transcriptions of sublime songs with his own infernal Mephisto Waltz No. 1, surely one of the trashiest pieces of music in Liszt's trashy catalog and, once again, Kissin's performance is equal to Liszt's music in both its transcendent virtuosity and its supreme superficiality. RCA's recording is masterful: warm, detailed, and almost real.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 9 Track(s)
- Gesamte Laufzeit: 01:12:13
- Künstler: Evgeny Kissin
- Komponist: Various Composers
- Label: RCA Red Seal
- Genre: Klassik
(P) 2004 BMG Music
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.