Tom Harrell
A highly gifted jazz soloist, Tom Harrell is generally considered one of the top trumpeters of his generation, known for a sophisticated harmonic approach that combines the power of Clifford Brown with the lyricism of Chet Baker and Art Farmer. Following his emergence in the early '70s with Horace Silver, he came into his own in the '80s and '90s, playing with Phil Woods and issuing a steady stream of acoustic post-bop albums like 1988's Stories and 1999's Time's Mirror; the latter earned a Grammy nomination for Best Large Ensemble Jazz Performance. Harrell has continued to further hone his sophisticated style, often working with younger musicians and releasing quintet dates like 2007's Light On, as well as more pared-down sessions like 2013's piano-less Colors of a Dream with bassist Esperanza Spalding. A subtly adventurous player, Harrell explored the classical work of composers like Debussy and Ravel on 2015's First Impressions and paired with artfully inventive trumpeter Ambrose Akinmusire on 2016's Something Gold, Something Blue. As always, intimate post-bop dates like 2019's Infinity and 2022's Oak Tree, remain his passion. Born in Urbana, Illinois in 1946, Harrell grew up in the San Francisco Bay Area, where he first started playing trumpet around age eight. By his teens, he was gigging locally and eventually graduated from Stanford University with a music composition degree. After college, he joined the Stan Kenton Orchestra, touring with the ensemble until 1969. He then spent time in Woody Herman's big band before joining pianist Horace Silver's quintet. He made his recorded debut with Silver, appearing on a handful of albums throughout the mid- to late '70s. Also during this period, he moved to New York, where he found work playing and/or recording with such luminaries as Cecil Payne, Bill Evans, Lee Konitz, and many others. He also made his debut as a leader, releasing Aurora in 1976, followed by Mind's Ear in 1978. During the '80s, Harrell's profile rose even further as he joined the Phil Woods Quintet, with whom he toured and recorded for much of the decade. He also continued to grow as a solo artist, releasing a steady flow of increasingly well-regarded albums, including 1984's Play of Light, 1985's Moon Alley, 1987's Open Air, and 1989's Lonely Eyes. The '90s were also a fruitful period for the trumpeter, as he appeared on albums with Joe Lovano, Steve Swallow, Charlie Haden, and others. He also delivered several more well-received albums for smaller labels, including 1990's Form on Contemporary and 1991's Passages on Chesky, before landing at RCA for 1996's Labyrinth, the latter of which found him joined by tenor saxophonist Don Braden, pianist Kenny Werner, and others in quintet, nonet, and tentet settings. Subsequent RCA outings showcased more experimentation, as Harrell explored Brazilian sounds on 1998's Art of Rhythm, displayed his knack for big-band arranging on 1999's Time's Mirror (for which he received a Grammy nomination), and framed himself with strings on 2001's Paradise. A concert album, Live at the Village Vanguard, followed on Bluebird in 2002, and featured Harrell's quintet with saxophonist Jimmy Greene, bassist Ugonna Okegwo, pianist Xavier Davis, and drummer Quincy Davis. He then delivered a studio effort for Bluebird, 2003's Wise Children, which found him working with a well-curated cadre of vocalists including Dianne Reeves, Jane Monheit, Claudia Acuña, and Cassandra Wilson. In 2007, Harrell moved to HighNote and released Light On, which featured his quintet with tenor saxophonist Wayne Escoffery, pianist Danny Grissett, bassist Ugonna Okegwo, and drummer Johnathan Blake. Since then, he has largely stuck with the same ensemble, delivering a highly regarded run of albums for HighNote including the atmospheric 2009 release Prana Dance, 2010's Roman Nights, and the similarly expansive The Time of the Sun. The aptly titled Number Five followed in 2012. In 2013, Harrell assembled a piano-less ensemble featuring bassist Esperanza Spalding for Colors of a Dream. He then shifted this group again, forming a quartet with saxophonist Mark Turner for 2014's Trip. A year later, he explored reworkings of classical compositions by Debussy, Ravel, and others on the orchestral-tinged First Impressions, followed by Something Gold, Something Blue with trumpeter Ambrose Akinmusire in 2016. In 2017, Harrell delivered the quartet date Moving Picture, featuring pianist Grissett, bassist Okegwo, and drummer Adam Cruz. The quintet session, Infinity, with saxophonist Turner arrived in 2019. He then returned to a quartet line-up with Okegwo and Cruz, as well as pianist/Fender Rhodes player Luis Perdomo for 2022's Oak Tree.© Matt Collar /TiVo Read more
A highly gifted jazz soloist, Tom Harrell is generally considered one of the top trumpeters of his generation, known for a sophisticated harmonic approach that combines the power of Clifford Brown with the lyricism of Chet Baker and Art Farmer. Following his emergence in the early '70s with Horace Silver, he came into his own in the '80s and '90s, playing with Phil Woods and issuing a steady stream of acoustic post-bop albums like 1988's Stories and 1999's Time's Mirror; the latter earned a Grammy nomination for Best Large Ensemble Jazz Performance. Harrell has continued to further hone his sophisticated style, often working with younger musicians and releasing quintet dates like 2007's Light On, as well as more pared-down sessions like 2013's piano-less Colors of a Dream with bassist Esperanza Spalding. A subtly adventurous player, Harrell explored the classical work of composers like Debussy and Ravel on 2015's First Impressions and paired with artfully inventive trumpeter Ambrose Akinmusire on 2016's Something Gold, Something Blue. As always, intimate post-bop dates like 2019's Infinity and 2022's Oak Tree, remain his passion.
Born in Urbana, Illinois in 1946, Harrell grew up in the San Francisco Bay Area, where he first started playing trumpet around age eight. By his teens, he was gigging locally and eventually graduated from Stanford University with a music composition degree. After college, he joined the Stan Kenton Orchestra, touring with the ensemble until 1969. He then spent time in Woody Herman's big band before joining pianist Horace Silver's quintet. He made his recorded debut with Silver, appearing on a handful of albums throughout the mid- to late '70s.
Also during this period, he moved to New York, where he found work playing and/or recording with such luminaries as Cecil Payne, Bill Evans, Lee Konitz, and many others. He also made his debut as a leader, releasing Aurora in 1976, followed by Mind's Ear in 1978. During the '80s, Harrell's profile rose even further as he joined the Phil Woods Quintet, with whom he toured and recorded for much of the decade. He also continued to grow as a solo artist, releasing a steady flow of increasingly well-regarded albums, including 1984's Play of Light, 1985's Moon Alley, 1987's Open Air, and 1989's Lonely Eyes.
The '90s were also a fruitful period for the trumpeter, as he appeared on albums with Joe Lovano, Steve Swallow, Charlie Haden, and others. He also delivered several more well-received albums for smaller labels, including 1990's Form on Contemporary and 1991's Passages on Chesky, before landing at RCA for 1996's Labyrinth, the latter of which found him joined by tenor saxophonist Don Braden, pianist Kenny Werner, and others in quintet, nonet, and tentet settings. Subsequent RCA outings showcased more experimentation, as Harrell explored Brazilian sounds on 1998's Art of Rhythm, displayed his knack for big-band arranging on 1999's Time's Mirror (for which he received a Grammy nomination), and framed himself with strings on 2001's Paradise.
A concert album, Live at the Village Vanguard, followed on Bluebird in 2002, and featured Harrell's quintet with saxophonist Jimmy Greene, bassist Ugonna Okegwo, pianist Xavier Davis, and drummer Quincy Davis. He then delivered a studio effort for Bluebird, 2003's Wise Children, which found him working with a well-curated cadre of vocalists including Dianne Reeves, Jane Monheit, Claudia Acuña, and Cassandra Wilson.
In 2007, Harrell moved to HighNote and released Light On, which featured his quintet with tenor saxophonist Wayne Escoffery, pianist Danny Grissett, bassist Ugonna Okegwo, and drummer Johnathan Blake. Since then, he has largely stuck with the same ensemble, delivering a highly regarded run of albums for HighNote including the atmospheric 2009 release Prana Dance, 2010's Roman Nights, and the similarly expansive The Time of the Sun. The aptly titled Number Five followed in 2012.
In 2013, Harrell assembled a piano-less ensemble featuring bassist Esperanza Spalding for Colors of a Dream. He then shifted this group again, forming a quartet with saxophonist Mark Turner for 2014's Trip. A year later, he explored reworkings of classical compositions by Debussy, Ravel, and others on the orchestral-tinged First Impressions, followed by Something Gold, Something Blue with trumpeter Ambrose Akinmusire in 2016. In 2017, Harrell delivered the quartet date Moving Picture, featuring pianist Grissett, bassist Okegwo, and drummer Adam Cruz. The quintet session, Infinity, with saxophonist Turner arrived in 2019. He then returned to a quartet line-up with Okegwo and Cruz, as well as pianist/Fender Rhodes player Luis Perdomo for 2022's Oak Tree.
© Matt Collar /TiVo
Similar artists
-
Oak Tree
Bebop - Released by HighNote Records on 15 Jul 2022
24-Bit 96.0 kHz - Stereo -
Infinity
Jazz - Released by HighNote Records on 8 Mar 2019
Tom Harrell is a master at making his trumpet sound pure, clear and graceful in a manner like no one else. When he plays, he projects an intense feeli ...
24-Bit 44.1 kHz - Stereo -
Prana Dance
Bebop - Released by HighNote Records on 27 Jan 2009
Sticking with the atmospheric vibe of 2007's Light On, trumpeter Tom Harrell delivers more progressive and laid-back post-bop on 2009's Prana Dance. O ...
16-Bit CD Quality 44.1 kHz - Stereo -
Number Five
Bebop - Released by HighNote Records on 22 May 2012
Tom Harrell has had a lot of success with his series of quintet recordings for HighNote, but his fifth release for the label, which uses the same musi ...
16-Bit CD Quality 44.1 kHz - Stereo -
Roman Nights
Bebop - Released by HighNote Records on 26 Jan 2010
Tom Harrell has been on a roll since returning to action following a four-year hiatus during the mid-'00s. The trumpeter/composer's third release for ...
16-Bit CD Quality 44.1 kHz - Stereo -
Moving Picture
Bebop - Released by HighNote Records on 15 Jun 2017
24-Bit 44.1 kHz - Stereo -
Something Gold, Something Blue
Bebop - Released by HighNote Records on 9 Sep 2016
24-Bit 44.1 kHz - Stereo -
First Impressions
Bebop - Released by HighNote Records on 15 Sep 2015
24-Bit 44.1 kHz - Stereo -
The Auditorium Session
Jazz - Released by Parco Della Musica Records on 16 Jun 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Live At The Village Vanguard
Jazz - Released by RCA Victor on 27 Apr 2002
This is Tom Harrell's first live record, and what a pleasure -- a stirring hour-plus in the company of the trumpeter's working quintet, with Jimmy Gre ...
16-Bit CD Quality 44.1 kHz - Stereo -
Light On
Bebop - Released by HighNote Records on 5 Jan 2007
As correctly stated in the liner notes by Neil Tesser, Tom Harrell's music takes several listens to fully appreciate, for there is much to discover. F ...
16-Bit CD Quality 44.1 kHz - Stereo -
The Time of the Sun
Bebop - Released by HighNote Records on 31 May 2011
Trumpeter Tom Harrell's expansive and funky 2011 effort, The Time of the Sun, is a creatively inspired, somewhat experimental work that finds the jour ...
16-Bit CD Quality 44.1 kHz - Stereo -
-
Form
Jazz - Released by Contemporary Records on 1 Jan 1990
This was trumpeter Tom Harrell's first recording since ending his long period with Phil Woods' quintet. He performs five originals plus the standard " ...
16-Bit CD Quality 44.1 kHz - Stereo -
Sail Away
Jazz - Released by Contemporary Records on 23 Mar 1989
Recorded in 1989 and re-released on Original Jazz Classics in 2003, Sail Away is a fine outing by trumpeter Tom Harrell. He's joined by pianist James ...
16-Bit CD Quality 44.1 kHz - Stereo -
Wise Children
Jazz - Released by RCA Bluebird on 6 Sep 2003
4 stars out of 5 - "Tom Harrell has been quietly building a consistent, substantial body of work featuring his own expansive compositions and arrangem ...
16-Bit CD Quality 44.1 kHz - Stereo -
Phil Woods & Tom Harrell
Jazz - Released by LRC Ltd. - Groove Merchant Records on 10 Aug 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Time's Mirror
Jazz - Released by RCA Victor on 5 Apr 1999
Tom Harrell has received rave reviews from his fellow jazz musicians for years, but he only started receiving the attention he deserved from a wider a ...
16-Bit CD Quality 44.1 kHz - Stereo -
Stories
Jazz - Released by Fantasy Records on 1 Jan 1988
One of the joys of hearing Tom Harrell (who sticks here to flugelhorn) on his own sessions is that his writing tends to be showcased. All seven of the ...
16-Bit CD Quality 44.1 kHz - Stereo -
Visions
Jazz - Released by Contemporary Records on 11 Dec 1991
Following Tom Harrell's departure from the Contemporary label, a CD of leftover unreleased material from sessions with five different groups was compi ...
16-Bit CD Quality 44.1 kHz - Stereo