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Tabea Zimmermann|Complete Works for Viola Vol. 1 "Viola and Orchestra"

Complete Works for Viola Vol. 1 "Viola and Orchestra"

Deutsches Symphonie-Orchester Berlin, Hans Graf, Tabea Zimmermann

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Paul Hindemith was himself a violist and said he would play the violin "only in cases of pressing emergency." For part of his career he made a point of writing music for instruments underserved in the solo repertory, and he channeled his frustration with the state of the viola repertory into a whole series of works for his own instrument. German violist Tabea Zimmermann has embarked on a complete cycle of these, and the idea is a good one: they're all attractive works, and holding the instrument constant you get a detailed look at Hindemith's very personal stamp on the neo-classic style. The Kammermusik No. 5 and Konzertmusik heard here are both designated as being for viola and large chamber orchestra, but neither the orchestra nor its relation to the viola is typical: the viola part is woven into the music throughout, and it hovers above an orchestra that contains no violins or violas itself. The shifting textures and subtleties of register that result are at the heart of Hindemith's music, which can contain a good deal of humor. Zimmermann's correct but by-the-notes readings sometimes miss this, but there's an added attraction in the form of the rarely heard Der Schwanendreher (The Swan Turner), a viola-and-orchestra piece that incorporates German folk song into the web and seems to anticipate the composer's departure from Germany, which was still several years away (the work was written in 1935). It's an intriguing piece that, in its quiet way, testifies to the gathering Nazi storm. Also in a downbeat mode is the Trauermusik (Mourning Music), written in a hurry when Hindemith needed a work to commemorate the death of King George V during a visit to England in 1936. Zimmermann does well with these more explicit pieces, and the album as a whole, very nicely recorded in Super Audio sound by the Myrios label, can be recommended to Hindemith buffs.

© TiVo

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Complete Works for Viola Vol. 1 "Viola and Orchestra"

Tabea Zimmermann

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1
Concerto After Old Folk Songs for Viola & Small Orchestra "Der Schwanendreher": I. "Zwischen Berg und tiefem Tal"
Tabea Zimmermann
00:08:17

Hans Graf, Conductor, MainArtist - Paul Hindemith, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Tabea Zimmermann, Viola, MainArtist, AssociatedPerformer

℗ 2013 myrios classics

2
Concerto After Old Folk Songs for Viola & Small Orchestra "Der Schwanendreher": II. "Nun laube, Lindlein laube"
Berlin Deutsches Symphony Orchestra
00:09:33

Hans Graf, Conductor, MainArtist - Paul Hindemith, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Tabea Zimmermann, Viola, MainArtist, AssociatedPerformer

℗ 2013 myrios classics

3
Concerto After Old Folk Songs for Viola & Small Orchestra "Der Schwanendreher": III. Variationen "Seid Ihr nicht der Schwanendreher"
Hans Graf
00:08:57

Hans Graf, Conductor, MainArtist - Paul Hindemith, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Tabea Zimmermann, Viola, MainArtist, AssociatedPerformer

℗ 2013 myrios classics

4
Trauermusik for Viola and String Orchestra
Hans Graf
00:07:39

Hans Graf, Conductor, MainArtist - Paul Hindemith, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Tabea Zimmermann, Viola, MainArtist, AssociatedPerformer

℗ 2013 myrios classics

5
Kammermusik No. 5 for Solo Viola & Large Chamber Orchestra, Op. 36 No. 4: I. Schnelle Halbe
Hans Graf
00:04:08

Hans Graf, Conductor, MainArtist - Paul Hindemith, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Tabea Zimmermann, Viola, MainArtist, AssociatedPerformer

℗ 2013 myrios classics

6
Kammermusik No. 5 for Solo Viola & Large Chamber Orchestra, Op. 36 No. 4: II. Langsam
Hans Graf
00:08:17

Hans Graf, Conductor, MainArtist - Paul Hindemith, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Tabea Zimmermann, Viola, MainArtist, AssociatedPerformer

℗ 2013 myrios classics

7
Kammermusik No. 5 for Solo Viola & Large Chamber Orchestra, Op. 36 No. 4: III. Mässig schnell
Tabea Zimmermann
00:03:34

Hans Graf, Conductor, MainArtist - Paul Hindemith, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Tabea Zimmermann, Viola, MainArtist, AssociatedPerformer

℗ 2013 myrios classics

8
Kammermusik No. 5 for Solo Viola & Large Chamber Orchestra, Op. 36 No. 4: IV. Variante eines Militärmarsches
Berlin Deutsches Symphony Orchestra
00:03:22

Hans Graf, Conductor, MainArtist - Paul Hindemith, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Tabea Zimmermann, Viola, MainArtist, AssociatedPerformer

℗ 2013 myrios classics

9
Konzertmusik for Solo Viola & Large Chamber Orchestra, Op. 48a: I. Lebhaft. Bewegte Halbe
Berlin Deutsches Symphony Orchestra
00:04:27

Hans Graf, Conductor, MainArtist - Paul Hindemith, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Tabea Zimmermann, Viola, MainArtist, AssociatedPerformer

℗ 2013 myrios classics

10
Konzertmusik for Solo Viola & Large Chamber Orchestra, Op. 48a: II. Ruhig gehend
Tabea Zimmermann
00:07:07

Hans Graf, Conductor, MainArtist - Paul Hindemith, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Tabea Zimmermann, Viola, MainArtist, AssociatedPerformer

℗ 2013 myrios classics

11
Konzertmusik for Solo Viola & Large Chamber Orchestra, Op. 48a: III. Lebhaft
Hans Graf
00:02:37

Hans Graf, Conductor, MainArtist - Paul Hindemith, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Tabea Zimmermann, Viola, MainArtist, AssociatedPerformer

℗ 2013 myrios classics

12
Konzertmusik for Solo Viola & Large Chamber Orchestra, Op. 48a: IV. Langsam. Schreitende Achtel
Berlin Deutsches Symphony Orchestra
00:03:23

Hans Graf, Conductor, MainArtist - Paul Hindemith, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Tabea Zimmermann, Viola, MainArtist, AssociatedPerformer

℗ 2013 myrios classics

13
Konzertmusik for Solo Viola & Large Chamber Orchestra, Op. 48a: V. Leicht bewegt
Berlin Deutsches Symphony Orchestra
00:03:57

Hans Graf, Conductor, MainArtist - Paul Hindemith, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Tabea Zimmermann, Viola, MainArtist, AssociatedPerformer

℗ 2013 myrios classics

14
Konzertmusik, Op. 48a: VI. Lebhaft und munter
Hans Graf
00:04:33

Hans Graf, Conductor, MainArtist - Paul Hindemith, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Tabea Zimmermann, Viola, MainArtist, AssociatedPerformer

℗ 2013 myrios classics

Albumbeschreibung

Paul Hindemith was himself a violist and said he would play the violin "only in cases of pressing emergency." For part of his career he made a point of writing music for instruments underserved in the solo repertory, and he channeled his frustration with the state of the viola repertory into a whole series of works for his own instrument. German violist Tabea Zimmermann has embarked on a complete cycle of these, and the idea is a good one: they're all attractive works, and holding the instrument constant you get a detailed look at Hindemith's very personal stamp on the neo-classic style. The Kammermusik No. 5 and Konzertmusik heard here are both designated as being for viola and large chamber orchestra, but neither the orchestra nor its relation to the viola is typical: the viola part is woven into the music throughout, and it hovers above an orchestra that contains no violins or violas itself. The shifting textures and subtleties of register that result are at the heart of Hindemith's music, which can contain a good deal of humor. Zimmermann's correct but by-the-notes readings sometimes miss this, but there's an added attraction in the form of the rarely heard Der Schwanendreher (The Swan Turner), a viola-and-orchestra piece that incorporates German folk song into the web and seems to anticipate the composer's departure from Germany, which was still several years away (the work was written in 1935). It's an intriguing piece that, in its quiet way, testifies to the gathering Nazi storm. Also in a downbeat mode is the Trauermusik (Mourning Music), written in a hurry when Hindemith needed a work to commemorate the death of King George V during a visit to England in 1936. Zimmermann does well with these more explicit pieces, and the album as a whole, very nicely recorded in Super Audio sound by the Myrios label, can be recommended to Hindemith buffs.

© TiVo

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