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Oslo Philharmonic Orchestra|Kaija Saariaho: Circle Map, Graal théâtre, Vers toi qui es si loin & Neiges

Kaija Saariaho: Circle Map, Graal théâtre, Vers toi qui es si loin & Neiges

Oslo Philharmonic Orchestra, Clément Mao-Takacs and Peter Herresthal

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This release was nominated for the 2020 Grammy Award for Best Compendium. It's not exactly a survey of the work of Saariaho, whose mature production extends back to the early 1980s, but it might easily serve listeners new to her work as an introduction. The orchestral pieces here display the main features of her rigorous yet accessible style, with its emphasis on orchestral color in frameworks of slowly evolving sound. Additionally, her characteristic use of electronic instruments to accent traditional orchestral writing is on wonderful display in the six-movement Circle Map, where the electronics present distorted versions of the Persian texts of the poet Rumi that give each movement its title. For an ideal place to start with Saariaho, consider Neiges ("Snows," bringing to mind the old and slightly inaccurate idea of the many words for kinds of snow among the Inuit), offered here in a version for 12 cellos that receives its world premiere. The work is challenging for the players and conductor, rising from extremely quiet touches of the string at the beginning and developing into a palette of sound that's remarkably varied considering the homogeneous ensemble. There's a violin concerto of a sort with precise solo work by Peter Herresthal and an orchestral adaptation of a passage from a Saariaho opera at the beginning. Throughout, the work of conductor Clément Mao - Takacs, leading the Oslo Philharmonic Orchestra, is ideal; he realizes that performances of Saariaho depends on being aware of new layers in the music as they appear, and his execution is spectacular. He is aided by the work of BIS' engineers, working in the Oslo Concert Hall. This is one of Europe's underrated sonic spaces, and here it is put in the service of a musical experience that is almost tactile.

© TiVo

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Kaija Saariaho: Circle Map, Graal théâtre, Vers toi qui es si loin & Neiges

Oslo Philharmonic Orchestra

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1
Vers toi qui es si loin
Peter Herresthal
00:06:50

Oslo Philharmonic Orchestra, Orchestra, MainArtist - Kaija Saariaho, Composer - Clément Mao-Takacs, Conductor, MainArtist - Peter Herresthal, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

Circle Map (Kaija Saariaho)

2
I. Morning Wind
Oslo Philharmonic Orchestra
00:04:36

Oslo Philharmonic Orchestra, Orchestra, MainArtist - Kaija Saariaho, Composer - Clément Mao-Takacs, Conductor, MainArtist

2019 BIS 2019 (P) BIS

3
II. Walls Closing
Oslo Philharmonic Orchestra
00:04:12

Oslo Philharmonic Orchestra, Orchestra, MainArtist - Kaija Saariaho, Composer - Clément Mao-Takacs, Conductor, MainArtist

2019 BIS 2019 (P) BIS

4
III. Circles
Oslo Philharmonic Orchestra
00:05:43

Oslo Philharmonic Orchestra, Orchestra, MainArtist - Kaija Saariaho, Composer - Clément Mao-Takacs, Conductor, MainArtist

2019 BIS 2019 (P) BIS

5
IV. Days Are Sieves
Oslo Philharmonic Orchestra
00:04:41

Oslo Philharmonic Orchestra, Orchestra, MainArtist - Kaija Saariaho, Composer - Clément Mao-Takacs, Conductor, MainArtist

2019 BIS 2019 (P) BIS

6
V. Dialogue
Oslo Philharmonic Orchestra
00:06:11

Oslo Philharmonic Orchestra, Orchestra, MainArtist - Kaija Saariaho, Composer - Clément Mao-Takacs, Conductor, MainArtist

2019 BIS 2019 (P) BIS

7
VI. Day and Night Music
Oslo Philharmonic Orchestra
00:04:59

Oslo Philharmonic Orchestra, Orchestra, MainArtist - Kaija Saariaho, Composer - Clément Mao-Takacs, Conductor, MainArtist

2019 BIS 2019 (P) BIS

Neiges (Version for 12 Cellos) (Kaija Saariaho)

8
I. Nuages de neige
Oslo Philharmonic Orchestra
00:05:35

Oslo Philharmonic Orchestra, Orchestra, MainArtist - Kaija Saariaho, Composer - Clément Mao-Takacs, Conductor, MainArtist

2019 BIS 2019 (P) BIS

9
II. Étoile de neige I
Oslo Philharmonic Orchestra
00:01:32

Oslo Philharmonic Orchestra, Orchestra, MainArtist - Kaija Saariaho, Composer - Clément Mao-Takacs, Conductor, MainArtist

2019 BIS 2019 (P) BIS

10
III. Étoile de neige II
Oslo Philharmonic Orchestra
00:02:43

Oslo Philharmonic Orchestra, Orchestra, MainArtist - Kaija Saariaho, Composer - Clément Mao-Takacs, Conductor, MainArtist

2019 BIS 2019 (P) BIS

11
IV. Aiguilles de glace
Oslo Philharmonic Orchestra
00:04:48

Oslo Philharmonic Orchestra, Orchestra, MainArtist - Kaija Saariaho, Composer - Clément Mao-Takacs, Conductor, MainArtist

2019 BIS 2019 (P) BIS

12
V. Fleurs de neige
Oslo Philharmonic Orchestra
00:03:58

Oslo Philharmonic Orchestra, Orchestra, MainArtist - Kaija Saariaho, Composer - Clément Mao-Takacs, Conductor, MainArtist

2019 BIS 2019 (P) BIS

Graal théâtre (Version for Violin & Orchestra) (Kaija Saariaho)

13
I. —
Peter Herresthal
00:18:56

Oslo Philharmonic Orchestra, Orchestra, MainArtist - Kaija Saariaho, Composer - Clément Mao-Takacs, Conductor, MainArtist - Peter Herresthal, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

14
II. —
Peter Herresthal
00:12:21

Oslo Philharmonic Orchestra, Orchestra, MainArtist - Kaija Saariaho, Composer - Clément Mao-Takacs, Conductor, MainArtist - Peter Herresthal, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

Albumbeschreibung

This release was nominated for the 2020 Grammy Award for Best Compendium. It's not exactly a survey of the work of Saariaho, whose mature production extends back to the early 1980s, but it might easily serve listeners new to her work as an introduction. The orchestral pieces here display the main features of her rigorous yet accessible style, with its emphasis on orchestral color in frameworks of slowly evolving sound. Additionally, her characteristic use of electronic instruments to accent traditional orchestral writing is on wonderful display in the six-movement Circle Map, where the electronics present distorted versions of the Persian texts of the poet Rumi that give each movement its title. For an ideal place to start with Saariaho, consider Neiges ("Snows," bringing to mind the old and slightly inaccurate idea of the many words for kinds of snow among the Inuit), offered here in a version for 12 cellos that receives its world premiere. The work is challenging for the players and conductor, rising from extremely quiet touches of the string at the beginning and developing into a palette of sound that's remarkably varied considering the homogeneous ensemble. There's a violin concerto of a sort with precise solo work by Peter Herresthal and an orchestral adaptation of a passage from a Saariaho opera at the beginning. Throughout, the work of conductor Clément Mao - Takacs, leading the Oslo Philharmonic Orchestra, is ideal; he realizes that performances of Saariaho depends on being aware of new layers in the music as they appear, and his execution is spectacular. He is aided by the work of BIS' engineers, working in the Oslo Concert Hall. This is one of Europe's underrated sonic spaces, and here it is put in the service of a musical experience that is almost tactile.

© TiVo

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