Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

The Choir of King's College London|Allegri: Masses, Miserere & Motets

Allegri: Masses, Miserere & Motets

The Choir of King's College London

Verfügbar in
16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Gregorio Allegri was one of the few composers of the 17th century known to general audiences a century ago, and it was for a piece only slightly related to what he originally wrote. The history of the Miserere is nicely summarized in the booklet to this release by the Choir of King's College London; essentially it is the product of two centuries of secret improvisation by papal choirs, finally written down in the late 18th and 19th centuries. The first person to do so was the young Mozart. The Miserere, which has some spectacular soprano high Cs at the end, is an odd hybrid of Counter Reformation a cappella choral style and later kitsch, and it's beautifully performed here. In general the choir under David Trendell's direction is very strong throughout. Trendell doesn't try to force his youthful choristers (men and women) into a cathedral style but gives free rein to the men, especially, who respond with a splendid, full-throated sound that's entirely appropriate to this repertory. The chief attraction is the presence of Allegri mass settings, both of them world premieres. Both are based on preexisting motets, one by Allegri himself and one by Pierre Bonhomme. The booklet likens them to Palestrina's style, and surely Allegri was part of the general Counter Reformation movement, but these works of the early 17th century came from one or two generations after Palestrina's heyday. Conservative though they are, the use of block harmonies and the occasional dashes of harmonic color testify to a Counter Reformation that had experienced the new breezes coming from Venice. A worthwhile release both for lovers of the ever-popular Miserere and for those seriously interested in the Roman Counter Reformation as it developed in the 17th century.

© TiVo

Weitere Informationen

Allegri: Masses, Miserere & Motets

The Choir of King's College London

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

1
Missa In Lectulo Meo: Kyrie
The Choir of King's College London
00:06:44

Gregorio Allegri, Composer - David Trendell, Conductor - The Choir of King's College London, MainArtist - Delphian Records Ltd., MusicPublisher

(C) 2012 Delphian Records (P) 2012 Delphian Records

2
Missa In Lectulo Meo: Gloria
The Choir of King's College London
00:05:10

Gregorio Allegri, Composer - David Trendell, Conductor - The Choir of King's College London, MainArtist - Delphian Records Ltd., MusicPublisher

(C) 2012 Delphian Records (P) 2012 Delphian Records

3
Missa In Lectulo Meo: Credo
The Choir of King's College London
00:08:00

Gregorio Allegri, Composer - David Trendell, Conductor - The Choir of King's College London, MainArtist - Delphian Records Ltd., MusicPublisher

(C) 2012 Delphian Records (P) 2012 Delphian Records

4
Missa In Lectulo Meo: Motet: In lectulo meo Pierre Bonhomme
The Choir of King's College London
00:03:32

Gregorio Allegri, Composer - David Trendell, Conductor - The Choir of King's College London, MainArtist - Delphian Records Ltd., MusicPublisher

(C) 2012 Delphian Records (P) 2012 Delphian Records

5
Missa In Lectulo Meo: Sanctus & Benedictus
The Choir of King's College London
00:04:35

Gregorio Allegri, Composer - David Trendell, Conductor - The Choir of King's College London, MainArtist - Delphian Records Ltd., MusicPublisher

(C) 2012 Delphian Records (P) 2012 Delphian Records

6
Missa In Lectulo Meo: Agnus Dei
The Choir of King's College London
00:02:54

Gregorio Allegri, Composer - David Trendell, Conductor - The Choir of King's College London, MainArtist - Delphian Records Ltd., MusicPublisher

(C) 2012 Delphian Records (P) 2012 Delphian Records

7
Miserere
The Choir of King's College London
00:12:18

Gregorio Allegri, Composer - David Trendell, Conductor - The Choir of King's College London, MainArtist - Delphian Records Ltd., MusicPublisher

(C) 2012 Delphian Records (P) 2012 Delphian Records

8
Missa Christus resurgens: Kyrie
Simon Hogan
00:03:30

Gregorio Allegri, Composer - David Trendell, Conductor - The Choir of King's College London, MainArtist - Simon Hogan, MainArtist - Delphian Records Ltd., MusicPublisher

(C) 2012 Delphian Records (P) 2012 Delphian Records

9
Missa Christus resurgens: Gloria
Simon Hogan
00:05:04

Gregorio Allegri, Composer - David Trendell, Conductor - The Choir of King's College London, MainArtist - Simon Hogan, MainArtist - Delphian Records Ltd., MusicPublisher

(C) 2012 Delphian Records (P) 2012 Delphian Records

10
Missa Christus resurgens: Credo
Simon Hogan
00:08:28

Gregorio Allegri, Composer - David Trendell, Conductor - The Choir of King's College London, MainArtist - Simon Hogan, MainArtist - Delphian Records Ltd., MusicPublisher

(C) 2012 Delphian Records (P) 2012 Delphian Records

11
Missa Christus resurgens: Motet: Christus resurgens ex mortuis
Simon Hogan
00:04:07

Gregorio Allegri, Composer - David Trendell, Conductor - The Choir of King's College London, MainArtist - Simon Hogan, MainArtist - Delphian Records Ltd., MusicPublisher

(C) 2012 Delphian Records (P) 2012 Delphian Records

12
Missa Christus resurgens: Sanctus & Benedictus
Simon Hogan
00:03:09

Gregorio Allegri, Composer - David Trendell, Conductor - The Choir of King's College London, MainArtist - Simon Hogan, MainArtist - Delphian Records Ltd., MusicPublisher

(C) 2012 Delphian Records (P) 2012 Delphian Records

13
Missa Christus resurgens: Agnus Dei
Simon Hogan
00:04:36

Gregorio Allegri, Composer - David Trendell, Conductor - The Choir of King's College London, MainArtist - Simon Hogan, MainArtist - Delphian Records Ltd., MusicPublisher

(C) 2012 Delphian Records (P) 2012 Delphian Records

Albumbeschreibung

Gregorio Allegri was one of the few composers of the 17th century known to general audiences a century ago, and it was for a piece only slightly related to what he originally wrote. The history of the Miserere is nicely summarized in the booklet to this release by the Choir of King's College London; essentially it is the product of two centuries of secret improvisation by papal choirs, finally written down in the late 18th and 19th centuries. The first person to do so was the young Mozart. The Miserere, which has some spectacular soprano high Cs at the end, is an odd hybrid of Counter Reformation a cappella choral style and later kitsch, and it's beautifully performed here. In general the choir under David Trendell's direction is very strong throughout. Trendell doesn't try to force his youthful choristers (men and women) into a cathedral style but gives free rein to the men, especially, who respond with a splendid, full-throated sound that's entirely appropriate to this repertory. The chief attraction is the presence of Allegri mass settings, both of them world premieres. Both are based on preexisting motets, one by Allegri himself and one by Pierre Bonhomme. The booklet likens them to Palestrina's style, and surely Allegri was part of the general Counter Reformation movement, but these works of the early 17th century came from one or two generations after Palestrina's heyday. Conservative though they are, the use of block harmonies and the occasional dashes of harmonic color testify to a Counter Reformation that had experienced the new breezes coming from Venice. A worthwhile release both for lovers of the ever-popular Miserere and for those seriously interested in the Roman Counter Reformation as it developed in the 17th century.

© TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Hier... Encore

Charles Aznavour

Hier... Encore Charles Aznavour

Olympia Février 1976

Charles Aznavour

Olympia Février 1976 Charles Aznavour

Idiote je t'aime...

Charles Aznavour

Idiote je t'aime... Charles Aznavour

La Bohème

Charles Aznavour

La Bohème Charles Aznavour
Mehr auf Qobuz
Von The Choir of King's College London

Alonso Lobo: Lamentations; Masses

The Choir of King's College London

Alonso Lobo: Lamentations; Masses The Choir of King's College London

Coleridge-Taylor: Partsongs

The Choir of King's College London

Coleridge-Taylor: Partsongs The Choir of King's College London

Desenclos: Messe De Requiem, Salve Regina & Poulenc: Litanies À La Vierge Noire De Rocamadour

The Choir of King's College London

Frank Martin, Kenneth Leighton: Masses for Double Choir

The Choir of King's College London

Frank Martin, Kenneth Leighton: Masses for Double Choir The Choir of King's College London

Coleridge-Taylor: The Lee Shore

The Choir of King's College London

Coleridge-Taylor: The Lee Shore The Choir of King's College London

Playlists

Das könnte Ihnen auch gefallen...

J.S. Bach: Goldberg Variations

Víkingur Ólafsson

J.S. Bach: Goldberg Variations Víkingur Ólafsson

The Vienna Recital

Yuja Wang

The Vienna Recital Yuja Wang

Carl Philipp Emanuel Bach

Keith Jarrett

Rachmaninoff: The Piano Concertos & Paganini Rhapsody

Yuja Wang

A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki

Joe Hisaishi