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Emily Beynon|British Flute Concertos

British Flute Concertos

Emily Beynon, flûte

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The promised British flute concertos are in somewhat short supply on this Chandos release, with only The Magic Flute Dances of contemporary composer Jonathan Dove and the Flute Concerto, Op. 36, of Lennox Berkeley starting life as such a thing. The Poulenc work included is not, of course, British at all, but was arranged by Berkeley for flute and orchestra from a sonata for flute and piano, and the William Alwyn work, although titled Concerto, was originally for the unusual ensemble of flute and eight wind instruments. It's hard to see what was gained by turning it into a flute-and-orchestra concerto; the version here occupies an uncomfortable space between the original (a lot of the wind writing is kept) and a full-orchestra piece. As for Poulenc, his presence mostly just illustrates his melodic fecundity compared with his British followers. Positives include the agile playing of Welsh flutist Emily Beynon, the clean work of the BBC National Orchestra of Wales, and most of all the Dove work, which was composed in 1999. As the title suggests, it is built on motives from Mozart's opera The Magic Flute, but it's far more than a travelog through the opera's famous themes. Instead Dove takes off from the idea of an evocative forest flute in the opera itself, imbuing the work with threads of small Mozart motives that enter different surroundings. It's a light piece but an utterly charming one, and here's hoping it gets further play; it certainly adds general interest to an album mostly aimed at the British music hardcore.
© TiVo

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British Flute Concertos

Emily Beynon

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The Magic Flute Dances (Jonathan Dove)

1
I. Light – Tentative, getting faster and bolder -
00:05:07

Emily Beynon, flute - BBC National Orchestra of Wales - Bramwell Tovey, conductor

(C) 2012 Chandos (P) 2012 Chandos

2
II. (Cadenza) – Expansive, rapturous – Gently [twice as fast] – With movement, but plaintive -
00:03:32

Emily Beynon, flute - BBC National Orchestra of Wales - Bramwell Tovey, conductor

(C) 2012 Chandos (P) 2012 Chandos

3
III. Angry – Desolate – Gently moving -
00:02:32

Emily Beynon, flute - BBC National Orchestra of Wales - Bramwell Tovey, conductor

(C) 2012 Chandos (P) 2012 Chandos

4
IV. Slow – a little held back – Moving forward – Poco più mosso -
00:04:53

Emily Beynon, flute - BBC National Orchestra of Wales - Bramwell Tovey, conductor

(C) 2012 Chandos (P) 2012 Chandos

5
IV. Lively – Entranced
00:03:23

Emily Beynon, flute - BBC National Orchestra of Wales - Bramwell Tovey, conductor

(C) 2012 Chandos (P) 2012 Chandos

Concerto for Flute and 8 Wind Instruments (William Alwyn)

6
I. Allegro ritmico - (Arr. J. McCabe)
00:04:54

Emily Beynon, flute - BBC National Orchestra of Wales - Bramwell Tovey, conductor

(C) 2012 Chandos (P) 2012 Chandos

7
II. Allegretto scherzando - (Arr. J. McCabe)
00:03:05

Emily Beynon, flute - BBC National Orchestra of Wales - Bramwell Tovey, conductor

(C) 2012 Chandos (P) 2012 Chandos

8
III. Andante sostenuto e semplice - (Arr. J. McCabe)
00:05:50

Emily Beynon, flute - BBC National Orchestra of Wales - Bramwell Tovey, conductor

(C) 2012 Chandos (P) 2012 Chandos

9
IV. Allegro vivace (Arr. J. McCabe)
00:06:05

Emily Beynon, flute - BBC National Orchestra of Wales - Bramwell Tovey, conductor

(C) 2012 Chandos (P) 2012 Chandos

Flute Sonata, FP 164 (Francis Poulenc)

10
I. Allegro malincolico - Un peu plus vite - Tempo I (Arr. L. Berkeley for flute and orchestra)
00:05:02

Emily Beynon, flute - BBC National Orchestra of Wales - Bramwell Tovey, conductor

(C) 2012 Chandos (P) 2012 Chandos

11
II. Cantilena: Assez lent - Più vivo - (Arr. L. Berkeley for flute and orchestra)
00:04:11

Emily Beynon, flute - BBC National Orchestra of Wales - Bramwell Tovey, conductor

(C) 2012 Chandos (P) 2012 Chandos

12
III. Presto giocoso - Subito più lento - Tempo I (Presto) [arr. L. Berkeley for flute and orchestra]
00:03:59

Emily Beynon, flute - BBC National Orchestra of Wales - Bramwell Tovey, conductor

(C) 2012 Chandos (P) 2012 Chandos

Flute Concerto, Op. 36 (Lennox Berkeley)

13
I. Allegro moderato - Cadenza - Andante - Un poco più lento
00:07:30

Emily Beynon, flute - BBC National Orchestra of Wales - Bramwell Tovey, conductor

(C) 2012 Chandos (P) 2012 Chandos

14
II. Presto
00:02:56

Emily Beynon, flute - BBC National Orchestra of Wales - Bramwell Tovey, conductor

(C) 2012 Chandos (P) 2012 Chandos

15
III. Adagio
00:05:34

Emily Beynon, flute - BBC National Orchestra of Wales - Bramwell Tovey, conductor

(C) 2012 Chandos (P) 2012 Chandos

16
IV. Allegro vivace – Meno vivo – Tempo I – (Cadenza) – Presto
00:08:52

Emily Beynon, flute - BBC National Orchestra of Wales - Bramwell Tovey, conductor

(C) 2012 Chandos (P) 2012 Chandos

Album review

The promised British flute concertos are in somewhat short supply on this Chandos release, with only The Magic Flute Dances of contemporary composer Jonathan Dove and the Flute Concerto, Op. 36, of Lennox Berkeley starting life as such a thing. The Poulenc work included is not, of course, British at all, but was arranged by Berkeley for flute and orchestra from a sonata for flute and piano, and the William Alwyn work, although titled Concerto, was originally for the unusual ensemble of flute and eight wind instruments. It's hard to see what was gained by turning it into a flute-and-orchestra concerto; the version here occupies an uncomfortable space between the original (a lot of the wind writing is kept) and a full-orchestra piece. As for Poulenc, his presence mostly just illustrates his melodic fecundity compared with his British followers. Positives include the agile playing of Welsh flutist Emily Beynon, the clean work of the BBC National Orchestra of Wales, and most of all the Dove work, which was composed in 1999. As the title suggests, it is built on motives from Mozart's opera The Magic Flute, but it's far more than a travelog through the opera's famous themes. Instead Dove takes off from the idea of an evocative forest flute in the opera itself, imbuing the work with threads of small Mozart motives that enter different surroundings. It's a light piece but an utterly charming one, and here's hoping it gets further play; it certainly adds general interest to an album mostly aimed at the British music hardcore.
© TiVo

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