Brenda Lee
One of the biggest pop stars of the early '60s, Brenda Lee hasn't attracted as much critical respect as she deserves. She is sometimes inaccurately characterized as one of the few female teen idols. More crucially, the credit for achieving success with pop-country crossovers usually goes to Patsy Cline, although Lee's efforts in this era were arguably of equal importance. While she made few recordings of note after the mid-'60s, the best of her first decade is fine indeed, encompassing not just the pop ballads that were her biggest hits, but straight country and some surprisingly fierce rockabilly.
Lee was a child prodigy, appearing on national television by the age of ten, and making her first recordings for Decca the following year (1956). Her first few Decca singles, in fact, make a pretty fair bid for the best preteen rock & roll performances this side of Michael Jackson. "BIGELOW 6-200," "Dynamite," and "Little Jonah" are all exceptionally powerful rockabilly performances, with robust vocals and white-hot backing from the cream of Nashville's session musicians (including Owen Bradley, Grady Martin, Hank Garland, and Floyd Cramer). Lee would not have her first big hits until 1960, when she tempered the rockabilly with teen idol pop on "Sweet Nothin's," which went to the Top Five.
The comparison between Lee and Cline is to be expected, given that both singers were produced by Owen Bradley in the early '60s. Naturally, many of the same session musicians and backup vocalists were employed. Brenda, however, had a bigger in with the pop audience, not just because she was still a teenager, but because her material was more pop than Cline's, and not as country. Between 1960 and 1962, she had a stunning series of huge hits: "I'm Sorry," "I Want to Be Wanted," "Emotions," "You Can Depend on Me," "Dum Dum," "Fool #1," "Break It to Me Gently," and "All Alone Am I" all made the Top Ten. Their crossover appeal is no mystery. While these were ballads, they were delivered with enough lovesick yearning to appeal to adolescents, and enough maturity for the adults. The first-class melodic songwriting and professional orchestral production guaranteed that they would not be ghettoized in the country market.
Lee's last Top Ten pop hit was in 1963, with "Losing You." While she still had hits through the mid-'60s, these became smaller and less frequent with the rise of the British Invasion (although she remained very popular overseas). The best of her later hits, "Is It True?," was a surprisingly hard-rocking performance, recorded in 1964 in London with Jimmy Page on guitar. 1966's "Coming on Strong," however, would prove to be her last Top 20 entry.
In the early '70s, Lee reunited with Owen Bradley and, like so many early white rock & roll stars, returned to country music. For a time she was fairly successful in this field, making the country Top Ten half-a-dozen times in 1973-1974. Although she remained active as a recording and touring artist, for the last couple of decades she's been little more than a living legend, directing her intermittent artistic efforts to the country audience.
© Richie Unterberger /TiVo
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In The Mood For Love-Classic Ballads
Country - Released by Hip-O (UC) on 1 Jan 1998
16-Bit CD Quality 44.1 kHz - Stereo -
The Best Of Brenda Lee, Volume 1 (Digital Re-Recording)
Pop - Released by Sony ATV on 12 Sep 2007
16-Bit CD Quality 44.1 kHz - Stereo -
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Classic Brenda Lee - The Universal Masters Collection
Pop - Released by MCA Nashville on 18 Feb 1963
16-Bit CD Quality 44.1 kHz - Stereo -
Greatest Rock And Roll Songs (Re-Recorded In Stereo)
Pop - Released by Curb Records on 29 Mar 2005
16-Bit CD Quality 44.1 kHz - Stereo -
I'm Sorry (Stereo Version)
Pop - Released by BNF Collection on 1 Jan 1961
24-Bit 96.0 kHz - Stereo -
A Rockin’ Christmas With Brenda Lee
Christmas Music - Released by UME - Global Clearing House on 3 Nov 2023
16-Bit CD Quality 44.1 kHz - Stereo -
Christmas With Brenda Lee
Christmas Music - Released by UME - Global Clearing House on 22 Apr 2014
16-Bit CD Quality 44.1 kHz - Stereo -
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Emotions (Mono Version)
Pop - Released by BNF Collection on 1 Jan 1961
24-Bit 96.0 kHz - Stereo -
My Greatest Songs
Pop - Released by MCA Nashville on 12 Nov 1991
16-Bit CD Quality 44.1 kHz - Stereo -
All The Best
Miscellaneous - Released by Retro Music Box on 18 Feb 1963
16-Bit CD Quality 44.1 kHz - Stereo -
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Grandma, What Great Songs You Sang!
Pop - Released by MCA Nashville on 3 Aug 1959
16-Bit CD Quality 44.1 kHz - Stereo -
100 Great Hits
Country - Released by Music Manager on 29 Jun 2015
16-Bit CD Quality 44.1 kHz - Stereo -
I'm Sorry (Billboard Hot 100 - No. 01)
Vocal Music (Secular and Sacred) - Released by Music Manager on 19 Dec 2018
16-Bit CD Quality 44.1 kHz - Stereo -
The Very Best of Brenda Lee
Pop/Rock - Released by Leenda Records on 18 Feb 1963
16-Bit CD Quality 44.1 kHz - Stereo -
Greatest Country Songs (Re-Recorded In Stereo)
Country - Released by Curb Records on 10 Jun 2002
16-Bit CD Quality 44.1 kHz - Stereo -
All the Way (Stereo Version)
Brenda Lee, Owen Bradley and His Orchestra
Pop - Released by BNF Collection on 1 Jan 1961
24-Bit 96.0 kHz - Stereo