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Backstreet Boys|Never Gone

Never Gone

Backstreet Boys

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It's been nearly five years since the Backstreet Boys have released a new album, but as the all-too-literal title of 2005's Never Gone makes clear, they don't want you to call their fourth LP a comeback -- in their mind, they've been here for years. That's not strictly true, since all five members have disappeared from the charts, if not the tabloid headlines, since their 2000 flop, Black & Blue. While fellow teen pop icons like Justin Timberlake and Christina Aguilera had successful transitions into adulthood, while Jessica Simpson turned reality TV star and Mandy Moore turned genuine actress (for pity's sake, we will ignore Britney Spears' horrifying descent into white trash abyss), Kevin Richardson, Howie Dorough, and Brian Littrell all faded away as A.J. McLean suffered a very public addiction to various substances. Nick Carter also suffered at the hands of the tabloids, in large part due to a very stormy relationship with Paris Hilton, but he also had the distinction of being the only Backstreet Boy to deliver a solo album -- Now or Never in 2002 -- which meant that he was the only BSB with an ignoble flop to his credit, as well. Now or Never had the distinction of being an old-school teen pop album being delivered too far after the craze. Carter's peers were changing their stripes, but he stuck to the tried and true BSB formula and was punished by the fickle public accordingly. Given that public humiliation, it shouldn't come as a surprise that Carter and the other Boys are wise enough to try something new on Never Gone: they've abandoned the teen pop of the late '90s for anthemic adult contemporary that sounds a bit like Bryan Adams circa 1990. It's not a reinvention as much as a lateral move, shifting from one kind of pop that's not selling to another that's not selling, but to their credit, Backstreet Boys acquit themselves reasonably well here. First of all, there's a bit of pleasure in hearing a group throw itself into the big, resolutely square sound of '90s adult contemporary, since nobody else is doing this sound in 2005, but also it fits the group well, particularly Carter, with his newly raspy lead vocals. Second, this is by and large a well-made record, with a handful of standout tracks, notably the first single "Incomplete," the John Ondrasik-written "Weird World," which is a lot more fun than any Five for Fighting tune, the Max Martin-helmed "Just Want You to Know," and "Lose It All," which bizarrely and appealingly sounds like an MOR version of an Oasis ballad. Although the rest of the record is essentially well-made filler, it does sound good; this is one time that a pop record benefits by having a different production team for nearly every one of the album's tracks, since the sound of each tune is just different enough to keep things interesting yet unified enough to make it pleasant background music. This is all enough to make Never Gone a solid adult contemporary album, which will please both BSB diehards and the dwindling ranks who wish that the glory days of Jon Secada never ended, but its relative strength does highlight one problem with the album: this kind of music doesn't sound quite as convincing when delivered by a group of guys as it does by one singer. If Never Gone had been released as Nick Carter's second solo album or A.J. McLean's first, it would have felt more genuine, since these (marginally) more mature songs of love and relationships would have more resonance sung by a solo singer instead of a pack of guys. But that's nitpicking, because even if it never sells as well as Millennium did at the turn of the century, Never Gone is at the very least a successful musical makeover from the onetime teen pop kings. [Never Gone was released in several editions, including a copy-protected CD that will not play on your computer without installing a separate media player, and a DualDisc, containing a CD on one side and a DVD on the other. The DualDisc has a 5.1 mix version of the album on the DVD side, along with the video for "Incomplete" as well as a brief documentary about the making of the video for "Incomplete." The CD side of the DualDisc may not register on some computers.]

© Stephen Thomas Erlewine /TiVo

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Never Gone

Backstreet Boys

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1
Incomplete (Album Version)
00:03:59

Aaron Fessel, 2nd Engineer - Alex Nifona, Electric Guitar - Backstreet Boys, Performer - Brandon Heath, Acoustic Baritone Guitar - Brent Milligan, Acoustic Bass - Chris Alge, Mixing Engineer - Chris McMurtry, Electric Guitar - Dan Muckala, Arranger - Dan Muckala, Composer - Dan Muckala, Keyboards - Dan Muckala, Lyricist - Dan Muckala, Piano - Dan Muckala, Producer - Dan Muckala, Recording Engineer - Dave Dillbeck, Recording Engineer - Jess Cates, Composer - Jess Cates, Lyricist - Joe Porter, Drums - Lee Bridges, 2nd Engineer - Lindy Robbins, Composer - Lindy Robbins, Lyricist - Reid Shippen, Engineer - Skye McCaskey, Engineer - Tom Coyne, Mastering Engineer

(P) 2005 RCA Records, a division of Sony Music Entertainment

2
Just Want You to Know
00:03:51

Alan Mason, 2nd Engineer - Backstreet Boys, Performer - Christian Nilsson, Engineer - Christian Nilsson, Recording Engineer - Dan Chase, Engineer - John Hanes, Engineer - Lukasz "Doctor Luke" Gottwald, Composer - Lukasz "Doctor Luke" Gottwald, Lyricist - Lukasz "Doctor Luke" Gottwald, Performer - Lukasz "Doctor Luke" Gottwald, Producer - Lukasz "Doctor Luke" Gottwald, Recording Engineer - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Performer - Max Martin, Producer - Max Martin, Recording Engineer - Serban Ghenea, Mixing Engineer - Seth Waldmann, Recording Engineer - Shawn Pelton, Drums - Shawn Pelton, Percussion - Sheppard Solomon, Misc. Prod. - Tim Roberts, 2nd Engineer

(P) 2005 RCA Records, a division of Sony Music Entertainment

3
Crawling Back to You
00:03:43

Backstreet Boys, Performer - Blair Daly, Composer - Blair Daly, Lyricist - Chris Farren, Composer - Chris Farren, Lyricist - Chris Testa, Recording Engineer - FAFU, Programmer - Greg Suran, Guitar - John Fields, Mixing Engineer - John Fields, Performer - John Fields, Producer - John Fields, Recording Engineer - Ken Chastain, Percussion - Mark Kiczula, 2nd Engineer - Matt Beckley, 2nd Engineer - Michael Bland, Drums - Steven Miller, Mixing Engineer - Steven Miller, Recording Engineer - Tommy Barbarella, Arranger - Tommy Barbarella, Keyboards

(P) 2005 RCA Records, a division of Sony Music Entertainment

4
Weird World
00:04:11

Backstreet Boys, Performer - Brian Montgomery, Engineer - Brian Scheuble, Recording Engineer - Chris Lord-Alge, Mixing Engineer - Gregg Wattenberg, Arranger - Gregg Wattenberg, Composer - Gregg Wattenberg, Guitar - Gregg Wattenberg, Lyricist - Gregg Wattenberg, Producer - Gregg Wattenberg, Programmer - Gregg Wattenberg, Recording Engineer - Jerry Barnes, Acoustic Bass - John Ondrasik, Composer - John Ondrasik, Executive Producer - John Ondrasik, Lyricist - Keith Armstrong, 2nd Engineer - Pablos Munguia, Recording Engineer - Paul Buckmaster, Arranger - Ross Petersen, 2nd Engineer - Seth Waldmann, 2nd Engineer - Shawn Pelton, Drums

(P) 2005 RCA Records, a division of Sony Music Entertainment

5
I Still...
00:03:48

Backstreet Boys, Performer - Chris Lord-Alge, Mixing Engineer - Lasse Mårtén, Recording Engineer - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Performer - Max Martin, Producer - Max Martin, Recording Engineer - Rami, Composer - Rami, Lyricist - Rami, Performer - Rami, Producer - Rami, Recording Engineer - Shawn Pelton, Drums

(P) 2005 RCA Records, a division of Sony Music Entertainment

6
Poster Girl
00:03:54

Andy Zulla, Mixing Engineer - Backstreet Boys, Performer - Backstreet Boys, Vocal Arranger - Billy Mann, Acoustic Baritone Guitar - Billy Mann, Arranger - Billy Mann, Composer - Billy Mann, Electric Guitar - Billy Mann, Lyricist - Billy Mann, Producer - Billy Mann, Programmer - Billy Mann, Vocal Arranger - John Silas Cranfield, Recording Engineer - Lana Israel, Coordinator - Rasmus Bille Bähncke, Composer - Rasmus Bille Bähncke, Lyricist - Rene Tromborg, Composer - Rene Tromborg, Lyricist - Supa 'Flyas, Arranger - Supa 'Flyas, Co-Producer - Supa 'Flyas, Keyboards - Supa 'Flyas, Programmer

(P) 2005 RCA Records, a division of Sony Music Entertainment

7
Lose It All
00:04:04

Alexander Barry, Composer - Alexander Barry, Lyricist - Backstreet Boys, Performer - Chris Testa, Recording Engineer - Greg Suran, Guitar - John Fields, Acoustic Bass - John Fields, Guitar - John Fields, Keyboards - John Fields, Piano - John Fields, Producer - John Fields, Recording Engineer - Ken Chastain, Percussion - Mark Kiczula, 2nd Engineer - Matt Beckley, 2nd Engineer - Michael Bland, Drums - Shelly Peiken, Composer - Shelly Peiken, Lyricist - Steven Miller, Recording Engineer - Tom Lord-Alge, Mixing Engineer - Tommy Barbarella, Arranger - Tommy Barbarella, Keyboards - Wally Gagel, Composer - Wally Gagel, Lyricist

(P) 2005 RCA Records, a division of Sony Music Entertainment

8
Climbing the Walls
00:03:41

Adam Brown, Recording Engineer - Backstreet Boys, Performer - Brian Pugh, 2nd Engineer - Chris Haggerty, Edited By - Chris Lord-Alge, Mixing Engineer - Gavyn Wright, Conductor - Johan Reiven, Drums - Lukasz "Doctor Luke" Gottwald, Acoustic Bass - Lukasz "Doctor Luke" Gottwald, Composer - Lukasz "Doctor Luke" Gottwald, Guitar - Lukasz "Doctor Luke" Gottwald, Lyricist - Lukasz "Doctor Luke" Gottwald, Producer - Lukasz "Doctor Luke" Gottwald, Recording Engineer - Max Martin, Composer - Max Martin, Guitar - Max Martin, Lyricist - Max Martin, Producer - Max Martin, Recording Engineer - Michael Ilbert, Edited By - Michael Ilbert, Recording Engineer - Will Malone, Arranger

(P) 2005 RCA Records, a division of Sony Music Entertainment

9
My Beautiful Woman
00:03:38

Alex Acuña, Percussion - Backstreet Boys, Performer - Chris Lord-Alge, Mixing Engineer - Frank Wolf, Recording Engineer - Grecco Buratto, Guitar - Pablo Mungia, Recording Engineer - Paul Bushnell, Acoustic Bass - Paul L Wiltshire, Arranger - Paul L Wiltshire, Composer - Paul L Wiltshire, Lyricist - Paul L Wiltshire, Producer - Paul L Wiltshire, Recording Engineer - Victoria Wu, Composer - Victoria Wu, Lyricist - Victoria Wu, Producer - Vinnie Colaiuta, Drums

(P) 2004 RCA Records, a division of Sony Music Entertainment

10
Safest Place to Hide
00:04:39

Backstreet Boys, Performer - Jamie Muhoberac, Keyboards - Jeff Rothschild, Mixing Engineer - Jeff Rothschild, Recording Engineer - John Shanks, Guitar - John Shanks, Mixing Engineer - John Shanks, Producer - Mark Valentine, Engineer - Paul Bushnell, Acoustic Bass - Robin Lerner, Composer - Robin Lerner, Lyricist - Shari Sutcliffe, Coordinator - Tom Leonard, Composer - Tom Leonard, Lyricist - Vinnie Colaiuta, Drums

(P) 2005 RCA Records, a division of Sony Music Entertainment

11
Siberia
00:04:15

Alexandra, Composer - Alexandra, Lyricist - Backstreet Boys, Performer - Christian Nilsson, Percussion - Christian Nilsson, Producer - Christian Nilsson, Recording Engineer - Johan Brorson, Acoustic Bass - Johan Brorson, Guitar - Johan Brorson, Producer - Johan Brorson, Recording Engineer - Max Martin, Composer - Max Martin, Lyricist - Michael Ilbert, Mixing Engineer - Rami, Composer - Rami, Lyricist

(P) 2005 RCA Records, a division of Sony Music Entertainment

12
Never Gone
00:03:45

Adam Phillips, Guitar - Alex Smith, 2nd Engineer - Backstreet Boys, Performer - Gary Baker, Composer - Gary Baker, Lyricist - Gavyn Wright, Band Leader - Ghian Wright, 2nd Engineer - Isobel Griffiths, Misc. Prod. - James Stone, 2nd Engineer - Kevin Richardson, Composer - Kevin Richardson, Lyricist - Kevin Richardson, Piano - Mark Taylor, Arranger - Mark Taylor, Mixing Engineer - Mark Taylor, Producer - Mark Taylor, Recording Engineer - Pablos Munguia, Recording Engineer - Ren Swan, Mixing Engineer - Ren Swan, Recording Engineer - Robin Smith, Arranger - Robin Smith, Conductor - Steve Diamond, Composer - Steve Diamond, Lyricist - Steve Price, Recording Engineer

(P) 2005 RCA Records, a division of Sony Music Entertainment

Album review

It's been nearly five years since the Backstreet Boys have released a new album, but as the all-too-literal title of 2005's Never Gone makes clear, they don't want you to call their fourth LP a comeback -- in their mind, they've been here for years. That's not strictly true, since all five members have disappeared from the charts, if not the tabloid headlines, since their 2000 flop, Black & Blue. While fellow teen pop icons like Justin Timberlake and Christina Aguilera had successful transitions into adulthood, while Jessica Simpson turned reality TV star and Mandy Moore turned genuine actress (for pity's sake, we will ignore Britney Spears' horrifying descent into white trash abyss), Kevin Richardson, Howie Dorough, and Brian Littrell all faded away as A.J. McLean suffered a very public addiction to various substances. Nick Carter also suffered at the hands of the tabloids, in large part due to a very stormy relationship with Paris Hilton, but he also had the distinction of being the only Backstreet Boy to deliver a solo album -- Now or Never in 2002 -- which meant that he was the only BSB with an ignoble flop to his credit, as well. Now or Never had the distinction of being an old-school teen pop album being delivered too far after the craze. Carter's peers were changing their stripes, but he stuck to the tried and true BSB formula and was punished by the fickle public accordingly. Given that public humiliation, it shouldn't come as a surprise that Carter and the other Boys are wise enough to try something new on Never Gone: they've abandoned the teen pop of the late '90s for anthemic adult contemporary that sounds a bit like Bryan Adams circa 1990. It's not a reinvention as much as a lateral move, shifting from one kind of pop that's not selling to another that's not selling, but to their credit, Backstreet Boys acquit themselves reasonably well here. First of all, there's a bit of pleasure in hearing a group throw itself into the big, resolutely square sound of '90s adult contemporary, since nobody else is doing this sound in 2005, but also it fits the group well, particularly Carter, with his newly raspy lead vocals. Second, this is by and large a well-made record, with a handful of standout tracks, notably the first single "Incomplete," the John Ondrasik-written "Weird World," which is a lot more fun than any Five for Fighting tune, the Max Martin-helmed "Just Want You to Know," and "Lose It All," which bizarrely and appealingly sounds like an MOR version of an Oasis ballad. Although the rest of the record is essentially well-made filler, it does sound good; this is one time that a pop record benefits by having a different production team for nearly every one of the album's tracks, since the sound of each tune is just different enough to keep things interesting yet unified enough to make it pleasant background music. This is all enough to make Never Gone a solid adult contemporary album, which will please both BSB diehards and the dwindling ranks who wish that the glory days of Jon Secada never ended, but its relative strength does highlight one problem with the album: this kind of music doesn't sound quite as convincing when delivered by a group of guys as it does by one singer. If Never Gone had been released as Nick Carter's second solo album or A.J. McLean's first, it would have felt more genuine, since these (marginally) more mature songs of love and relationships would have more resonance sung by a solo singer instead of a pack of guys. But that's nitpicking, because even if it never sells as well as Millennium did at the turn of the century, Never Gone is at the very least a successful musical makeover from the onetime teen pop kings. [Never Gone was released in several editions, including a copy-protected CD that will not play on your computer without installing a separate media player, and a DualDisc, containing a CD on one side and a DVD on the other. The DualDisc has a 5.1 mix version of the album on the DVD side, along with the video for "Incomplete" as well as a brief documentary about the making of the video for "Incomplete." The CD side of the DualDisc may not register on some computers.]

© Stephen Thomas Erlewine /TiVo

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